<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-33221209</id><updated>2012-02-09T03:07:45.490-08:00</updated><category term='lista'/><title type='text'>Grebmops - You know what you doing.</title><subtitle type='html'>This is JAIME GREBMOPS' BLOG. I am a gaucho musician/composer, and my influences are PETER GUTTER (Experiments) and T. SPOMBERG (Divisão de Portais), WEEN - The Mollusk and especially W. ROBÔ, where I play along with Rick Bravestone and Cássio Mandril. Our upcoming album, ARSENAL IX (actually ELEVEN) is coming out in the Fall.

My favorite city is Bogota - Colombia, where I lived for a month. My team is ASTON VILLA.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>44</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-33221209.post-6636726045190132720</id><published>2012-01-03T22:09:00.000-08:00</published><updated>2012-01-03T22:30:49.040-08:00</updated><title type='text'></title><content type='html'>&lt;div&gt;&lt;b&gt;Best older 2010&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;La maman et la putain (1973, Jean Eustache)&lt;/li&gt;&lt;li&gt;Sweet Smell of Success (1957, Alexander Mackendrick)&lt;/li&gt;&lt;li&gt;Ride the High Country (1962, Sam Peckinpah)&lt;/li&gt;&lt;li&gt;The Magnificent Ambersons (1942, Orson Welles)&lt;/li&gt;&lt;li&gt;Cool Hand Luke (1967, Stuart Rosenberg)&lt;/li&gt;&lt;li&gt;Pauline à la plage (1983, Eric Rohmer)&lt;/li&gt;&lt;li&gt;They Live (1988, John Carpenter)&lt;/li&gt;&lt;li&gt;The Naked Spur (1953, Anthony Mann)&lt;/li&gt;&lt;li&gt;Downhill Racer (1969, Michael Ritchie)&lt;/li&gt;&lt;li&gt;Le rayon vert (1983, Eric Rohmer)&lt;/li&gt;&lt;li&gt;Judex (1963, Georges Franju)&lt;/li&gt;&lt;li&gt;The Outfit (1973, John Flynn)&lt;/li&gt;&lt;li&gt;Winchester '73 (1950, Anthony Mann)&lt;/li&gt;&lt;li&gt;Secret défense (1998, Jacques Rivette)&lt;/li&gt;&lt;li&gt;I Walked with a Zombie (1943, Jacques Tourneur)&lt;/li&gt;&lt;li&gt;Masculin féminin (1966, Jean-Luc Godard)&lt;/li&gt;&lt;li&gt;Mes petites amoureuses (1974, Jean Eustache)&lt;/li&gt;&lt;li&gt;Angel Face (1952, Otto Preminger)&lt;/li&gt;&lt;li&gt;Make Way For Tomorrow (1937, Leo McCarey)&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Best older 2009&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;The Small Back Room (1949, Powell &amp;amp; Pressburger)&lt;/li&gt;&lt;li&gt;White Dog (1981, Sam Peckinpah)&lt;/li&gt;&lt;li&gt;The Woman in the Window (1944, Fritz Lang)&lt;/li&gt;&lt;li&gt;Ma nuit chez Maud (1969, Eric Rohmer)&lt;/li&gt;&lt;li&gt;Hud (1963, Martin Ritt)&lt;/li&gt;&lt;li&gt;The Shout (1978, Jerzy Skolimowski)&lt;/li&gt;&lt;li&gt;Shadows (1959, John Cassavetes)&lt;/li&gt;&lt;li&gt;Bigger than Life (1956, Nicholas Ray)&lt;/li&gt;&lt;li&gt;The Set-Up (1949, Robert Wise)&lt;/li&gt;&lt;li&gt;The Day of the Locust (1976, John Schlesinger)&lt;/li&gt;&lt;li&gt;La femme de l'aviateur (1981, Eric Rohmer)&lt;/li&gt;&lt;li&gt;Border Incident (1949, Anthony Mann)&lt;/li&gt;&lt;li&gt;Enemies, a Love Story (1989, Paul Mazursky)&lt;/li&gt;&lt;li&gt;The Lost Honor of Katharina Blum (1975, Volker Schlondorff)&lt;/li&gt;&lt;li&gt;The Big Knife (1955, Robert Aldrich)&lt;/li&gt;&lt;li&gt;Homicide (1991, David Mamet)&lt;/li&gt;&lt;li&gt;Le pont du nord (1981, Jacques Rivette)&lt;/li&gt;&lt;li&gt;The Hit (1984, Stephen Frears)&lt;/li&gt;&lt;li&gt;Leave Her To Heaven (1945, John M. Stahl)&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;span&gt;Top 10 vistos/lançados em 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;&lt;span&gt;The Social Network&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The Ghost Writer&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;A Serious Man&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Scott Pilgrim vs. The World&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Inception&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Greenberg&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Harry Potter and the Deathly Hallows: Part 1&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The American&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Where the Wild Things Are&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The Road&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div&gt;&lt;b&gt;&lt;span&gt;Top 10 vistos/lançados em 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;&lt;span&gt;The Fantastic Mr Fox&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;In The Loop&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Harry Potter and the Half-Blood Prince&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Inglourious Basterds&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Adventureland&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Public Enemies&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Two Lovers&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Entre les murs&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Drag Me To Hell&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Synecdoche, NY&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-6636726045190132720?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/6636726045190132720/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=6636726045190132720' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6636726045190132720'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6636726045190132720'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2012/01/best-older-2010-la-maman-et-la-putain.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-7620980768006757813</id><published>2012-01-02T08:59:00.000-08:00</published><updated>2012-01-02T09:15:57.787-08:00</updated><title type='text'></title><content type='html'>&lt;b&gt;Top 5 new books read in 2011 (fiction):&lt;/b&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;11/22/63, Stephen King&lt;/li&gt;&lt;li&gt;Train Dreams, Denis Johnson&lt;/li&gt;&lt;li&gt;Leaving the Atocha Station, Ben Lerner&lt;/li&gt;&lt;li&gt;The Marriage Plot, Jeffrey Eugenides&lt;/li&gt;&lt;li&gt;The Sense of an Ending, Julian Barnes&lt;/li&gt;&lt;/ol&gt;&lt;div&gt;&lt;b&gt;Top 5 new books read in 2011 (non-fiction):&lt;/b&gt;&lt;/div&gt;&lt;ol&gt;&lt;li&gt;The Age of Movies, Pauline Kael (ed. Sandor Schwartz)&lt;/li&gt;&lt;li&gt;In Rough Country, Joyce Carol Oates&lt;/li&gt;&lt;li&gt;The Psychopath Test, Jon Ronson&lt;/li&gt;&lt;/ol&gt;&lt;div&gt;&lt;b&gt;Older books (fiction):&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;Double Indemnity, James M. Cain&lt;/li&gt;&lt;li&gt;Pick-up, Charles Willeford&lt;/li&gt;&lt;li&gt;The Invention of Morel, Adolfo Bioy-Casares&lt;/li&gt;&lt;li&gt;The Seven Crystal Balls/Prisoners of the Sun, Hergé&lt;/li&gt;&lt;li&gt;Lost in the Andes, Carl Barks&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Older books (non-fiction):&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;The Making of Star Wars, J. W. Rinzler&lt;/li&gt;&lt;li&gt;Lynch on Lynch, (ed. Chris Rodley)&lt;/li&gt;&lt;li&gt;The Secret History of Star Wars, Michael Kaminski&lt;/li&gt;&lt;li&gt;The Disappointment Artist, Jonathan Lethem&lt;/li&gt;&lt;li&gt;Star Wars (BFI Modern Classics), Will Brooker&lt;/li&gt;&lt;/ol&gt;&lt;div&gt;&lt;b&gt;Top 5 new albums of 2011&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;ol&gt;&lt;li&gt;The Girl with the Dragon Tattoo, Trent Reznor &amp;amp; Atticus Ross&lt;/li&gt;&lt;li&gt;Quadrophenia Demos, Pete Townshend&lt;/li&gt;&lt;li&gt;Crazy Clown Time, David Lynch&lt;/li&gt;&lt;li&gt;50 Words for Snow, Kate Bush&lt;/li&gt;&lt;li&gt;WTC 9/11, Steve Reich&lt;/li&gt;&lt;li&gt;Cave of Forgotten Dreams, Ernst Reijseger&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-7620980768006757813?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/7620980768006757813/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=7620980768006757813' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/7620980768006757813'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/7620980768006757813'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2012/01/top-5-new-books-read-in-2011-fiction.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-4829010386324545212</id><published>2011-12-16T05:36:00.000-08:00</published><updated>2012-01-03T22:26:51.230-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-size: 100%; font-style: normal; font-variant: normal; line-height: normal; font-weight: normal; "&gt;&lt;span&gt;&lt;b&gt;Top 10 lançados/vistos em 2011&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;ol style="font-size: 100%; font-style: normal; font-variant: normal; line-height: normal; font-weight: normal; "&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Certified Copy&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Meek's Cutoff&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;True Grit&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;The Tree of Life&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Melancholia&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The Skin I Live In&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Tabloid&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Harry Potter and the Deathly Hallows: Part 2&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Source Code&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Road to Nowhere&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Buck&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;A Separation&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;X-Men: First Class&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Cave of Forgotten Dreams&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Blue Valentine&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Blackthorn&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Jane Eyre&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Black Swan&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Contagion&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Uncle Boonme&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;span style="font-size: 100%; font-style: normal; font-variant: normal; line-height: normal; font-weight: normal; "&gt;&lt;br /&gt;&lt;span&gt;&lt;b&gt;Bottom 10&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="font-size: 100%; font-style: normal; font-variant: normal; line-height: normal; font-weight: normal; "&gt;&lt;ol&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;In Time&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Cowboys &amp;amp; Aliens&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Red Riding Hood&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;The Rite&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Larry Crowne&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;The Change-up&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;30 Minutes or Less&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Horrible Bosses&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Your Highness&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Friends with Benefits&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div style="font-size: 100%; font-style: normal; font-variant: normal; line-height: normal; font-weight: normal; "&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 100%; font-style: normal; font-variant: normal; line-height: normal; "&gt;&lt;b style="font-size: 100%; "&gt;Top 10 older films first seen in 2011&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: 100%; font-style: normal; font-variant: normal; line-height: normal; "&gt;&lt;ol style="font-weight: normal; "&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Deep End (1970, Jerzy Skolimowski)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Casualties of War (1989, Brian de Palma)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;The Naked Kiss (1964, Sam Fuller)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Los Angeles Plays Itself (2003, Thom Andersen)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Thunderbolt &amp;amp; Lightfoot (1974, Michael Cimino)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Faces (1968, John Cassavetes)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Stagecoach (1939, John Ford)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Design for Living (1931, Ernst Lubitsch)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Cul-de-sac (1966, Roman Polanski)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Shock Corridor (1963, Sam Fuller)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div&gt;&lt;b&gt;&lt;span&gt;Bonus:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-size: 100%; "&gt;Troll 2 (1990, Claudio Fragasso)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: normal; "&gt;&lt;b&gt;&lt;span&gt;Top filmes de 2011 que não vi ainda&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;ol style="font-weight: normal; line-height: normal; "&gt;&lt;li&gt;&lt;span&gt;A Dangerous Method &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Carnage&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Drive &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Hugo &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The Descendants &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Margaret &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Shame &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Tinker Tailor Soldier Spy&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The Girl with the Dragon Tattoo&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Damsels in Distress&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-4829010386324545212?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/4829010386324545212/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=4829010386324545212' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4829010386324545212'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4829010386324545212'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/12/top-9-filmes-de-2011-que-nao-vi-ainda-1.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-4039309518076878563</id><published>2011-10-29T20:13:00.001-07:00</published><updated>2011-10-29T20:13:14.688-07:00</updated><title type='text'></title><content type='html'>Fires on the Plain&lt;br /&gt;Japan (1959): War&lt;br /&gt;105 min, No rating, B&amp;W&lt;br /&gt;Also known as NOBI.&lt;br /&gt;Based on the book by Shohei Ooka, which is said to be the greatest&lt;br /&gt;Japanese novel to have come out of the Second World War, this film,&lt;br /&gt;set on Leyte, is an obsessive cry of disgust. It's an appalling picture;&lt;br /&gt;it's also a work of epic poetry. The subject is modern man as a&lt;br /&gt;cannibal, and after a few minutes this subject doesn't seem at all&lt;br /&gt;strange or bizarre: it seems, rather, to be basic. Tamura, the hero, is&lt;br /&gt;one of the stragglers of the disintegrating retreating Japanese army-&lt;br /&gt;terrified of the Americans, the Filipinos, and of each other. Tamura&lt;br /&gt;walks across the plain unharmed because he is already a dead man:&lt;br /&gt;he is tubercular-no one wants his flesh. In the middle of this desolation,&lt;br /&gt;there are bonfires-ambiguous flames in the distance that kindle hope.&lt;br /&gt;(Perhaps they are signal fires? Perhaps Filipino farmers are burning&lt;br /&gt;corn husks? Perhaps there is still some normal life going on?) At the&lt;br /&gt;end Tamura approaches the flames and his last illusion is dispelled.&lt;br /&gt;Like the novel, which, as its translator, Ivan Morris, said, draws a&lt;br /&gt;shocking analogy between "the cannibalism of the starving soldiers ...&lt;br /&gt;and the Christian doctrine of the Mass," the film is very simple. The&lt;br /&gt;passion that informs the character of Tamura is so intense that he&lt;br /&gt;seems both painfully close to us and remote-detached from what is&lt;br /&gt;ordinarily thought of as emotion. The atmosphere of the film is also&lt;br /&gt;remote from our ordinary world: there is nothing banal, nothing&lt;br /&gt;extraneous to the single-minded view of man in extremis. Directed by&lt;br /&gt;Kon Ichikawa; the script is by his wife, Natto Wada. It's a masterpiece.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-4039309518076878563?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/4039309518076878563/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=4039309518076878563' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4039309518076878563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4039309518076878563'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/10/fires-on-plain-japan-1959-war-105-min.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-2504761383073322465</id><published>2011-10-28T11:37:00.001-07:00</published><updated>2011-10-28T11:37:43.353-07:00</updated><title type='text'></title><content type='html'>Pauline Kael, from 5001 Nights at the Movies&lt;br /&gt;&lt;br /&gt;The Driver&lt;br /&gt;US (1978): Crime&lt;br /&gt;90 min, Rated PG, Color&lt;br /&gt;This gangster picture, which failed commercially here and is also an&lt;br /&gt;aesthetic failure, was Walter Hill's second film as a writer-director. (It&lt;br /&gt;was made after HARD TIMES and before THE WARRIORS.) Hill&lt;br /&gt;attempted to stylize gangster characters and conventions, and&lt;br /&gt;although he succeeded in the action sequences, which have a near-&lt;br /&gt;abstract visual power, the stylized characters, with their uninflected&lt;br /&gt;personalities, flatten the movie out. In trying to purify the gangster film,&lt;br /&gt;he lost the very element that has made gangster movies so enjoyable:&lt;br /&gt;the colorful lowlifes and braggarts, with their own slang. (Instead, the&lt;br /&gt;characters stare at each other in silence.) And in exalting&lt;br /&gt;"professionalism"-in setting forth a neo-Hemingway elitist attitude for&lt;br /&gt;judging people on the basis of their grace and courage-Hill shows&lt;br /&gt;such a limited perspective that the film is comic-book cops-and-&lt;br /&gt;robbers existentialism. Ryan O'Neal, with his soft voice, gives the&lt;br /&gt;central role a strange, callow quality that's very effective, but as his&lt;br /&gt;adversary in the police department, Bruce Dern is at his mannered&lt;br /&gt;worst. As a woman of mystery, Isabelle Adjani drops her voice down to&lt;br /&gt;a Dietrich level and never varies it-or her expression: she's as blank-&lt;br /&gt;faced as a figure at Mme. Tussaud's. With Ronee Blakley, who looks&lt;br /&gt;more vividly alive than anyone else but gets killed off fast, and Joseph&lt;br /&gt;Walsh. Cinematography by Philip Lathrop. 20th Century-Fox.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-2504761383073322465?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/2504761383073322465/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=2504761383073322465' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2504761383073322465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2504761383073322465'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/10/pauline-kael-from-5001-nights-at-movies.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-1792841672861003287</id><published>2011-10-26T22:46:00.001-07:00</published><updated>2011-10-26T22:46:19.338-07:00</updated><title type='text'></title><content type='html'>journals of john cheever&lt;br /&gt;stonemason&lt;br /&gt;paths of glory&lt;br /&gt;2001 bfi&lt;br /&gt;play it as it lays&lt;br /&gt;ratner's star&lt;br /&gt;the names&lt;br /&gt;asterios polyp&lt;br /&gt;shakespeare bloom&lt;br /&gt;butcher's crossing&lt;br /&gt;stoner&lt;br /&gt;tree of smoke&lt;br /&gt;farber on film&lt;br /&gt;already dead&lt;br /&gt;uncanny royle&lt;br /&gt;tours of the black clock&lt;br /&gt;chronic city&lt;br /&gt;spook country&lt;br /&gt;raymond carver loa&lt;br /&gt;the once and future king&lt;br /&gt;journey of the end of the night&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-1792841672861003287?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/1792841672861003287/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=1792841672861003287' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1792841672861003287'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1792841672861003287'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/10/journals-of-john-cheever-stonemason.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-3725074254377586178</id><published>2011-10-07T12:55:00.000-07:00</published><updated>2011-10-07T12:56:58.199-07:00</updated><title type='text'></title><content type='html'>i have a new presentation coming up&lt;br /&gt;&lt;br /&gt;Revealing Millhauser's Mullhouse: Elements of Autobiography in Novels, or: Writing Fiction about Literature&lt;br /&gt;&lt;br /&gt;please F. Fernandes e Antônio X., please come :D&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-3725074254377586178?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/3725074254377586178/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=3725074254377586178' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/3725074254377586178'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/3725074254377586178'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/10/i-have-new-presentation-coming-up.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-2581115720423072507</id><published>2011-09-26T20:02:00.000-07:00</published><updated>2011-09-26T20:03:55.178-07:00</updated><title type='text'></title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-HjHmWWRzAYA/ToE87_JBpYI/AAAAAAAAEnY/zYYD13qp3CI/s1600/tumblr_ls48i4T5km1qc823io1_1280.jpeg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 313px;" src="http://4.bp.blogspot.com/-HjHmWWRzAYA/ToE87_JBpYI/AAAAAAAAEnY/zYYD13qp3CI/s400/tumblr_ls48i4T5km1qc823io1_1280.jpeg" border="0" alt=""id="BLOGGER_PHOTO_ID_5656869608213292418" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-2581115720423072507?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/2581115720423072507/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=2581115720423072507' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2581115720423072507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2581115720423072507'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/09/blog-post_26.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-HjHmWWRzAYA/ToE87_JBpYI/AAAAAAAAEnY/zYYD13qp3CI/s72-c/tumblr_ls48i4T5km1qc823io1_1280.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-6326308702550471304</id><published>2011-09-20T20:21:00.000-07:00</published><updated>2011-09-20T20:23:31.022-07:00</updated><title type='text'></title><content type='html'>&lt;img  src="http://4.bp.blogspot.com/-b5NTJ0GjC8w/TnlYgzMtcdI/AAAAAAAAEnQ/lzoXHcvzyfw/s400/tumblr_lqq565WQgp1qznvi3o1_500.gif" border="0" alt=""id="BLOGGER_PHOTO_ID_5654648127662944722" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-6326308702550471304?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/6326308702550471304/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=6326308702550471304' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6326308702550471304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6326308702550471304'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/09/blog-post.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-b5NTJ0GjC8w/TnlYgzMtcdI/AAAAAAAAEnQ/lzoXHcvzyfw/s72-c/tumblr_lqq565WQgp1qznvi3o1_500.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-8754558818691638538</id><published>2011-09-20T20:17:00.001-07:00</published><updated>2011-09-20T20:46:27.956-07:00</updated><title type='text'></title><content type='html'>I have a new book coming out in the FAll, written with Andrea Treadle (my old master). It's called&lt;span style="font-weight:bold;"&gt; The Freedom from Classic Narrative Fiction: Post-modern Cinema in the Age of the Technology Explosion&lt;/span&gt;. It was inspired by this quote by Don DeLillo: &lt;br /&gt;&lt;blockquote&gt;We don't really know how technology will affect narrative. That's the question. See, people used to say that the novel is going to die, but they would never say that movies will die with it, when in fact all forms depend on the narrative. I think if one of them fails, the others are going to fail as well. Maybe this will happen to both forms, and maybe movies will take a totally different direction with fiction.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;and also by Terrence Malick's &lt;a href="http://www.youtube.com/watch?v=gTWo9oLJOWk"&gt;dinosaur scene&lt;/a&gt; in &lt;span style="font-style:italic;"&gt;Tree of Life&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;It will be on sale on Amazon.com, sorry, I mean &lt;a href="http://www.lulu.com"&gt;Lulu.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://30.media.tumblr.com/tumblr_lrfaqyelQN1r1p0qvo2_500.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 500px; height: 299px;" src="http://30.media.tumblr.com/tumblr_lrfaqyelQN1r1p0qvo2_500.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-8754558818691638538?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/8754558818691638538/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=8754558818691638538' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/8754558818691638538'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/8754558818691638538'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/09/i-have-new-book-coming-out-in-fall.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-6699880111188309499</id><published>2011-06-17T09:08:00.000-07:00</published><updated>2011-06-17T09:09:07.309-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-pP_FTz6D_tE/Tft8HUW9vFI/AAAAAAAAEcs/XbzQa_Dr8-E/s1600/videodrome12.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 182px;" src="http://4.bp.blogspot.com/-pP_FTz6D_tE/Tft8HUW9vFI/AAAAAAAAEcs/XbzQa_Dr8-E/s320/videodrome12.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5619221425240783954" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-6699880111188309499?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/6699880111188309499/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=6699880111188309499' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6699880111188309499'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6699880111188309499'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2011/06/blog-post.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-pP_FTz6D_tE/Tft8HUW9vFI/AAAAAAAAEcs/XbzQa_Dr8-E/s72-c/videodrome12.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-1255647715073094462</id><published>2010-02-03T10:57:00.000-08:00</published><updated>2010-02-03T11:03:14.638-08:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"   style="  line-height: 18px; font-family:'Lucida Grande';font-size:13px;"&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;Not my favorites, my guesses&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;BEST PICTURE:&lt;br /&gt;&lt;b&gt;Avatar&lt;/b&gt;&lt;br /&gt;The Blind Side&lt;br /&gt;District 9&lt;br /&gt;An Education&lt;br /&gt;The Hurt Locker&lt;br /&gt;Inglourious Basterds&lt;br /&gt;Precious: Based on the Novel “Push” by Sapphire&lt;br /&gt;A Serious Man&lt;br /&gt;Up&lt;br /&gt;Up in the Air&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;DIRECTING:&lt;br /&gt;&lt;b&gt;Kathryn Bigelow - The Hurt Locker&lt;/b&gt;&lt;br /&gt;James Cameron - Avatar&lt;br /&gt;Lee Daniels - Precious: Based on the Novel “Push” by Sapphire&lt;br /&gt;Jason Reitman - Up in the Air&lt;br /&gt;Quentin Tarantino - Inglourious Basterds&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;ACTOR IN A LEADING ROLE:&lt;br /&gt;&lt;b&gt;Jeff Bridges - Crazy Heart&lt;/b&gt;&lt;br /&gt;George Clooney - Up in the Air&lt;br /&gt;Colin Firth - A Single Man&lt;br /&gt;Morgan Freeman - Invictus&lt;br /&gt;Jeremy Renner - The Hurt Locker&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;ACTRESS IN A LEADING ROLE:&lt;br /&gt;&lt;b&gt;Sandra Bullock - The Blind Side&lt;/b&gt;&lt;br /&gt;Helen Mirren - The Last Station&lt;br /&gt;Carey Mulligan - An Education&lt;br /&gt;Gabourey Sidibe - Precious: Based on the Novel “Push” by Sapphire&lt;br /&gt;Meryl Streep - Julie &amp;amp; Julia&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;ACTOR IN A SUPPORTING ROLE:&lt;br /&gt;Matt Damon - Invictus&lt;br /&gt;Woody Harrelson - The Messenger&lt;br /&gt;Christopher Plummer - The Last Station&lt;br /&gt;Stanley Tucci - The Lovely Bones&lt;br /&gt;&lt;b&gt;Christoph Waltz - Inglourious Basterds&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;ACTRESS IN A SUPPORTING ROLE:&lt;br /&gt;Penelope Cruz - Nine&lt;br /&gt;Vera Farmiga - Up in the Air&lt;br /&gt;Maggie Gyllenhaal - Crazy Heart&lt;br /&gt;Anna Kendrick - Up in the Air&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Mo’Nique - Precious: Based on the Novel “Push” by Sapphire&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;ADAPTED SCREENPLAY:&lt;br /&gt;Neill Blomkamp and - District 9&lt;br /&gt;Nick Hornby - An Education&lt;br /&gt;Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche - In the Loop&lt;br /&gt;Geoffrey Fletcher - Precious: Based on the Novel “Push” by Sapphire&lt;br /&gt;&lt;b&gt;Jason Reitman and Sheldon Turner - Up in the Air&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;ORIGINAL SCREENPLAY:&lt;br /&gt;Mark Boal - The Hurt Locker&lt;br /&gt;&lt;b&gt;Quentin Tarantino - Inglourious Basterds&lt;/b&gt;&lt;br /&gt;Oren Moverman and - The Messenger&lt;br /&gt;Joel and Ethan Coen - A Serious Man&lt;br /&gt;Pete Docter and Bob Peterson - Up&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;FOREIGN LANGUAGE FILM:&lt;br /&gt;Ajami  - Israel&lt;br /&gt;El Secreto de sus Ojos - Argentina&lt;br /&gt;The Milk of Sorrow&lt;br /&gt;Une Prophéte  - France&lt;br /&gt;&lt;b&gt;The White Ribbon - Germany&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;ANIMATED FEATURE FILM:&lt;br /&gt;Coraline&lt;br /&gt;Fantastic Mr. Fox&lt;br /&gt;The Princess and the Frog&lt;br /&gt;The Secret of the Kells&lt;br /&gt;&lt;b&gt;Up&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;BEST CINEMATOGRAPHY:&lt;br /&gt;&lt;b&gt;Maurio Fiore - Avatar&lt;/b&gt;&lt;br /&gt;Bruno Delbonnel - Harry Potter and the Half-Blood Prince&lt;br /&gt;Barry Ackroyd - The Hurt Locker&lt;br /&gt;Robert Richardson - Inglourious Basterds&lt;br /&gt;Christian Berger - The White Ribbon&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.8em; margin-left: 0px; "&gt;FILM EDITING:&lt;br /&gt;Stephen Rivkin, John Refoua and James Cameron - Avatar&lt;br /&gt;Julian Clarke - District 9&lt;br /&gt;&lt;b&gt;Bob Murawski and Chris Innis - The Hurt Locker&lt;/b&gt;&lt;br /&gt;Sally Menke - Inglourious Basterds&lt;br /&gt;Joe Klotz - Precious: Based on the Novel ‘Push’ by Sapphire&lt;/p&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-1255647715073094462?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/1255647715073094462/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=1255647715073094462' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1255647715073094462'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1255647715073094462'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2010/02/not-my-favorites-my-guesses-best.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-4144584478913844090</id><published>2010-01-01T15:21:00.000-08:00</published><updated>2010-01-14T16:30:35.095-08:00</updated><title type='text'></title><content type='html'>Filmes que mais me revoltaram na última década:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;8 femmes&lt;br /&gt;&lt;/li&gt;&lt;li&gt;Adoration&lt;/li&gt;&lt;li&gt;Angel&lt;/li&gt;&lt;li&gt;Crash&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.imdb.com/title/tt0458364/" style="text-decoration: none;"&gt;Fast Track&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Garden State&lt;/li&gt;&lt;li&gt;Good Night and Good Luck &lt;/li&gt;&lt;li&gt;Juno&lt;/li&gt;&lt;li&gt;La mala educación&lt;/li&gt;&lt;li&gt;Le temps qui reste&lt;/li&gt;&lt;li&gt;Little Miss Sunshine&lt;/li&gt;&lt;li&gt;The Last Kiss&lt;/li&gt;&lt;li&gt;What the Bleep Do We Know?&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Filmes que mais me revoltaram em 2009:&lt;div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;Antichrist&lt;/li&gt;&lt;li&gt;The Hangover&lt;/li&gt;&lt;li&gt;New Moon&lt;/li&gt;&lt;li&gt;Angels and Demons&lt;/li&gt;&lt;li&gt;The Imaginarium of Dr Parnassus&lt;/li&gt;&lt;li&gt;Wolverine&lt;/li&gt;&lt;li&gt;Couples Retreat&lt;/li&gt;&lt;li&gt;The Ugly Truth&lt;/li&gt;&lt;li&gt;Sherlock Holmes&lt;/li&gt;&lt;li&gt;Funny People&lt;/li&gt;&lt;li&gt;Away We Go&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-4144584478913844090?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/4144584478913844090/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=4144584478913844090' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4144584478913844090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4144584478913844090'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2010/01/filmes-que-mais-me-revoltaram-na-ultima.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-207369663137402025</id><published>2009-12-06T18:24:00.001-08:00</published><updated>2009-12-06T18:24:39.237-08:00</updated><title type='text'></title><content type='html'>TOP 10 of the DECADE OFGM.&lt;br /&gt;&lt;br /&gt;1. Mulholland Dr.&lt;br /&gt;2. A History of Violence&lt;br /&gt;3. No Country for Old Men&lt;br /&gt;4. The Prestige&lt;br /&gt;5. Zodiac&lt;br /&gt;6. The New World&lt;br /&gt;7. Eastern Promises&lt;br /&gt;8. There Will Be Blood&lt;br /&gt;9. The Squid and the Whale&lt;br /&gt;10. Gangs of New York&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-207369663137402025?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/207369663137402025/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=207369663137402025' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/207369663137402025'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/207369663137402025'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/12/top-10-of-decade-ofgm.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-821537814648610913</id><published>2009-09-05T08:16:00.000-07:00</published><updated>2009-09-05T08:18:38.895-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_4ybAjrXJjc4/SqKBDP_SUoI/AAAAAAAADfk/_igiPgBcd2s/s1600-h/Screen+shot+2009-09-05+at+12.14.51+PM.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 137px;" src="http://3.bp.blogspot.com/_4ybAjrXJjc4/SqKBDP_SUoI/AAAAAAAADfk/_igiPgBcd2s/s320/Screen+shot+2009-09-05+at+12.14.51+PM.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5378002797865357954" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-821537814648610913?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/821537814648610913/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=821537814648610913' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/821537814648610913'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/821537814648610913'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/09/blog-post.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_4ybAjrXJjc4/SqKBDP_SUoI/AAAAAAAADfk/_igiPgBcd2s/s72-c/Screen+shot+2009-09-05+at+12.14.51+PM.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-3245690837840924554</id><published>2009-08-07T16:14:00.000-07:00</published><updated>2011-03-08T08:11:59.800-08:00</updated><title type='text'></title><content type='html'>&lt;p&gt;Top movies by year, a Grebs list.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;2010&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;The Social Network&lt;br /&gt;Inception&lt;br /&gt;The Ghost Writer&lt;br /&gt;True Grit&lt;br /&gt;Greenberg&lt;br /&gt;Scott Pilgrim vs. the World&lt;br /&gt;The American&lt;br /&gt;Harry Potter and the Deathly Hallows, Part 1&lt;br /&gt;Fish Tank&lt;br /&gt;Chloe&lt;br /&gt;The Town&lt;br /&gt;Let Me In&lt;/p&gt;&lt;p&gt;&lt;b&gt;2009&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;A Serious Man&lt;br /&gt;Fantastic Mr. Fox&lt;br /&gt;Inglorious Basterds&lt;br /&gt;In the Loop&lt;br /&gt;Public Enemies&lt;br /&gt;Adventureland&lt;br /&gt;Where the Wild Things Are&lt;br /&gt;Harry Potter and the Half-Blood Prince&lt;br /&gt;The Road&lt;br /&gt;Watchmen&lt;br /&gt;Avatar&lt;br /&gt;The Lovely Bones&lt;br /&gt;Drag me to Hell&lt;br /&gt;Bright Star&lt;br /&gt;Bad Lieutenant: Port of Call New Orleans&lt;br /&gt;(500) Days of Summer&lt;/p&gt;&lt;p&gt;&lt;strong&gt;2008&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Entre les murs&lt;br /&gt;Two Lovers&lt;br /&gt;Indiana Jones and the Kingdom of the Crystal Skull&lt;br /&gt;Man on Wire&lt;br /&gt;The Dark Knight&lt;br /&gt;The Edge of Heaven&lt;br /&gt;Burn After Reading&lt;br /&gt;WALL-E&lt;br /&gt;Revolutionary Road&lt;br /&gt;Synecdoche, NY&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;2007&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;No Country for Old Men&lt;br /&gt;Eastern Promises&lt;br /&gt;There Will Be Blood&lt;br /&gt;The Diving Bell and the Butterfly&lt;br /&gt;Margot at the Wedding&lt;br /&gt;Before the Devil Knows You're Dead&lt;br /&gt;3:10 to Yuma&lt;br /&gt;Paranoid Park&lt;br /&gt;The Brave One&lt;br /&gt;Black Book&lt;/p&gt;&lt;p&gt;&lt;strong&gt;2006&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;The Prestige&lt;br /&gt;Zodiac&lt;br /&gt;The Assassination of Jesse James by the Coward Robert Ford&lt;br /&gt;Inland Empire&lt;br /&gt;Pan's Labyrinth&lt;br /&gt;Little Children&lt;br /&gt;The Departed&lt;br /&gt;A Scanner Darkly&lt;br /&gt;Children of Men&lt;br /&gt;The Lives of Others&lt;/p&gt;&lt;p&gt;&lt;strong&gt;2005&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;A History of Violence&lt;br /&gt;The New World&lt;br /&gt;The Squid and the Whale&lt;br /&gt;Grizzly Man&lt;br /&gt;Batman Begins&lt;br /&gt;Caché&lt;br /&gt;Brokeback Mountain&lt;br /&gt;Pride &amp;amp; Prejudice&lt;br /&gt;The Ice Harvest&lt;br /&gt;The White Diamond&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;2004&lt;/p&gt;&lt;p&gt;The Aviator&lt;br /&gt;The Life Aquatic with Steve Zissou&lt;br /&gt;Harry Potter and the Prisoner of Azkaban&lt;br /&gt;Collateral&lt;br /&gt;The Sea Inside&lt;br /&gt;Closer&lt;br /&gt;Hellboy&lt;br /&gt;Kill Bill Vol. 2&lt;br /&gt;Before Sunset&lt;br /&gt;We Don't Live Here Anymore&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;2003&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;The Fog of War&lt;br /&gt;Elephant&lt;br /&gt;Master and Commander&lt;br /&gt;The Best of Youth&lt;br /&gt;Kill Bill Vol. 1&lt;br /&gt;The Lord of the Rings: The Return of the King&lt;br /&gt;Lost in Translation&lt;br /&gt;Cold Mountain&lt;br /&gt;American Splendor&lt;br /&gt;Swimming Pool&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2002&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Gangs of New York&lt;br /&gt;Adaptation&lt;br /&gt;Minority Report&lt;br /&gt;Catch Me If You Can&lt;br /&gt;The Piano Teacher&lt;br /&gt;The Quiet American&lt;br /&gt;28 Days Later&lt;br /&gt;Lord of the Rings: The Two Towers&lt;br /&gt;Spider&lt;br /&gt;The 25th Hour&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;2001&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Mulholland Dr.&lt;span&gt;&lt;br /&gt;&lt;/span&gt;Spirited Away&lt;br /&gt;A. I. - Artificial Intelligence&lt;br /&gt;Ghost World&lt;br /&gt;The Lord of the Rings: The Fellowship of the Ring&lt;br /&gt;The Royal Tenenbaums&lt;br /&gt;In the Bedroom&lt;br /&gt;The Piano Teacher&lt;br /&gt;La stanza del figlio&lt;br /&gt;Y Tu Mama Tambien&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;2000&lt;/p&gt;&lt;p&gt;Yi Yi&lt;br /&gt;The House of Mirth&lt;br /&gt;High Fidelity&lt;br /&gt;Code inconnu&lt;br /&gt;O Brother, Where Art Thou?&lt;br /&gt;Sous le sable&lt;br /&gt;Gladiator&lt;br /&gt;Trolösa&lt;br /&gt;Wonder Boys&lt;br /&gt;American Psycho&lt;/p&gt;&lt;p style="font-weight: bold;"&gt;1999&lt;/p&gt;&lt;p&gt;1. Eyes Wide Shut&lt;br /&gt;2. eXistenZ&lt;br /&gt;3. The Straight Story&lt;br /&gt;4. Fight Club&lt;br /&gt;5. Bringing Out the Dead&lt;br /&gt;6. The Talented Mr Ripley&lt;br /&gt;7. Magnolia&lt;br /&gt;8. Being John Malkovich&lt;br /&gt;9. Toy Story 2&lt;br /&gt;10. The Matrix&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1998&lt;/span&gt;&lt;/p&gt;&lt;p&gt;1. The Thin Red Line&lt;br /&gt;2. Rushmore&lt;br /&gt;3. The Last Days of Disco&lt;br /&gt;4. The Big Lebowski&lt;br /&gt;5. Fear and Loathing in Las Vegas&lt;br /&gt;6. Saving Private Ryan&lt;br /&gt;7. The Truman Show&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1997&lt;/span&gt;&lt;/p&gt;&lt;p&gt;1. LA Confidential&lt;br /&gt;2. Lost Highway&lt;br /&gt;3. Mononoke Hime&lt;br /&gt;4. Boogie Nights&lt;br /&gt;5. Deconstructing Harry&lt;br /&gt;6. Jackie Brown&lt;br /&gt;7. The Wings of the Dove&lt;br /&gt;8. The Ice Storm&lt;br /&gt;9. Gattaca&lt;br /&gt;10. Wag the Dog&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-3245690837840924554?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/3245690837840924554/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=3245690837840924554' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/3245690837840924554'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/3245690837840924554'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/08/top-movies-by-year-grebs-list.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-5851911018406796799</id><published>2009-05-05T06:57:00.000-07:00</published><updated>2009-05-05T06:59:44.926-07:00</updated><title type='text'></title><content type='html'>New readings, inspired by FF&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Walker Percy, The Moviegoer&lt;/li&gt;&lt;li&gt;Isaac Bashevis Singer, The Collected Stories&lt;/li&gt;&lt;li&gt;Donald Barthelme, Sixty Stories&lt;/li&gt;&lt;li&gt;Thomas Pynchon, V.&lt;/li&gt;&lt;li&gt;Peter Gay, Modernism: The Lure of Heresy&lt;/li&gt;&lt;li&gt;Slavoj Zizek, Lacrimae Rerum&lt;/li&gt;&lt;li&gt;Franz Kafka, Metamorphosis and Other Stories&lt;/li&gt;&lt;li&gt;JG Ballard, The Drowned World&lt;/li&gt;&lt;li&gt;Saul Bellow, Collected Stories&lt;/li&gt;&lt;li&gt;Philip Roth, The Prague Orgy&lt;/li&gt;&lt;li&gt;JG Ballard, The Atrocity Exhibition&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-5851911018406796799?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/5851911018406796799/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=5851911018406796799' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5851911018406796799'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5851911018406796799'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/05/new-readings-inspired-by-ff-walker.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-8635004518131681641</id><published>2009-04-17T06:23:00.000-07:00</published><updated>2011-03-02T06:41:34.565-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='lista'/><title type='text'></title><content type='html'>&lt;u&gt;&lt;strong&gt;Séries que acompanho:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: normal; "&gt;30 Rock&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal; "&gt;American Dad!&lt;br /&gt;Bored to Death&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal; "&gt;Breaking Bad&lt;br /&gt;Community&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal; "&gt;Curb Your Enthusiasm&lt;/span&gt;&lt;div&gt;&lt;span style="font-weight: normal; "&gt;&lt;/span&gt;Episodes&lt;br /&gt;&lt;span style="font-weight: normal; "&gt;Family Guy&lt;/span&gt;&lt;br /&gt;&lt;span&gt;House&lt;/span&gt;&lt;div&gt;&lt;span&gt;How I Met Your Mother&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;Justified&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal; "&gt;Mad Men&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal; "&gt;Parks and Recreation&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-weight: normal; "&gt;The Good Wife&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-weight: normal; "&gt;The IT Crowd&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal; "&gt;The Office&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal; "&gt;The Simpsons&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-weight: normal; "&gt;&lt;/span&gt;Treme&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;strong&gt;Séries já encerradas que estou acompanhando agora:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;The Wire&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;u&gt;&lt;strong&gt;&lt;br /&gt;Séries já encerradas que acompanhei na íntegra (ou quase):&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/u&gt;&lt;span style="font-weight: normal;"&gt;3rd Rock from the Sun&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;A Bit of Fry and Laurie&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Amazing Stories&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Arrested Development&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Batman (!)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Baywatch (!)&lt;br /&gt;Big Train&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;Black Books&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Blackadder&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Brass Eye&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Buffy&lt;br /&gt;Deadwood&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;Family Ties&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Father Ted&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Fawlty Towers&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Firefly&lt;br /&gt;Frasier&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;Freaks and Geeks&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Friends&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Futurama&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;I’m Alan Partridge&lt;/span&gt;&lt;/strong&gt;&lt;div&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Just Shoot Me&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;Look Around You&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Lost&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Mad About You&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Mary Tyler Moore&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Millennium&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Monty Python’s Flying Circus&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Mr. Bean&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Nathan Barley&lt;br /&gt;Newsradio&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;Party of Five&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Seinfeld&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Six Feet Under&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Snuff Box&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Spin City&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Star Trek (original)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Addams Family&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Armando Iannucci Shows&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Day Today&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Nanny&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Office (UK)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Prisoner&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Saint&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Sopranos&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Thick of It&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Thin Blue Line&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The Wonder Years&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;The X Files&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Time Trumpet&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Twin Peaks&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Veronica Mars&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;u&gt;&lt;strong&gt;Séries que parei de ver por considerá-las ruins:&lt;/strong&gt;&lt;/u&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Battlestar Galactica&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Californication&lt;br /&gt;Chuck&lt;br /&gt;Dollhouse&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;In Treatment&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Knowing Me, Knowing You &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;Lie to Me&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Modern Family&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Scrubs&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;South Park&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;That 70’s Show&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-weight: normal; "&gt;The Big Bang Theory&lt;br /&gt;&lt;/span&gt;The Mighty Boosh&lt;/div&gt;&lt;div&gt;Two and Half Men&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Weeds&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;u&gt;&lt;strong&gt;Séries que quero ver um dia:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;Coogan's Run&lt;br /&gt;I Claudius&lt;br /&gt;Jam&lt;br /&gt;John Adams&lt;br /&gt;John From Cincinatti&lt;br /&gt;Kings&lt;br /&gt;M*A*S*H&lt;br /&gt;On The Air&lt;br /&gt;Rutland Weekend Television&lt;br /&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Wild Palms&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-8635004518131681641?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/8635004518131681641/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=8635004518131681641' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/8635004518131681641'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/8635004518131681641'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/04/series-que-acompanho-30-rock-american.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-5323884316272260307</id><published>2009-03-02T10:16:00.001-08:00</published><updated>2009-03-02T10:16:39.668-08:00</updated><title type='text'></title><content type='html'>James Wood's BEST FICTION SINCE 1945&lt;br /&gt;&lt;br /&gt;JG Farrell: The Siege of Krishnapur&lt;br /&gt;Jane Bowles: Collected Works&lt;br /&gt;LP Hartley: The Go-Between&lt;br /&gt;Norman Mailer: The Naked and the Dead; Armies of the Night&lt;br /&gt;Walter Abish: How German Is It&lt;br /&gt;Harold Brodkey: Stories in an Almost Classical Mode&lt;br /&gt;Cynthia Ozick: The Messiah of Stockholm; Art and Ardour&lt;br /&gt;William Burroughs: The Naked Lunch&lt;br /&gt;Kurt Vonnegut: Slaughterhouse 5&lt;br /&gt;Elizabeth Bishop: The Complete Poems&lt;br /&gt;John Cheever: Collected Stories; Falconer&lt;br /&gt;Ralph Ellison: Invisible Man&lt;br /&gt;Angus Wilson: The Wrong Set; Hemlock and After; Anglo-Saxon Attitudes&lt;br /&gt;Fred Exley: A Fan's Notes&lt;br /&gt;Randall Jarrell: Poetry and the Age&lt;br /&gt;Robert Lowell: Life Studies; For the Union Dead; Near the Ocean&lt;br /&gt;Bernard Malamud: The Assistant; The Stories of Bernard Malamud&lt;br /&gt;William Trevor: Collected Stories&lt;br /&gt;James Baldwin: The Fire Next Time; Giovanni's Room&lt;br /&gt;Toni Morrison: Sula; Beloved&lt;br /&gt;Henry Green: Loving; Concluding; Nothing&lt;br /&gt;Howard Nemerov: Collected Poems&lt;br /&gt;AS Byatt: Still Life&lt;br /&gt;VS Naipaul: A House for Mr. Biswas; In a Free State; The Enigma of Arrival&lt;br /&gt;Tim O'Brien: If I Die In A Combat Zone&lt;br /&gt;Kazuo Ishiguro: The Remains of the Day&lt;br /&gt;Flannery O'Connor: A Good Man Is Hard To Find&lt;br /&gt;Frank O'Hara: Selected Poems&lt;br /&gt;Sylvia Plath: Collected Poems&lt;br /&gt;Ezra Pound: Pisan Cantos&lt;br /&gt;John Barth: The Sotweed Factor&lt;br /&gt;Saul Bellow:  The Adventures of Augie March; Seize the Day; Herzog; Humboldt's Gift&lt;br /&gt;John Berryman: The Dream Songs; The Freedom of the Poet and Other Essays&lt;br /&gt;Thomas Pynchon: The Crying of Lot 49; V&lt;br /&gt;Philip Roth: Goodbye, Columbus; The Counterlife; Reading Myself and Others&lt;br /&gt;JD Salinger: The Catcher in the Rye&lt;br /&gt;Donald Barthelme: Sixty Stories&lt;br /&gt;Susan Sontag: Styles of Radical Will&lt;br /&gt;Wallace Stevens: Collected Poems&lt;br /&gt;Robert Penn Warren: All The King's Men&lt;br /&gt;Eudora Welty: Collected Stories&lt;br /&gt;William Carlos Williams: Paterson&lt;br /&gt;Edmund White: A Boy's Own Story&lt;br /&gt;Amy Clampitt: The Kingfisher&lt;br /&gt;Don DeLillo: White Noise&lt;br /&gt;WH Auden: The Dyer's Hand and Other Essays; Collected Poems&lt;br /&gt;Paul Bailey: Gabriel's Lament&lt;br /&gt;Angela Carter: The Magic Toyshop; Nights at the Circus&lt;br /&gt;Bruce Chatwin: On The Black Hill&lt;br /&gt;James Fenton: The Memory of War&lt;br /&gt;William Golding: Lord of the Flies; The Spire&lt;br /&gt;WS Graham: Collected Poems&lt;br /&gt;Raymond Carver: The Stories of Raymond Carver&lt;br /&gt;Martin Amis: Money; The Moronic Inferno&lt;br /&gt;Jean Rhys: Wide Sargasso Sea&lt;br /&gt;Graham Greene: The Heart of the Matter&lt;br /&gt;Jonh Ashbery: Self-Portrait in a Convex Mirror; Selected Poems&lt;br /&gt;Geoffrey Hill: Collected Poems&lt;br /&gt;Doris Lessing: The Golden Notebook&lt;br /&gt;Ivy Compton-Burnett: A Heritage and its History&lt;br /&gt;Muriel Spark: Memento Mori; The Prime of Miss Jean Brodie&lt;br /&gt;Malcolm Lowry: Under the Volcano&lt;br /&gt;Walker Percy: The Moviegoer&lt;br /&gt;Phillip Larkin: Collected Poems&lt;br /&gt;Ian McEwan: First Love Last Rites; The Cement Garden&lt;br /&gt;Andrew Motion: Secret Narratives&lt;br /&gt;Iris Murdoch: Under the Net; The Bell; The Nice and the Good&lt;br /&gt;George Orwell: 1984; Collected Essay and Journalism (4 vols)&lt;br /&gt;Carson McCullers: The Ballad of the Sad Cafe&lt;br /&gt;JG Ballard: Concrete Island&lt;br /&gt;Anthony Powell: A Dance of the Music of Time&lt;br /&gt;John Updike: Of the Farm; The Centaur; The Rabbit Quartet; Hugging the Shore&lt;br /&gt;Jeanette Winterson: Oranges Are Not The Only Fruit&lt;br /&gt;Ted Hughes: Selected Poems 1957-81&lt;br /&gt;VS Pritchett: Complete Stories; Complete Essays&lt;br /&gt;Craig Raine: A Martian Sends A Postcard Home&lt;br /&gt;Marianne Moore: Complete Poems&lt;br /&gt;Elizabeth Taylor: The Wedding Group&lt;br /&gt;Salman Rushdie: Midnight's Children; The Satanic Verses&lt;br /&gt;Tom Paulin: Fivemiletown&lt;br /&gt;Joseph Heller: Catch 22&lt;br /&gt;Christine Brook-Rose: The Christine Brook-Rose Reader&lt;br /&gt;Anthony Burgess: Earthly Powers&lt;br /&gt;Alan Sillitoe: The Loneliness of the Long Distance Runner&lt;br /&gt;Graham Swift: Waterland&lt;br /&gt;Iain Sinclair: Downriver&lt;br /&gt;Evelyn Waugh: Brideshead Revisited; The Ordeal of Gilbert Pinfold; Through a Cloud&lt;br /&gt;Jack Kerouac: On the Road&lt;br /&gt;Denton Welch: A Voice Through a Cloud&lt;br /&gt;&lt;br /&gt;Originally printed in the Guardian on Oct. 7, 1994.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-5323884316272260307?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/5323884316272260307/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=5323884316272260307' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5323884316272260307'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5323884316272260307'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/03/james-woods-best-fiction-since-1945-jg.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-2521203833461265304</id><published>2009-02-19T06:33:00.000-08:00</published><updated>2009-08-11T20:20:39.101-07:00</updated><title type='text'></title><content type='html'>Anos 1950: CD  LP&lt;br /&gt;&lt;br /&gt;1.      Frank Sinatra - In The Wee Small Hours (1955)&lt;br /&gt;2.      Elvis Presley - Elvis Presley (1956)&lt;br /&gt;3.      The Louvin Brothers - Tragic Songs of Life (1956)&lt;br /&gt;4.      Louis Prima - The Wildest! (1956)&lt;br /&gt;5.      Fats Domino - This is Fats (1956)&lt;br /&gt;&lt;strong&gt;6.      Duke Ellington - At Newport (1956) &lt;/strong&gt;&lt;br /&gt;7.      Frank Sinatra - Songs for Swingin’ Lovers! (1956)&lt;br /&gt;8.      Crickets - The “Chirping” Crickets (1957)&lt;br /&gt;9.      Count Basie - The Atomic Mr. Basie (1957)&lt;br /&gt;&lt;strong&gt;10.      Thelonious Monk - Brilliant Corners (1957) &lt;/strong&gt;&lt;br /&gt;11.      Sabú (Martinez) - Palo Congo (1957)&lt;br /&gt;&lt;strong&gt;12.      Miles Davis - Birth Of The Cool (1957) &lt;/strong&gt;&lt;br /&gt;13.      Machito - Kenya (1957)&lt;br /&gt;14.      Little Richard - Here’s Little Richard (1957)&lt;br /&gt;15.      Tito Puente &amp;amp; His Orchestra - Dance Mania, vol. 1 (1958)&lt;br /&gt;16.      Billie Holiday - Lady In Satin (1958)&lt;br /&gt;17.      Jack Elliott - Jack Takes The Floor (1958)&lt;br /&gt;18.      Sarah Vaughan - Sarah Vaughan At Mister Kelly’s (1958)&lt;br /&gt;19.      Ella Fitzgerald - Sings The Gershwin Song Book (1959)&lt;br /&gt;20.      Ray Charles - Genius Of Ray Charles (1959)&lt;br /&gt;&lt;strong&gt;21.      Miles Davis - Kind Of Blue (1959) &lt;/strong&gt;&lt;br /&gt;22.      Marty Robbins - Gunfighter Ballads &amp;amp; Trail Songs (1959)&lt;br /&gt;&lt;strong&gt;23.      The Dave Brubeck Quartet - Time Out (1959)&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;p&gt;Anos 1960:&lt;/p&gt;&lt;p&gt;24.      Joan Baez - Joan Baez (1960)&lt;br /&gt;&lt;/p&gt;25.      Elvis Presley - Elvis Is Back! (1960)&lt;br /&gt;26.      Miriam Makeba - Miriam Makeba (1960)&lt;br /&gt;27.      The Everly Brothers - A Date With The Everly Brothers (1960)&lt;br /&gt;28.      Jimmy Smith – Back at the Chicken Shack (1960)&lt;br /&gt;29.      Muddy Waters – At Newport (1960)&lt;br /&gt;30.      Bill Evans – Sunday at the Village Vanguard (1961)&lt;br /&gt;31.      Ray Charles - Modern Sounds in Country &amp;amp; Western Music (1962)&lt;br /&gt;32.      Booker T. &amp;amp; the M.G.s – Green Onions (1962)&lt;br /&gt;33.      Stan Getz &amp;amp; Charlie Byrd – Jazz Samba (1962)&lt;br /&gt;34.      Ray Price – Night Life (1962)&lt;br /&gt;&lt;strong&gt;35.      The Beatles – With The Beatles (1963)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;36.      Bob Dylan – The Freewheelin’ Bob Dylan (1963)&lt;br /&gt;37.      Phil Spector – A Christmas Gift for You (1963)&lt;/strong&gt;&lt;br /&gt;38.      Sam Cooke – Live at the Harlem Square Club (1963)&lt;br /&gt;&lt;strong&gt;39.      Charles Mingus - Black Saint And The Sinner Lady (1963)&lt;/strong&gt;&lt;br /&gt;40.      James Brown - Live At The Apollo (1963)&lt;br /&gt;41.      Stan Getz &amp;amp; João Gilberto - Getz/Gilberto (1963)&lt;br /&gt;&lt;strong&gt;42.      The Beatles - A Hard Day’s Night (1964)&lt;/strong&gt;&lt;br /&gt;43.      Jacques Brel - Olympia 64 (1964)&lt;br /&gt;44.      Solomon Burke - Rock’n'Soul (1964)&lt;br /&gt;45.      Dusty Springfield - A Girl Called Dusty (1964)&lt;br /&gt;&lt;strong&gt;46.      The Rolling Stones - The Rolling Stones (1964)&lt;/strong&gt;&lt;br /&gt;47.      Buck Owens And His Buckaroos - I’ve Got A Tiger By The Tail (1965)&lt;br /&gt;48.      Jerry Lee Lewis - Live At The Star Club, Hamburg (1965)&lt;br /&gt;&lt;strong&gt;49.      The Sonics - Here Are The Sonics (1965)&lt;br /&gt;50.      Bob Dylan - Bringing It All Back Home (1965)&lt;/strong&gt;&lt;br /&gt;51.      Otis Redding - Otis Blue: Otis Redding Sings Soul (1965)&lt;br /&gt;&lt;strong&gt;52.      The Beach Boys - The Beach Boys Today! (1965)&lt;br /&gt;53.      John Coltrane - A Love Supreme (1965)&lt;/strong&gt;&lt;br /&gt;54.      B.B. King - Live At The Regal (1965)&lt;br /&gt;&lt;strong&gt;55.      The Beatles - Rubber Soul (1965)&lt;br /&gt;56.      Bert Jansch - Bert Jansch (1965)&lt;br /&gt;57.      The Byrds - Mr. Tambourine Man (1965)&lt;br /&gt;58.      Bob Dylan - Highway 61 Revisited (1965)&lt;br /&gt;59.      The Who - My Generation (1965)&lt;br /&gt;60.      The Beatles - Revolver (1966)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;61.      The Beach Boys - Pet Sounds (1966)&lt;/strong&gt;&lt;br /&gt;62.      Fred Neil - Fred Neil (1966)&lt;br /&gt;&lt;strong&gt;63.      The Byrds - Fifth Dimension (1966)&lt;br /&gt;64.      Bob Dylan - Blonde On Blonde (1966)&lt;/strong&gt;&lt;br /&gt;65.      The Monks - Black Monk Time (1966)&lt;br /&gt;&lt;strong&gt;66.      The Kinks - Face To Face (1966)&lt;br /&gt;67.      The Mamas And The Papas - If You Can Believe Your Eyes And Ears (1966)&lt;/strong&gt;&lt;br /&gt;68.      Paul Revere And The Raiders - Midnight Ride (1966)&lt;br /&gt;&lt;strong&gt;69.      The Mothers Of Invention - Freak Out! (1966)&lt;br /&gt;70.      The Rolling Stones - Aftermath (1966)&lt;br /&gt;71.      Simon And Garfunkel - Parsley, Sage, Rosemary &amp;amp; Thyme (1966)&lt;br /&gt;72.      The 13th Floor Elevators - Psychedelic Sounds Of The 13th Floor Elevators (1966)&lt;/strong&gt;&lt;br /&gt;73.      John Mayall’s Blue Breakers - John Mayall’s Blues Breakers With Eric Clapton (1966)&lt;br /&gt;&lt;p&gt;&lt;strong&gt;74.      The Yardbirds - The Yardbirds (a.k.a Roger The Engineer) (1966)&lt;/strong&gt;&lt; &lt;/p&gt;&lt;p&gt;75.      Nina Simone - Wild Is The Wind (1966) &lt;/p&gt;&lt;p&gt;76.      Astrud Gilberto - Beach Samba (1967) &lt;/p&gt;&lt;p&gt;&lt;strong&gt;77.      Nico - Chelsea Girl (1967)&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&lt;strong&gt;78.      The Beatles - Sgt. Pepper’s Lonely Hearts Club Band (1967)&lt;/strong&gt;&lt;br /&gt;79.      Country Joe And The Fish - Electric Music For The Mind And Body (1967)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;80.      Buffalo Springfield - Buffalo Springfield Again (1967)&lt;/span&gt;&lt;br /&gt;81.      Captain Beefheart And His Magic Band - Safe As Milk (1967)&lt;br /&gt;82.      Moby Grape - Moby Grape (1967)&lt;br /&gt;83.      Love - Da Capo (1967)&lt;br /&gt;84.      The Beau Brummels - Triangle (1967)&lt;br /&gt;&lt;strong&gt;85.      The Monkees - Headquarters (1967)&lt;br /&gt;86.      Tim Buckley - Goodbye And Hello (1967)&lt;/strong&gt;&lt;br /&gt;87.      Love - Forever Changes (1967)&lt;br /&gt;&lt;strong&gt;88.      Cream - Disraeli Gears (1967)&lt;br /&gt;89.      Pink Floyd - The Piper At The Gates Of Dawn (1967)&lt;br /&gt;90.      The Who - The Who Sell Out (1967)&lt;br /&gt;91.      The Velvet Underground - The Velvet Underground And Nico (1967)&lt;/strong&gt;&lt;br /&gt;92.      Frank Sinatra &amp;amp; Tom Jobim - Francis Albert Sinatra &amp;amp; Antônio Carlos Jobim (1967)&lt;br /&gt;&lt;strong&gt;93.      The Doors - The Doors (1967)&lt;br /&gt;94.      The Byrds - Younger Than Yesterday (1967)&lt;/strong&gt;&lt;br /&gt;95.      The Young Rascals - Groovin’ (1967)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;96.      Jefferson Airplane - Surrealistic Pillow (1967)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;97.      The Kinks - Something Else By The Kinks (1967)&lt;br /&gt;98.      Donovan - Sunshine Superman (1967)&lt;/strong&gt;&lt;br /&gt;99.      Merle Haggard - I’m A Lonesome Fugitive (1967)&lt;br /&gt;&lt;strong&gt;100.      The Jimi Hendrix Experience - Are You Experienced (1967)&lt;br /&gt;101.      The Electric Prunes - I Had Too Much To Dream (Last Night) (1967)&lt;/strong&gt;&lt;br /&gt;102.      Loretta Lynn - Don’t Come Home A Drinkin’ (With Lovin’ On You Mind) (1967)&lt;br /&gt;103.      Shivkumar Sharma / Brijbushan Kabra / Hariprasad Chaurasia - Call Of The Valley (1967)&lt;br /&gt;&lt;strong&gt;104.      The Velvet Underground - White Light / White Heat (1967)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;105.      The Jimi Hendrix Experience - Axis: Bold As Love (1967)&lt;/span&gt;&lt;br /&gt;106.      Aretha Franklin - I Never Loved A Man The Way I Love You (1967)&lt;br /&gt;&lt;strong&gt;107.      The Rolling Stones - Beggars Banquet (1968)&lt;br /&gt;108.      Traffic - Traffic (1968)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;109.      The Incredible String Band - The Hangman’s Beautiful Daughter (1968)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;110.      The Kinks - The Kinks Are The Village Green Preservation Society (1968)&lt;br /&gt;111.      Ravi Shankar - The Sounds Of India (1968)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;112.      Os Mutantes - Os Mutantes (1968)&lt;/span&gt;&lt;br /&gt;113.      The Jimi Hendrix Experience - Electric Ladyland (1968)&lt;br /&gt;&lt;strong&gt;114.      Leonard Cohen - The Songs of Leonard Cohen (1968)&lt;/strong&gt;&lt;br /&gt;115.      Johnny Cash - Johnny Cash At Folsom Prison (1968)&lt;br /&gt;116.      Laura Nyro - Eli And The Thirteenth Confession (1968)&lt;br /&gt;117.      Aretha Franklin - Aretha: Lady Soul (1968)&lt;br /&gt;118.      Blue Cheer - Vincebus Eruptum (1968)&lt;br /&gt;&lt;strong&gt;119.      The Byrds - The Notorious Byrd Brothers (1968)&lt;/strong&gt;&lt;br /&gt;120.      Big Brother And The Holding Company - Cheap Thrills (1968)&lt;br /&gt;&lt;strong&gt;121.      The United States Of America - The United States Of America (1968)&lt;/strong&gt;&lt;br /&gt;122.      Dr. John, The Night Tripper - Gris-Gris (1968)&lt;br /&gt;&lt;strong&gt;123.      Iron Butterfly - In-A-Gadda-Da-Vida (1968)&lt;br /&gt;124.      The Pretty Things - S.F. Sorrow (1968)&lt;br /&gt;125.      Simon And Garfunkel - Bookends (1968)&lt;br /&gt;126.      The Small Faces - Ogdens’ Nut Gone Flake (1968)&lt;br /&gt;127.      The Band - Music From Big Pink (1968)&lt;/strong&gt;&lt;br /&gt;128.      Jeff Beck - Truth (1968)&lt;br /&gt;129.      Caetano Veloso - Caetano Veloso (1968)&lt;br /&gt;&lt;strong&gt;130.      Scott Walker - Scott 2 (1968)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;131.      The Zombies - Odessey &amp;amp; Oracle (1968)&lt;/strong&gt;&lt;br /&gt;132.      Van Morrison - Astral Weeks (1968)&lt;br /&gt;&lt;strong&gt;133.      The Byrds - Sweetheart Of The Rodeo (1968)&lt;br /&gt;134.      The Beatles - The Beatles (White Album) (1968)&lt;br /&gt;135.      The Mothers Of Invention - We’re Only In It For The Money (1968)&lt;br /&gt;136.      Neil Young With Crazy Horse - Everybody Knows This Is Nowhere (1969)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;137.      Captain Beefheart And His Magic Band - Trout Mask Replica (1969)&lt;/strong&gt;&lt;br /&gt;138.      Creedence Clearwater Revival - Bayou Country (1969)&lt;br /&gt;&lt;strong&gt;139.      Crosby, Stills And Nash - Crosby, Stills And Nash (1969)&lt;/strong&gt;&lt;br /&gt;140.      Blood, Sweat, And Tears - Blood, Sweat, And Tears (1969)&lt;br /&gt;141.      Flying Burrito Brothers - The Gilded Palace Of Sin (1969)&lt;br /&gt;142.      Johnny Cash - Johnny Cash At San Quentin (1969)&lt;br /&gt;143.      Creedence Clearwater Revival - Green River (1969)&lt;br /&gt;&lt;strong&gt;1&lt;/strong&gt;&lt;strong&gt;44.      The Beatles - Abbey Road (1969)&lt;br /&gt;145.      The Who - Tommy (1969)&lt;br /&gt;146.      Miles Davis - In A Silent Way (1969)&lt;/strong&gt;&lt;br /&gt;147.      The Bee Gees - Odessa (1969)&lt;br /&gt;&lt;strong&gt;148.      The Pentangle - Basket Of Light (1969)&lt;br /&gt;149.      The Rolling Stones - Let It Bleed (1969)&lt;br /&gt;150.      Nick Drake - Five Leaves Left (1969)&lt;/strong&gt;&lt;br /&gt;151.      Dusty Springfield - Dusty In Memphis (1969)&lt;br /&gt;152.      Elvis Presley - From Elvis In Memphis (1969)&lt;br /&gt;&lt;strong&gt;153.      The Velvet Underground - The Velvet Underground (1969)&lt;/strong&gt;&lt;br /&gt;154.      Quicksilver Messenger Service - Happy Trails (1969)&lt;br /&gt;&lt;strong&gt;155.      Led Zeppelin - Led Zeppelin (1969)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;156.      The Band - The Band (1969)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;157.      Led Zeppelin - Led Zeppelin II (1969)&lt;/strong&gt;&lt;br /&gt;158.      MC5 - Kick Out The Jams (1969)&lt;br /&gt;159.      The Temptations - Cloud Nine (1969)&lt;br /&gt;160.      Sly And The Family Stone - Stand! (1969)&lt;br /&gt;&lt;strong&gt;161.      Tim Buckley - Happy Sad (1969)&lt;/strong&gt;&lt;br /&gt;162.      Chicago - Chicago Transit Authority (1969)&lt;br /&gt;&lt;strong&gt;163.      Fairport Convention - Unhalfbricking (1969)&lt;/strong&gt;&lt;br /&gt;164.      The Youngbloods - Elephant Mountain (1969)&lt;br /&gt;165.      Isaac Hayes - Hot Buttered Soul (1969)&lt;br /&gt;166.      The Grateful Dead - Live/Dead (1969)&lt;br /&gt;&lt;strong&gt;167.      The Kinks - Arthur-Or The Decline And Fall Of The British Empire (1969)&lt;br /&gt;168.      King Crimson - In The Court Of The Crimson King (1969)&lt;br /&gt;169.      Leonard Cohen - Songs From A Room (1969)&lt;br /&gt;170.      Fairport Convention - Liege &amp;amp; Lief (1969)&lt;br /&gt;171.      Scott Walker - Scott 4 (1969)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;172.      The Stooges - The Stooges (1969)&lt;/span&gt;&lt;br /&gt;173.      Alexander Spence - Oar (1969)&lt;br /&gt;&lt;strong&gt;174.      Frank Zappa - Hot Rats (1969)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Anos 1970:&lt;/p&gt;&lt;p&gt;175.      Creedence Clearwater Revival - Cosmo’s Factory (1970)&lt;br /&gt;&lt;/p&gt;176.      Derek And The Dominos - Layla And Other Assorted Love Songs (1970)&lt;br /&gt;&lt;strong&gt;177.      Miles Davis - Bitches Brew (1970)&lt;/strong&gt;&lt;br /&gt;178.      Spirit - Twelve Dreams of Dr. Sardonicus (1970)&lt;br /&gt;179.      Black Sabbath - Black Sabbath (1970)&lt;br /&gt;&lt;strong&gt;180.      The Doors - Morrison Hotel (1970)&lt;/strong&gt;&lt;br /&gt;181.      The Carpenters - Close To You (1970)&lt;br /&gt;&lt;strong&gt;182.      Stephen Stills - Stephen Stills (1970)&lt;br /&gt;182.      John Lennon - John Lennon/Plastic Ono Band (1970)&lt;br /&gt;184.      Crosby, Stills, Nash, And Young - Déjà Vu (1970)&lt;/strong&gt;&lt;br /&gt;185.      Black Sabbath - Paranoid (1970)&lt;br /&gt;&lt;strong&gt;186.      Neil Young - After The Gold Rush (1970)&lt;br /&gt;187.      Led Zeppelin - Led Zeppelin III (1970)&lt;/strong&gt;&lt;br /&gt;188.      Deep Purple - In Rock (1970)&lt;br /&gt;189.      Van Morrison - Moondance (1970)&lt;br /&gt;190.      The Grateful Dead - American Beauty (1970)&lt;br /&gt;&lt;strong&gt;191.      Nick Drake - Bryter Layter (1970)&lt;/strong&gt;&lt;br /&gt;192.      Ananda Shankar - Ananda Shankar (1970)&lt;br /&gt;&lt;strong&gt;193.      The Who - Live At Leeds (1970)&lt;br /&gt;194.      The Soft Machine - Third (1970)&lt;/strong&gt;&lt;br /&gt;195.      Rod Stewart - Gasoline Alley (1970)&lt;br /&gt;&lt;strong&gt;196.      George Harrison - All Things Must Pass (1970)&lt;br /&gt;197.      Simon And Garfunkel - Bridge Over Troubled Water (1970)&lt;/strong&gt;&lt;br /&gt;198.      Baden Powell - Canto On Guitar (1970)&lt;br /&gt;&lt;strong&gt;199.      Cat Stevens - Tea For The Tillerman (1970)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;200.      The Stooges - Fun House (1970)&lt;/span&gt;&lt;br /&gt;201.      James Tayler - Sweet Baby James (1970)&lt;br /&gt;&lt;strong&gt;202.      Paul McCartney - McCartney (1970)&lt;/strong&gt;&lt;br /&gt;203.      Santana - Abraxas (1970)&lt;br /&gt;&lt;strong&gt;204.      Syd Barrett - The Madcap Laughs (1970)&lt;br /&gt;205.      Jethro Tull - Aqualung (1971)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;206.      David Crosby - If I Could Only Remember My Name (1971)&lt;/span&gt;&lt;br /&gt;207.      Sly And The Family Stone - There’s A Riot Goin’ On (1971)&lt;br /&gt;208.      Marvin Gaye - What’s Going On (1971)&lt;br /&gt;&lt;strong&gt;209.      Yes - The Yes Almbum (1971)&lt;/strong&gt;&lt;br /&gt;210.      The Bee Gees - Trafalgar (1971)&lt;br /&gt;&lt;strong&gt;211.      The Who - Who’s Next (1971)&lt;br /&gt;212.      Carole King - Tapestry (1971)&lt;/strong&gt;&lt;br /&gt;213.      Isaac Hayes - Shaft (1971)&lt;br /&gt;214.      The Allman Brothers Band - At Fillmore East (1971)&lt;br /&gt;&lt;strong&gt;215.      The Rolling Stones - Sticky Fingers (1971)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;216.      John Lennon - Imagine (1971)&lt;br /&gt;217.      The Beach Boys - Surf’s Up (1971)&lt;br /&gt;218.      Yes - Fragile (1971)&lt;br /&gt;219.      The Doors - L.A. Woman (1971)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;220.      Can - Tago Mago (1971)&lt;/strong&gt;&lt;br /&gt;221.      Elton John - Madman Across The Water (1971)&lt;br /&gt;222.      Dolly Parton - Coat Of Many Colors (1971)&lt;br /&gt;223.      Don Maclean - American Pie (1971)&lt;br /&gt;&lt;strong&gt;224.      Emerson, Lake, And Palmer - Tarkus (1971)&lt;br /&gt;225.      Led Zeppelin - Led Zeppelin IV (1971)&lt;/strong&gt;&lt;br /&gt;226.      Serge Gainsbourg - Histoire De Melody Nelson (1971)&lt;&gt;228.      Emerson, Lake, And Palmer - Pictures At An Exhibition (1971)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;229.      Leonard Cohen - Songs Of Love And Hate (1971)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;230.      Joni Mitchell - Blue (1971)&lt;/span&gt;&lt;br /&gt;231.      Funkadelic - Maggot Brain (1971)&lt;br /&gt;232.      Janis Joplin - Pearl (1971)&lt;br /&gt;233.      Fela Ransome-Kuti And The Africa ‘70 With Ginger Baker - Live! (1971)&lt;br /&gt;234.      Faces - A Nod Is As Good As A Wink… To A Blind Horse (1971)&lt;br /&gt;235.      Flamin’ Groovies - Teenage Head (1971)&lt;br /&gt;236.      Gene Clark - White Light (1971)&lt;br /&gt;237.      John Prine - John Prine (1971)&lt;br /&gt;238.      Harry Nilsson - Nilsson Schmilsson (1971)&lt;br /&gt;239.      T. Rex - Electric Warrior (1971)&lt;br /&gt;&lt;strong&gt;240.      David Bowie - Hunky Dory (1971)&lt;/strong&gt;&lt;br /&gt;241.      Randy Newman - Sail Away (1972)&lt;br /&gt;&lt;strong&gt;242.      Deep Purple - Machine Head (1972) - Versão Americana&lt;br /&gt;  Chico Buarque - Construção (1971) - Versão Brasileira&lt;/strong&gt;&lt;br /&gt;243.      Big Star - No. 1 Record (1972)&lt;br /&gt;244.      Black Sabbath - Black Sabbath Vol. 4 (1972)&lt;br /&gt;245.      Steely Dan - Can’t Buy A Thrill (1972)&lt;br /&gt;&lt;strong&gt;246.      Neil Young - Harvest (1972)&lt;/strong&gt;&lt;br /&gt;247.      Curtis Mayfield - Superfly (1972)&lt;br /&gt;248.      Slade - Slayed? (1972)&lt;br /&gt;249.      Deep Purple - Made In Japan (1972)&lt;br /&gt;&lt;strong&gt;250.      Yes - Close To The Edge (1972)&lt;br /&gt;251.      Lou Reed - Transformer (1972)&lt;/strong&gt;&lt;br /&gt;252.      Hugh Masekela - Home Is Where The Music Is (1972)&lt;br /&gt;253.      Milton Nascimento E Lô Borges - Clube Da Esquina (1972)&lt;br /&gt;254.      Todd Rundgren - Something/Anything? (1972)&lt;br /&gt;255.      Nitty Gritty Dirt Band - Will The Circle Be Unbroken (1972)&lt;br /&gt;&lt;strong&gt;256.      Stevie Wonder - Talking Book (1972)&lt;br /&gt;257.      Stephen Stills - Manassas (1972)&lt;/strong&gt;&lt;br /&gt;258.      T. Rex - The Slider (1972)&lt;br /&gt;259.      David Ackles - American Gothic (1972)&lt;br /&gt;260.      The Eagles - Eagles (1972)&lt;br /&gt;&lt;strong&gt;261.      Tim Buckley - Greetings From L.A. (1972)&lt;br /&gt;262.      Nick Drake - Pink Moon (1972)&lt;br /&gt;263.      Paul Simon - Paul Simon (1972)&lt;br /&gt;264.      Roxy Music - Roxy Music (1972)&lt;/strong&gt;&lt;br /&gt;265.      Alice Cooper - School’s Out (1972)&lt;br /&gt;266.      The Temptations - All Directions (1972)&lt;br /&gt;&lt;strong&gt;267.      David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (1972)&lt;/strong&gt;&lt;br /&gt;268.      War - The World Is A Ghetto (1972)&lt;br /&gt;269.      Al Green - Let’s Stay Together (1972)&lt;br /&gt;&lt;strong&gt;270.      The Rolling Stones - Exile On Main St. (1972)&lt;/strong&gt;&lt;br /&gt;271.      Lynyrd Skynyrd - Pronounced Leh-nerd Skin-nerd (1973)&lt;br /&gt;272.      Michael Viner’s Incredible Bongo Band - Bongo Rock (1973)&lt;br /&gt;&lt;strong&gt;273.      David Bowie - Aladdin Sane (1973)&lt;br /&gt;274.      King Crimson - Larks’ Tongues In Aspic (1973)&lt;/strong&gt;&lt;br /&gt;275.      Bob Marley And The Wailers - Catch A Fire (1973)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;276.      Hawkwind - Space Ritual (1973)&lt;/span&gt;&lt;br /&gt;277.      John Cale - Paris 1919 (1973)&lt;br /&gt;&lt;strong&gt;278.      Can - Future Days (1973)&lt;br /&gt;279.      Lou Reed - Berlin (1973)&lt;br /&gt;280.      Genesis - Selling England By The Pound (1973)&lt;/strong&gt;&lt;br /&gt;281.      Marvin Gaye - Let’s Get It On (1973)&lt;br /&gt;282.      John Martyn - Solid Air (1973)&lt;br /&gt;&lt;strong&gt;283.      Roxy Music - For Your Pleasure (1973)&lt;/strong&gt;&lt;br /&gt;284.      Faust - Faust IV (1973)&lt;br /&gt;&lt;strong&gt;285.      Herbie Hancock - Headhunters (1973)&lt;/strong&gt;&lt;br /&gt;286.      Mott The Hoople - Mott (1973)&lt;br /&gt;&lt;strong&gt;287.      Mike Oldfield - Tubular Bells (1973)&lt;/strong&gt;&lt;br /&gt;288.      Todd Rundgren - A Wizard, A True Star (1973)&lt;br /&gt;289.      Elton John - Goodbye Yellow Brick Road&lt;br /&gt;290.      Steely Dan - Countdown To Ecstasy (1973)&lt;br /&gt;291.      Waylon Jennings - Honky Tonk Heroes (1973)&lt;br /&gt;&lt;strong&gt;292.      Pink Floyd - Dark Side Of The Moon (1973)&lt;br /&gt;293.      Stevie Wonder - Innervisions (1973)&lt;/strong&gt;&lt;br /&gt;294.      ZZ Top - Tres Hombres (1973)&lt;br /&gt;&lt;strong&gt;295.      Paul McCartney And Wings - Band On The Run (1973)&lt;/strong&gt;&lt;br /&gt;296.      The Sensational Alex Harvey Band - Next (1973)&lt;br /&gt;297.      Alice Cooper - Billion Dollar Babies (1973)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;298.      Iggy And The Stooges - Raw Power (1973)&lt;/span&gt;&lt;br /&gt;299.      The Isley Brothers - 3+3 (1973)&lt;br /&gt;300.      New York Dolls - New York Dolls (1973)&lt;br /&gt;&lt;strong&gt;301.      Eno - Here Come The Warm Jets (1974)&lt;/strong&gt;&lt;br /&gt;302.      Bad Company - Bad Company (1974)&lt;br /&gt;&lt;strong&gt;303.      Genesis - The Lamb Lies Down On Broadway (1974)&lt;/strong&gt;&lt;br /&gt;304.      Shuggie Otis - Inspiration Formation (1974)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;305.      Stevie Wonder - Fulfillingness’ First Finale (1974)&lt;/span&gt;&lt;br /&gt;306.      Eric Clapton - 461 Ocean Boulevard&lt;br /&gt;&lt;strong&gt;307.      Kraftwerk - Autobahn (1974)&lt;/strong&gt;&lt;br /&gt;308.      Van Morrison - It’s Too Late To Stop Now (1974)&lt;br /&gt;&lt;strong&gt;309.      Joni Mitchell - Court And Spark (1974)&lt;br /&gt;310.      Queen- Queen II (1974)&lt;br /&gt;311.      Roxy Music - Country Life (1974)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;312.      Tangerine Dream - Phaedra (1974)&lt;/strong&gt;&lt;br /&gt;313.      Sparks - Kimono My House (1974)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;314.      Supertramp - Crime Of The Century (1974)&lt;/span&gt;&lt;br /&gt;315.      Richard And Linda Thompson - I Want To See The Bright Lights Tonight (1974)&lt;br /&gt;316.      Gil Scott-Heron/Brian Jackson - Winter In America (1974)&lt;br /&gt;&lt;strong&gt;317.      Queen - Sheer Heart Attack (1974)&lt;/strong&gt;&lt;br /&gt;318.      10cc - Sheet Music (1974)&lt;br /&gt;&lt;strong&gt;319.      Neil Young - On The Beach (1974)&lt;/strong&gt;&lt;br /&gt;320.      George Jones - The Grand Tour (1974)&lt;br /&gt;321.      Gene Clark - No Other (1974)&lt;br /&gt;322.      Steely Dan - Pretzel Logic (1974)&lt;br /&gt;323.      Randy Newman - Good Old Boys (1974)&lt;br /&gt;324.      Bob Marley And The Wailers - Natty Dread (1974)&lt;br /&gt;&lt;strong&gt;325.      Robert Wyatt - Rock Bottom (1974)&lt;/strong&gt;&lt;br /&gt;326.      Gram Parsons - Grievous Angel (1974)&lt;br /&gt;3&lt;strong&gt;27.      Eno Another Green World (1975)&lt;/strong&gt;&lt;br /&gt;328.      The Dictators - Go Girl Crazy! (1975)&lt;br /&gt;329.      Neu! - Neu! ‘75 (1975)&lt;br /&gt;&lt;strong&gt;330.      Led Zeppelin - Physical Graffiti (1975)&lt;br /&gt;331.      Keith Jarrett - The Köln Concert (1975)&lt;/strong&gt;&lt;br /&gt;332.      Aerosmith - Toys In The Attic (1975)&lt;br /&gt;&lt;strong&gt;333.      David Bowie - Young Americans (1975)&lt;/strong&gt;&lt;br /&gt;334.      Burning Spear - Marcus Garvey (1975)&lt;br /&gt;335.      Bruce Springsteen - Born To Run (1975)&lt;br /&gt;336.      Emmylou Harris - Pieces Of Sky (1975)&lt;br /&gt;337.      Dion - Born To Be With You (1975) - Versão americana&lt;br /&gt;  Gilberto Gil E Jorge Ben Jor - Gil &amp;amp; Jorge - Ogum Xangô (1975) - Versão brasileira&lt;br /&gt;&lt;strong&gt;338.      Joni Mitchell - The Hissing Of Summer Lawns (1975)&lt;/strong&gt;&lt;br /&gt;339.      Tom Waits - Nighthawks At The Diner (1975)&lt;br /&gt;340.      R.D. Burman/Bappi Lahiri - Shalimar/College Girl (1975)&lt;br /&gt;&lt;strong&gt;341.      Neil Young - Tonight’s The Night (1975)&lt;br /&gt;342.      Bob Dylan - Blood On The Tracks (1975)&lt;/strong&gt;&lt;br /&gt;343.      Patti Smith - Horses (1975)&lt;br /&gt;&lt;strong&gt;344.      Pink Floyd - Wish You Were Here (1975)&lt;br /&gt;345.      Queen - A Night At The Opera (1975)&lt;/strong&gt;&lt;br /&gt;346.      Willie Nelson - Red Headed Stranger (1975)&lt;br /&gt;347.      Earth, Wind And Fire - That’s The Way Of The World (1975)&lt;br /&gt;348.      Curtis Mayfield - There’s No Place Like America Today (1975)&lt;br /&gt;349.      Tom Petty And The Heartbreakers - Tom Petty And The Heartbreakers (1976)&lt;br /&gt;350.      The Modern Lovers - The Modern Lovers (1976)&lt;br /&gt;&lt;strong&gt;351.      David Bowie - Station To Station (1976)&lt;br /&gt;352.      Joni Mitchell - Hejira (1976)&lt;/strong&gt;&lt;br /&gt;353.      Boston - Boston (1976)&lt;br /&gt;354.      Eagles - Hotel California (1976)&lt;br /&gt;355.      Abba - Arrival (1976)&lt;br /&gt;356.      Kiss - Destroyer (1976)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;357.      Rush - 2112 (1976)&lt;/span&gt;&lt;br /&gt;358.      Jorge Ben - Africa/Brasil (1976)&lt;br /&gt;359.      Joan Armatrading - Joan Armatrading (1976)&lt;br /&gt;360.      Aerosmith - Rocks (1976)&lt;br /&gt;361.      Parliament - Mothership Connection (1976)&lt;br /&gt;&lt;strong&gt;362.      The Penguin Cafe Orchestra - Music From The Penguin Cafe (1976)&lt;/strong&gt;&lt;br /&gt;363.      Jean Michel Jarre - Oxygene (1976)&lt;br /&gt;&lt;strong&gt;364.      Ramones - Ramones (1976)&lt;/strong&gt;&lt;br /&gt;365.      Fela Kuti And Afrika ‘70 - Zombie (1976)&lt;br /&gt;366.      Peter Tosh - Legalize It (1976)&lt;br /&gt;&lt;strong&gt;367.      Stevie Wonder - Songs In The Key Of Life (1976)&lt;/strong&gt;&lt;br /&gt;368.      Peter Frampton - Frampton Comes Alive! (1976)&lt;br /&gt;&lt;strong&gt;369.      Brian Eno - Before And After Science (1976) - Versão americana&lt;/strong&gt;&lt;br /&gt;  Tom/Vinícius/Toquinho/Miúcha - Gravado Ao Vivo No Canecão (1977) - Versão brasileira&lt;br /&gt;&lt;strong&gt;370.      Kraftwerk - Trans-Europe Express (1977)&lt;/strong&gt;&lt;br /&gt;371.      Billy Joel - The Stranger (1977)&lt;br /&gt;372.      Bob Marley And The Wailers - Exodus (1977)&lt;br /&gt;373.      Electric Light Orchestra - Out Of The Blue (1977)&lt;br /&gt;&lt;strong&gt;374.      Weather Report - Heavy Weather (1977)&lt;/strong&gt;&lt;br /&gt;375.      Muddy Waters - Hard Again (1977)&lt;br /&gt;376.      The Stranglers - Rattus Norvegicus (1977)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;377.      The Clash - The Clash (1977)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;378.      David Bowie - Low (1977)&lt;/strong&gt;&lt;br /&gt;379.      Steely Dan - Aja (1977)&lt;br /&gt;380.      Wire - Pink Flag (1977)&lt;br /&gt;381.      John Martyn - One World (1977)&lt;br /&gt;&lt;strong&gt;382.      Talking Heads - Talking Heads: 77 (1977)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;383.      Fleetwood Mac - Rumours (1977)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;384.      David Bowie - “Heroes” (1977)&lt;/span&gt;&lt;br /&gt;385.      Dennis Wilson - Pacific Ocean Blue (1977)&lt;br /&gt;386.      Suicide - Suicide (1977)&lt;br /&gt;&lt;strong&gt;387.      Iggy Pop - The Idiot (1977)&lt;br /&gt;388.      Peter Gabriel - Peter Gabriel (I) (1977)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;389.      Television - Marquee Moon (1977)&lt;/strong&gt;&lt;br /&gt;390.      Meat Loaf - Bat Out Of Hell (1977)&lt;br /&gt;391.      Elvis Costello - My Aim Is True (1977)&lt;br /&gt;&lt;strong&gt;392.      Iggy Pop - Lust For Life (1977)&lt;/strong&gt;&lt;br /&gt;393.      Ian Dury - New Boots And Panties!! (1977)&lt;br /&gt;394.      Sex Pistols - Never Mind The Bollocks Here’s The Sex Pistols (1977)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;395.      Pere Ubu - The Modern Dance (1978)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;396.      Kraftwerk - The Man-Machine (1978)&lt;br /&gt;397.      Blondie - Parallel Lines (1978)&lt;/strong&gt;&lt;br /&gt;398.      Elis Regina - Vento De Maio (1978)&lt;br /&gt;&lt;strong&gt;399.      Pere Ubu - Dub Housing (1978)&lt;/strong&gt;&lt;br /&gt;400.      The Only Ones - The Only Ones (1978)&lt;br /&gt;401.      Elvis Costello - This Year’s Model (1978)&lt;br /&gt;402.      The Jam - All Mod Cons (1978)&lt;br /&gt;403.      Joe Ely - Honky Tonk Masquerade (1978)&lt;br /&gt;404.      The Adverts - Crossing The Red Sea With The Adverts (1978)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;405.      Big Star - Third/Sister Lovers (1978)&lt;/span&gt;&lt;br /&gt;406.      The Residents - Duck Stab/Buster And Glen (1978)&lt;br /&gt;&lt;strong&gt;407.      Public Image Ltd. - Public Image (1978)&lt;/strong&gt;&lt;br /&gt;408.      Magazine - Real Life (1978)&lt;br /&gt;409.      Bruce Springsteen - Darkness On The Edge Of Town (1978)&lt;br /&gt;410.      Funkadelic - One Nation Under A Groove (1978)&lt;br /&gt;411.      Throbbing Gristle - D.O.A. Third And Final Report (1978)&lt;br /&gt;412.      Thin Lizzy - Live And Dangerous (1978)&lt;br /&gt;&lt;strong&gt;413.      Talking Heads - More Songs About Buildings And Food (1978)&lt;/strong&gt;&lt;br /&gt;414.      Buzzcocks - Another Music In A Different Kitchen (1978)&lt;br /&gt;415.      Van Halen - Van Halen (1978)&lt;br /&gt;416.      Willie Colón And Ruben Bládes - Siembra (1978)&lt;br /&gt;&lt;strong&gt;417.      The Cars - The Cars (1978)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;418.      Devo - Q: Are We Not Men? A: We Are Devo! (1978)&lt;/strong&gt;&lt;br /&gt;419.      Dire Straits - Dire Straits (1978)&lt;br /&gt;420.      The Saints - Eternally Yours (1978)&lt;br /&gt;421.      Marvin Gaye - Here, My Dear (1978)&lt;br /&gt;422.      Willie Nelson - Stardust (1978)&lt;br /&gt;423.      Chic - C’est Chic (1978)&lt;br /&gt;424.      X-Ray Spex- Germ Free Adolescents (1978)&lt;br /&gt;&lt;strong&gt;425.      Brian Eno - Ambient 1: Music For Airports (1978)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;426.      Siouxsie And The Banshees - The Scream (1978)&lt;/strong&gt;&lt;br /&gt;427.      AC/DC - Highway To Hell (1979)&lt;br /&gt;428.      Sister Sledge - We Are Family (1979)&lt;br /&gt;429.      Crusaders - Street Life (1979)&lt;br /&gt;430.      The Germs - (GI) (1979)&lt;br /&gt;431.      The B-52’s - The B-52’s (1979)&lt;br /&gt;432.      Holger Czukay - Movies (1979)&lt;br /&gt;&lt;strong&gt;433.      Police - Reggatta De Blanc (1979)&lt;/strong&gt;&lt;br /&gt;434.      The Fall - Live At The Witch Trials (1979)&lt;br /&gt;&lt;strong&gt;435.      Talking Heads - Fear Of Music (1979)&lt;br /&gt;436.      Joy Division - Unknown Pleasures (1979)&lt;/strong&gt;&lt;br /&gt;437.      Chic - Risqué (1979)&lt;br /&gt;438.      The Undertones - The Undertones (1979)&lt;br /&gt;439.      The Clash - London Calling (1979)&lt;br /&gt;&lt;strong&gt;440.      Japan - Quiet Life (1979)&lt;/strong&gt;&lt;br /&gt;441.      Marianne Faithfull - Broken English (1979)&lt;br /&gt;442.      The Slits - Cut (1979)&lt;br /&gt;443.      Elvis Costello And The Attractions - Armed Forces (1979)&lt;br /&gt;444.      Neil Young And Crazy Horse - Rust Never Sleeps (1979)&lt;br /&gt;445.      Gang Of Four - Entertainment! (1979)&lt;br /&gt;446.      Cheap Trick - At Budokan (1979)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;447.      Fleetwood Mac - Tusk (1979)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;448.      Pink Floyd - The Wall (1979)&lt;br /&gt;449.      Public Image Ltd. - Metal Box (1979)&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;450.      Michael Jackson - Off The Wall (1979)&lt;/span&gt;&lt;br /&gt;451.      The Damned - Machine Gun Etiquette (1979)&lt;br /&gt;&lt;strong&gt;452.      Gary Numan - The Pleasure Principle (1979)&lt;/strong&gt;&lt;br /&gt;453.      The Specials - Specials (1979)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Anos 1980:&lt;/p&gt;&lt;p&gt;454.      Adam And The Ants - Kings Of The Wild Frontier (1980)&lt;br /&gt;&lt;/p&gt;455.      Dexy’s Midnight Runners - Searching For The Young Soul Rebels (1980)&lt;br /&gt;456.      AC/DC - Back In Black (1980)&lt;br /&gt;457.      The Cramps - Songs The Lord Taught Us (1980)&lt;br /&gt;458.      Dead Kennedys - Fresh Fruit For Rotting Vegetables (1980)&lt;br /&gt;&lt;strong&gt;459.      Peter Gabriel - Peter Gabriel III (a.k.a Melt) (1980) &lt;/strong&gt;&lt;br /&gt;460.      The Soft Boys - Underwater Moonlight (1980)&lt;br /&gt;&lt;strong&gt;461.      The Cure - Seventeen Seconds (1980)&lt;br /&gt;462.      Echo And The Bunnymen - Crocodiles (1980) &lt;/strong&gt;&lt;br /&gt;463.      Motörhead - Ace Of Spades (1980)&lt;br /&gt;464.      Killing Joke - Killing Joke (1980)&lt;br /&gt;465.      Judas Priest - British Steel (1980)&lt;br /&gt;466.      The Circle Jerks - Group Sex (1980)&lt;br /&gt;&lt;strong&gt;467.      Talking Heads - Remain In Light (1980)&lt;br /&gt;468.      Joy Division - Closer (1980) &lt;/strong&gt;&lt;br /&gt;469.      Iron Maiden - Iron Maiden (1980)&lt;br /&gt;470.      The Undertones - Hypnotised (1980)&lt;br /&gt;471.      The Jam - Sound Affects (1980)&lt;br /&gt;472.      Tom Waits - Heartattack And Vine (1980)&lt;br /&gt;473.      UB40 - Signing Off (1980)&lt;br /&gt;474.      The Teardrop Explodes - Kilimanjaro (1980)&lt;br /&gt;475.      The Specials - More Specials (1980)&lt;br /&gt;476.      Steve Winwood - Arc Of A Diver (1980)&lt;br /&gt;477.      Pretenders - Pretenders (1980)&lt;br /&gt;478.      Eubstürzende Neubauten - Kollaps (1981)&lt;br /&gt;&lt;strong&gt;479.      Siouxsie And The Banshees - Juju (1981) &lt;/strong&gt;&lt;br /&gt;480.      Heaven 17 - Penthouse And Pavement (1981)&lt;br /&gt;481.      The Go-Gos - Beauty And The Beat (1981)&lt;br /&gt;482.      Motörhead - No Sleep ‘Til Hammersmith (1981)&lt;br /&gt;483.      Soft Cell - Non-Stop Erotic Cabaret (1981)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;484.      Orchestral Manoeuvres In The Dark - Architecture And Morality (1981)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;485.      Brian Eno And David Byrne - My Life In The Bush Of Ghosts (1981) &lt;/strong&gt;&lt;br /&gt;486.      Black Flag - Damaged (1981)&lt;br /&gt;487.      X - Wild Gift (1981)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;488.      The Psychedelic Furs - Talk, Talk, Talk (1981)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;489.      The Human League - Dare! (1981)&lt;/span&gt;&lt;br /&gt;490.      The Gun Club - Fire Of Love (1981)&lt;br /&gt;&lt;strong&gt;491.      Bauhaus - Mask (1981) &lt;/strong&gt;&lt;br /&gt;492.      Bobby Womack - The Poet (1981)&lt;br /&gt;493.      Tom Tom Club - Tom Tom Club (1981)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;494.      Rush - Moving Pictures (1981)&lt;/span&gt;&lt;br /&gt;495.      Abba - The Visitors (1981)&lt;br /&gt;496.      ABC - The Lexicon Of Love (1982)&lt;br /&gt;497.      Prince - 1999 (1982)&lt;br /&gt;498.      Grandmaster Flash And The Furious Five - The Message (1982)&lt;br /&gt;499.      Elvis Costello And The Attractions - Imperial Bedroom (1982)&lt;br /&gt;&lt;strong&gt;500.      The Cure - Pornography (1982) &lt;/strong&gt;&lt;br /&gt;501.      Kevin Rowland And Dexy’s Midnight Runners - Too-Rye-Ay (1982)&lt;br /&gt;502.      Simple Minds - New Gold Dream (81/82/83/84) (1982)&lt;br /&gt;503.      Madness - The Rise And Fall (1982)&lt;br /&gt;504.      Donald Fagen - The Nightfly (1982)&lt;br /&gt;505.      Haircut One Hundred - Pelican West (1982)&lt;br /&gt;&lt;strong&gt;506.      Kate Bush - The Dreaming (1982) &lt;/strong&gt;&lt;br /&gt;507.      Orange Juice - Rip It Up (1982)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;508.      Michael Jackson - Thriller (1982)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;509.      The Birthday Party - Junkyard (1982) &lt;/strong&gt;&lt;br /&gt;510.      Venom - Black Metal (1982)&lt;br /&gt;511.      Bruce Springsteen - Nebraska (1982)&lt;br /&gt;512.      Associates - Sulk (1982)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;513.      Iron Maiden - Number Of The Beast (1982)&lt;/span&gt;&lt;br /&gt;514.      Duran Duran - Rio (1982)&lt;br /&gt;515.      Violent Femmes - Violent Femmes (1982)&lt;br /&gt;516.      Malcolm McLaren - Duck Rock (1983)&lt;br /&gt;517.      Def Leppard - Pyromania (1983)&lt;br /&gt;518.      R.E.M. - Murmur (1983)&lt;br /&gt;519.      The The - Soul Mining (1983)&lt;br /&gt;&lt;strong&gt;520.      Tom Waits - Swordfishtrombones (1983) &lt;/strong&gt;&lt;br /&gt;521.      The Blue Nile - A Walk Across The Rooftops (1983)&lt;br /&gt;522.      Hanoi Rocks - Back To Mistery City (1983)&lt;br /&gt;523.      Cyndi Lauper - She’s So Unusual (1983)&lt;br /&gt;524.      Paul Simon - Hearts And Bones (1983)&lt;br /&gt;&lt;strong&gt;525.      Echo And The Bunnymen - Porcupine (1983) &lt;/strong&gt;&lt;br /&gt;526.      ZZ Top - Eliminator (1983)&lt;br /&gt;527.      Eurythmics - Sweet Dreams (Are Made Of This) (1983)&lt;br /&gt;528.      U2 - War (1983)&lt;br /&gt;&lt;strong&gt;529.      Police - Synchronicity (1983) &lt;/strong&gt;&lt;br /&gt;530.      Meat Puppets - Meat Puppets II (1983)&lt;br /&gt;531.      Culture Club - Colour By Numbers (1983)&lt;br /&gt;532.      Frankie Goes To Hollywood - Welcume To The Pleasuredome (1984)&lt;br /&gt;533.      Run-DMC - Run-DMC (1984)&lt;br /&gt;534.      Sade - Diamond Life (1984)&lt;br /&gt;&lt;strong&gt;535.      Cocteau Twins - Treasure (1984) &lt;/strong&gt;&lt;br /&gt;536.      Minor Threat - Out Of Step (1984)&lt;br /&gt;537.      Van Halen - 1984 (1984)&lt;br /&gt;538.      Prince And The Revolution - Purple Rain (1984)&lt;br /&gt;539.      The Replacements - Let It Be (1984)&lt;br /&gt;540.      The Style Council - Café Bleu (1984)&lt;br /&gt;541.      Tina Turner - Private Dancer (1984)&lt;br /&gt;&lt;strong&gt;542.      Echo And The Bunnymen - Ocean Rain (1984) &lt;/strong&gt;&lt;br /&gt;543.      Minutemen - Double Nickels On The Dime (1984)&lt;br /&gt;544.      Lloyd Cole And The Commotions - Rattlesnakes (1984)&lt;br /&gt;545.      Youssou N’Dour - Immigrés (1984)&lt;br /&gt;546.      Bruce Springsteen - Born In The USA (1984)&lt;br /&gt;547.      The Fall - This Nation’s Saving Grace (1985)&lt;br /&gt;548.      Abdullah Ibrahim - Water From An Ancient Well (1985)&lt; &lt;strong&gt;549.      A-ha - Hunting High And Low (1985)&lt;br /&gt;550.      Tears For Fears - Songs From The Big Chair (1985) &lt;/strong&gt;&lt;br /&gt;551.      Dire Straits - Brothers In Arms (1985)&lt;br /&gt;552.      Prefab Sprout - Steve McQueen (1985)&lt;br /&gt;553.      Mekons - Fear And Whiskey (1985)&lt;br /&gt;554.      Big Black - Atomizer (1985)&lt;br /&gt;&lt;strong&gt;555.      Suzanne Vega - Suzanne Vega (1985) &lt;/strong&gt;&lt;br /&gt;556.      The Pogues - Rum, Sodomy And The Lash (1985)&lt;br /&gt;&lt;strong&gt;557.      Kate Bush - Hounds Of Love (1985)&lt;br /&gt;558.      The Smiths - Meat Is Murder (1985)&lt;br /&gt;559.      Tom Waits - Rain Dogs (1985) &lt;/strong&gt;&lt;br /&gt;560.      The Jesus &amp;amp; Mary Chain - Psychocandy (1985)&lt;br /&gt;&lt;strong&gt;561.      New Order - Low-Life (1985) &lt;/strong&gt;&lt;br /&gt;562.      Simply Red - Picture Book (1985)&lt;br /&gt;563.      Dexy’s Midnight Runners - Don’t Stand Me Down (1985)&lt;br /&gt;564.      Scritti Politti - Cupid And Psyche 85 (1985)&lt;br /&gt;565.      Elvis Costello And The Attractions - Blood And Chocolate (1986)&lt;br /&gt;566.      Afrika Bambaataa And The Soul Sonic Force - Planet Rock - The Album (1986)&lt;br /&gt;567.      Beastie Boys - Licensed To Ill (1986)&lt;br /&gt;568.      Metallica - Master Of Puppets (1986)&lt;br /&gt;569.      The The - Infected (1986)&lt;br /&gt;570.      Nanci Griffith - The Last Of The True Believers (1986)&lt;br /&gt;571.      Billy Bragg - Talking With The Taxman About Poetry (1986)&lt;br /&gt;572.      Talk Talk - The Colour Of Spring (1986)&lt;br /&gt;573.      Megadeth - Peace Sells… But Who’s Buying? (1986)&lt;br /&gt;574.      Bon Jovi - Slippery When Wet (1986)&lt;br /&gt;575.      Sonic Youth - Evol (1986)&lt;br /&gt;576.      Slayer - Reign In Blood (1986)&lt;br /&gt;577.      Throwing Muses - Throwing Muses (1986)&lt;br /&gt;&lt;strong&gt;578.      Paul Simon - Graceland (1986) &lt;/strong&gt;&lt;br /&gt;579.      Run-DMC - Rainsing Hell (1986)&lt;br /&gt;&lt;strong&gt;580.      XTC - Skylarking (1986) &lt;/strong&gt;&lt;br /&gt;581.      Steve Earle - Guitar Town (1986)&lt;br /&gt;582.      Bad Brains - I Against I (1986)&lt;br /&gt;583.      Anita Baker - Rapture (1986)&lt;br /&gt;&lt;strong&gt;584.      The Smiths - The Queen Is Dead (1986)&lt;br /&gt;585.      Peter Gabriel - So (1986) &lt;/strong&gt;&lt;br /&gt;586.      Anthrax - Among The Living (1987)&lt;br /&gt;587.      Dinosaur Jr. - You’re Living All Over Me (1987)&lt;br /&gt;588.      Dolly Parton, Linda Ronstadt, Emmylou Harris - Trio (1987)&lt;br /&gt;589.      Def Leppard - Hysteria (1987)&lt;br /&gt;590.      R.E.M. - Document (1987)&lt;br /&gt;591.      Prince - Sign O’The Times (1987)&lt;br /&gt;592.      The Cult - Electric (1987)&lt;br /&gt;&lt;strong&gt;593.      Depeche Mode - Music For The Masses (1987) &lt;/strong&gt;&lt;br /&gt;594.      The Sisters Of Mercy - Floodland (1987)&lt;br /&gt;595.      George Michael - Faith (1987)&lt;br /&gt;596.      Hüsker Dü - Warehouse: Songs And Stories (1987)&lt;br /&gt;597.      Butthole Surfers - Locust Abortion Technician (1987)&lt;br /&gt;598      Astor Piazzolla And Gary Burton - The New Tango (1987)&lt;br /&gt;&lt;strong&gt;599      The Smiths - “Strangeways, Here We Come” (1987) &lt;/strong&gt;&lt;br /&gt;600.      Guns N’Roses - Appetite For Destruction (1987)&lt;br /&gt;601.      The Jesus And Mary Chain - Darklands (1987)&lt;br /&gt;602.      Ladysmith Black Mambazo - Shaka Zulu (1987)&lt;br /&gt;603.      Laibach - Opus Dei (1987)&lt;br /&gt;604.      Napalm Death - Scum (1987)&lt;br /&gt;605.      Sonic Youth - Sister (1987)&lt;br /&gt;606.      The Triffids - Calenture (1987)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;607.      Michael Jackson - Bad (1987)&lt;/span&gt;&lt;br /&gt;608.      Pet Shop Boys - Actually (1987)&lt;br /&gt;609.      U2 - The Joshua Tree (1987)&lt;br /&gt;610      Terence Trent D’Arby - Introducing The Hardline According To Terence Trent D’Arby (1987)&lt;br /&gt;611.      The Pogues - If I Should Fall From Grace With God (1988)&lt;br /&gt;&lt;strong&gt;612.      Leonard Cohen - I’m Your Man (1988) &lt;/strong&gt;&lt;br /&gt;613.      The Waterboys - Fisherman’s Blues (1988)&lt;br /&gt;614.      Fishbone - Truth And Soul (1988)&lt;br /&gt;615.      Everything But The Girl - Idlewild (1988)&lt;br /&gt;616.      Living Colour - Vivid (1988)&lt;br /&gt;617.      Mudhoney - Superfuzz Bigmuff (1988)&lt;br /&gt;618.      R.E.M. - Green (1988)&lt;br /&gt;619.      Happy Mondays - Bummed (1988)&lt;br /&gt;620.      The Go-Betweens - 16 Lovers Lane (1988)&lt;br /&gt;621.      Cowboy Junkies - The Trinity Session (1988)&lt;br /&gt;622.      Tracy Chapman - Tracy Chapman (1988)&lt;br /&gt;&lt;strong&gt;623.      My Bloody Valentine - Isn’t Anything (1988) &lt;/strong&gt;&lt;br /&gt;624.      Pixies - Surfer Rosa (1988)&lt;br /&gt;625.      Metallica - …And Justice For All (1988)&lt;br /&gt;626.      Dinosaur Jr. - Bug (1988)&lt;br /&gt;627.      Dagmar Krause - Tank Battles (1988)&lt;br /&gt;628.      K.D. Lang - Shadowland (1988)&lt;br /&gt;629.      American Music Club - California (1988)&lt;br /&gt;630.      Morrissey - Viva Hate (1988)&lt;br /&gt;631.      Sonic Youth - Daydream Nation (1988)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;632.      The Sugarcubes - Life’s Too Good (1988)&lt;/span&gt;&lt;br /&gt;633.      Dwight Yoakam - Buenas Noches From A Lonely Room (1988)&lt;br /&gt;634.      Jane’s Addiction - Nothing’s Shocking (1988)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;635.      Public Enemy - It Takes A Nation Of Millions To Hold Us Back (1988)&lt;/span&gt;&lt;br /&gt;636.      Faith No More - The Real Thing (1989)&lt;br /&gt;637.      Lenny Kravitz - Let Love Rule (1989)&lt;br /&gt;638.      John Lee Hooker - The Healer (1989)&lt;br /&gt;&lt;strong&gt;639.      New Order - Technique (1989) &lt;/strong&gt;&lt;br /&gt;640.      Madonna - Like A Prayer (1989)&lt;br /&gt;641.      Queen Latifah - All Hail The Queen (1989)&lt;br /&gt;642.      Spacemen 3 - Playing With Fire (1989)&lt;br /&gt;643.      Firehose - Fromohio (1989)&lt;br /&gt;644.      Beastie Boys - Paul’s Boutique (1989)&lt;br /&gt;645.      The Young Gods - L’Eau Rouge (1989)&lt;br /&gt;646.      John Zorn - Spy Vs. Spy - The Music Of Ornette Coleman (1989)&lt;br /&gt;647.      The Stone Roses - The Stone Roses (1989)&lt;br /&gt;648.      Neneh Cherry - Raw Like Sushi (1989)&lt;br /&gt;649.      Baaba Maal And Mansour Seck - Djam Leelii (1989)&lt;br /&gt;&lt;strong&gt;650.      Kate Bush - The Sensual World (1989) &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;651.      The Cure - Desintegration (1989) &lt;/strong&gt;&lt;br /&gt;652.      808 State - 808:90 (1989)&lt;br /&gt;653.      Coldcut - What’s That Noise (1989)&lt;br /&gt;654.      Barry Adamson - Moss Side Story (1989)&lt;br /&gt;655.      Aerosmith - Pump (1989)&lt;br /&gt;656.      Pixies - Doolittle (1989)&lt;br /&gt;657.      Bonnie Raitt - Nick Of Time (1989)&lt;br /&gt;658.      Fugazi - Repeater (1989)&lt;br /&gt;659.      Soul II Soul - Club Classics Vol. One (1989)&lt;br /&gt;660.      De La Soul - 3 Feet High And Rising (1989)&lt;br /&gt;661.      Janet Jackson - Rhythm Nation 1814 (1989)&lt;br /&gt;662.      Jungle Brothers - Done By The Forces Of Nature (1989)&lt;br /&gt;663.      N.W.A. - Straight Outta Compton (1989)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Anos 1990:&lt;/p&gt;&lt;p&gt;&lt;strong&gt;664.      Cocteau Twins - Heaven Or Las Vegas (1990) &lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;665.      The Shamen - En-Tact (1990)&lt;br /&gt;666.      Deee-Lite - World Clique (1990)&lt;br /&gt;667.      The La’s - The La’s (1990)&lt;br /&gt;668.      The Black Crowes - Shake Your Money Maker (1990)&lt;br /&gt;&lt;strong&gt;669.      Depeche Mode - Violator (1990) &lt;/strong&gt;&lt;br /&gt;670.      Pixies - Bossanova (1990)&lt;br /&gt;671.      Megadeth - Rust In Peace (1990)&lt;br /&gt;672.      Digital Underground - Sex Packets (1990)&lt;br /&gt;673.      Pet Shop Boys - Behaviour (1990)&lt;br /&gt;674.      Happy Mondays - Pills’N'Thrills And Bellyaches (1990)&lt;br /&gt;675.      George Michael - Listen Without Prejudice Vol. 1 (1990)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;676.      Neil Young And Crazy Horse - Ragged Glory (1990)&lt;/span&gt;&lt;br /&gt;677.      Ice Cube - AmeriKKKa’s Most Wonted (1990)&lt;br /&gt;678.      Jane’s Addiction - Ritual De Lo Habitual (1990)&lt;br /&gt;679.      LL Cool J - Mama Said Knock You Out (1990)&lt;br /&gt;680.      Public Enemy - Fear Of A Black Planet (1990)&lt;br /&gt;681.      Sinéad O’Connor - I Do Not Want What I Haven’t Got (1990)&lt;br /&gt;682.      A Tribe Called Quest - People’s Instinctive Travels And The Paths Of Rhythm (1990)&lt;br /&gt;683.      Sonic Youth - Goo (1990)&lt;br /&gt;684.      Ride - Nowhere (1990)&lt;br /&gt;&lt;strong&gt;685.      My Bloody Valentine - Loveless (1991) &lt;/strong&gt;&lt;br /&gt;686.      Nirvana - Nevermind (1991)&lt;br /&gt;687.      Crowded House - Woodface (1991)&lt;br /&gt;688.      Cypress Hill - Cypress Hill (1991)&lt;br /&gt;689.      Julian Cope - Peggy Suicide (1991)&lt;br /&gt;690.      Gang Starr - Step In The Arena (1991)&lt;br /&gt;691.      MC Solaar - Qui Sème Le Vent Récolte Le Tempo (1991)&lt;br /&gt;692.      Jah Wobble And The Invaders Of The Heart - Rising Above Bedlam (1991)&lt;br /&gt;693.      Red Hot Chili Peppers - Blood Sugar Sex Magik (1991)&lt;br /&gt;694.      Ice-T - OG Original Gangster (1991)&lt;br /&gt;695.      Mudhoney - Every Good Boy Deserves Fudge (1991)&lt;br /&gt;696.      Public Enemy - Apocalypse ‘91…The Enemy Strikes Back (1991)&lt;br /&gt;697.      A Tribe Called Quest – Low End Theory (1991) - Versão americana&lt;br /&gt;  Caetano Veloso - Ciruladô (1991) - Versão brasileira&lt;br /&gt;698.      Pearl Jam - Ten (1991)&lt;br /&gt;699.      Saint Etienne - Foxbase Alpha (1991)&lt;br /&gt;700.      Sepultura - Arise (1991)&lt;br /&gt;701.      Slint - Spiderland (1991)&lt;br /&gt;702.      U2 - Achtung Baby (1991)&lt;br /&gt;703.      The KLF - The White Room (1991)&lt;br /&gt;&lt;strong&gt;704.      Massive Attack - Blue Lines (1991) &lt;/strong&gt;&lt;br /&gt;705.      Primal Scream - Screamadelica (1991)&lt;br /&gt;706.      Teenage Fanclub - Bandwagonesque (1991)&lt;br /&gt;707.      Metallica - Metallica (Black Album) (1991)&lt;br /&gt;708.      Pavement - Slanted And Enchanted (1992)&lt;br /&gt;&lt;strong&gt;709.      Aphex Twin - Selected Ambient Works 85-92 (1992) &lt;/strong&gt;&lt;br /&gt;710.      Arrested Development - 3 Years, 5 Months And 2 Days In The Life Of Arrested Development (1992)&lt;br /&gt;711.      Koffi Olomidé - Haut De Gamme - Koweït, Rive Gauche (1992)&lt;br /&gt;712.      Morissey - “Your Arsenal” (1992)&lt;br /&gt;713.      Baaba Maal - Lam Toro (1992)&lt;br /&gt;714.      Lemonheads - It’s A Shame About Ray (1992)&lt;br /&gt;715.      Rage Against The Machine - Rage Against The Machine (1992)&lt;br /&gt;716.      The Disposable Heroes Of Hiphoprisy - Hypocrisy Is The Greatest Luxury (1992)&lt;br /&gt;717.      K.D. Lang - Ingénue (1992)&lt;br /&gt;718.      Dr. Dre - The Chronic (1992)&lt;br /&gt;719.      R.E.M. - Automatic For The People (1992)&lt;br /&gt;720.      The Pharcyde - Bizarre Ride II The Pharcyde (1992)&lt;br /&gt;721.      Spiritualized - Lazer Guided Melodies (1992)&lt;br /&gt;722.      Sugar - Copper Blue (1992)&lt;br /&gt;723.      Tom Waits - Bone Machine (1992)&lt;br /&gt;724.      Sonic Youth - Dirty (1992)&lt;br /&gt;725.      Stereo MCs - Connected (1992)&lt;br /&gt;726.      Ministry - Psalm 69 (1992)&lt;br /&gt;727.      Tori Amos - Little Earthquakes (1992)&lt;br /&gt;728.      Ice Cube - The Predator (1992)&lt;br /&gt;729.      Pantera - Vulgar Display Of Power (1992)&lt;br /&gt;730.      Alice In Chains - Dirt (1992)&lt;br /&gt;&lt;strong&gt;731.      Nick Cave And The Bad Seeds - Henry’s Dream (1992) &lt;/strong&gt;&lt;br /&gt;732.      Nusrat Fateh Ali Khan And Party - Devotional Songs (1992)&lt;br /&gt;733.      P.J. Harvey - Dry (1992)&lt;br /&gt;734.      Suede - Suede (1993)&lt;br /&gt;735.      Paul Weller - Wild Wood (1993)&lt;br /&gt;736.      The Smashing Pumpkins - Siamese Dream (1993)&lt;br /&gt;737.      Auters - New Wave (1993)&lt;br /&gt;738.      Liz Phair - Exile In Guyville (1993)&lt;br /&gt;739.      The Afghan Whigs - Gentleman (1993)&lt;br /&gt;740.      Aimee Mann - “Whatever” (1993)&lt;br /&gt;741.      Grant Lee Buffalo - Fuzzy (1993)&lt;br /&gt;742.      Nirvana - In Utero (1993)&lt;br /&gt;743.      Jamiroquai - Emergency On Planet Earth (1993)&lt;br /&gt;744.      Pet Shop Boys - Very (1993)&lt;br /&gt;745.      P.J. Harvey - Rid Of Me (1993)&lt;br /&gt;746.      Blur - Modern Life Is Rubbish (1993)&lt;br /&gt;747.      Sheryl Crow - Tuesday Night Music Club (1993)&lt;br /&gt;748.      The Fall - The Infotainment Scan (1993)&lt;br /&gt;749.      Wu-Tang Clan - Enter the Wu-Tang (36 Chambers) (1993)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;750.      Björk - Debut (1993)&lt;/span&gt;&lt;br /&gt;751.      Orbital - Orbital II (1993)&lt;br /&gt;752.      Snoop Doggy Dogg - Doggystyle (1993)&lt;br /&gt;753.      Sebadoh - Bubble And Scrape (1993)&lt;br /&gt;754.      The Boo Radleys - Giant Steps (1993)&lt;br /&gt;755.      William Orbit - Strange Cargo III (1993)&lt;br /&gt;756.      Method Man - Tical (1994)&lt;br /&gt;757.      Frank Black - Teenager Of The Year (1994)&lt;br /&gt;758.      Girls Against Boys - Venus Luxure N.º 1 Baby (1994)&lt;br /&gt;759.      Jeru The Damaka - The Sun Rises In The East (1994)&lt;br /&gt;760.      Pavement - Crooked Rain, Crooked Rain (1994)&lt;br /&gt;761.      Portishead - Dummy (1994)&lt;br /&gt;762.      The Sabres Of Paradise - Haunted Dancehall (1994)&lt;br /&gt;763.      Nas - Illmatic (1994)&lt;br /&gt;764.      Beastie Boys - Ill Communication (1994)&lt;br /&gt;765.      Elvis Costello - Brutal Youth (1994)&lt;br /&gt;766.      Morrissey - Vauxhall And I (1994)&lt;br /&gt;767.      TLC - CrazySexyCool (1994)&lt;br /&gt;768.      Oasis - Definitely Maybe (1994)&lt;br /&gt;769.      Soundgarden - Superunknown (1994)&lt;br /&gt;770.      The Offspring - Smash (1994)&lt;br /&gt;771.      Drive Like Jehu - Yank Crime (1994)&lt;br /&gt;772.      Blur - Parklife (1994)&lt;br /&gt;773.      G. Love And Special Sauce - G. Love And Special Sauce (1994)&lt;br /&gt;774.      Ali Farka Touré With Ry Cooder - Talking Timbuktu (1994)&lt;br /&gt;775.      Hole - Live Through This (1994)&lt;br /&gt;&lt;strong&gt;776.      Massive Attack - Protection (1994) &lt;/strong&gt;&lt;br /&gt;777.      Manic Street Preachers - The Holy Bible (1994)&lt;br /&gt;778.      Suede - Dog Man Star (1994)&lt;br /&gt;779.      The Notorious B.I.G. - Ready To Die (1994)&lt;br /&gt;&lt;strong&gt;780.      Jeff Buckley - Grace (1994) &lt;/strong&gt;&lt;br /&gt;781.      Orbital - Snivilisation (1994)&lt;br /&gt;782.      Nirvana - MTV Unplugged In New York (1994)&lt;br /&gt;783.      Nine Inch Nails - The Downward Spiral (1994)&lt;br /&gt;784.      The Prodigy - Music For The Jilted Generation (1994)&lt;br /&gt;785.      Green Day - Dookie (1994)&lt;br /&gt;786.      Foo Fighters - Foo Fighters (1995)&lt;br /&gt;787.      Garbage - Garbage (1995)&lt;br /&gt;788.      Nightmares On Wax - Smokers Delight (1995)&lt;br /&gt;789.      Tricky - Maxinquaye (1995)&lt;br /&gt;790.      Raekwon - Only Built 4 Cuban Linx (1995)&lt;br /&gt;791.      The Smashing Pumpkins - Mellon Collie And The Infinite Sadness (1995)&lt;br /&gt;792.      Rocket From The Crypt - Scream, Dracula, Scream! (1995)&lt;br /&gt;793.      The Chemical Brothers - Exit Planet Dust (1995)&lt;br /&gt;794.      Tupac - Me Against The World (1995)&lt;br /&gt;795.      Elastica - Elastica (1995)&lt;br /&gt;796.      Supergrass - I Should Coco (1995)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;797.      Radiohead - The Bends (1995)&lt;/span&gt;&lt;br /&gt;798.      Guided By Voices - Alien Lanes (1995)&lt;br /&gt;799.      Femi Kuti - Femi Kuti (1995)&lt;br /&gt;800.      The Verve - A Northern Soul (1995)&lt;br /&gt;801.      Genius GZA - Liquid Swords (1995) - Versão americana&lt;br /&gt;  Madredeus - Ainda (1995) - Versão brasileira&lt;br /&gt;802.      Pulp - Different Class (1995)&lt;br /&gt;803.      Leftfield - Leftism (1995)&lt;br /&gt;804.      D’Angelo - Brown Sugar (1995)&lt;br /&gt;805.      Oasis - (What’s The Story) Morning Glory (1995)&lt;br /&gt;806.      Goldie - Timeless (1995)&lt;br /&gt;807.      Alanis Morissette - Jagged Little Pill (1995)&lt;br /&gt;808.      Screaming Trees - Dust (1996)&lt;br /&gt;809.      Super Furry Animals - Fuzzy Logic (1996)&lt;br /&gt;810.      Fatboy Slim - Better Living Through Chemistry (1996)&lt;br /&gt;811.      Dr. Octagon - Dr. Octagonecologyst (1996)&lt;br /&gt;812.      Stereolab - Emperor Tomato Ketchup (1996)&lt;br /&gt;813.      Tortoise - Millions Now Living Will Never Die (1996)&lt;br /&gt;814.      Beck - Odelay (1996)&lt;br /&gt;&lt;strong&gt;815.      Belle And Sebastian - “Tigermilk” (1996) &lt;/strong&gt;&lt;br /&gt;816.      DJ Shadow - Endtroducing… (1996)&lt;br /&gt;817.      Eels - Beautiful Freak (1996)&lt;br /&gt;818.      The Divine Comedy - Casanova (1996)&lt;br /&gt;819.      Fiona Apple - Tidal (1996)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;820.      Wilco - Being There (1996)&lt;/span&gt;&lt;br /&gt;821.      Sepultura - Roots (1996)&lt;br /&gt;822.      Barry Adamson - Oedipus Schmoedipus (1996)&lt;br /&gt;823.      Fun Lovin’ Criminals - Come Find Yourself (1996)&lt;br /&gt;824.      Maxwell - Maxwell’s Urban Hang Suite (1996)&lt;br /&gt;825.      The Charlatans - Tellin’ Stories (1996)&lt;br /&gt;826.      Manic Street Preachers - Everything Must Go (1996)&lt;br /&gt;827.      Everything But The Girl - Walking Wounded (1996)&lt;br /&gt;&lt;strong&gt;828.      Nick Cave And The Bad Seeds - Murder Ballads (1996) &lt;/strong&gt;&lt;br /&gt;829.      L.T.J. Bukem - Logical Progression (1996)&lt;br /&gt;830.      Underworld - Second Toughest In The Infants (1996)&lt;br /&gt;831.      The Jon Spencer Blues Explosion - Now I Got Worry (1996)&lt;br /&gt;832.      The Cardigans - First Band On The Moon (1996)&lt;br /&gt;833.      Marilyn Manson - Antichrist Superstar (1996)&lt;br /&gt;834.      Fugees - The Score (1996)&lt;br /&gt;835.      Ash - 1977 (1996)&lt;br /&gt;&lt;strong&gt;836.      Belle And Sebastian - If You’re Feeling Sinister (1996) &lt;/strong&gt;&lt;br /&gt;837.      Blue - Blur (1997)&lt;br /&gt;&lt;strong&gt;838.      Radiohead - OK Computer (1997) &lt;/strong&gt;&lt;br /&gt;839.      Finley Quaye - Maverick A Strike (1997)&lt;br /&gt;840.      Missy Misdemeanour Elliott - Supa Dupa Fly (1997)&lt;br /&gt;841.      The Chemical Brothers - Dig Your Own Hole (1997)&lt;br /&gt;842.      Primal Scream - Vanishing Point (1997)&lt;br /&gt;&lt;strong&gt;843.      Robert Wyatt - Shleep (1997) &lt;/strong&gt;&lt;br /&gt;844.      David Holmes - Let’s Get Killed (1997)&lt;br /&gt;845.      Sleater-Kinney - Dig Me Out (1997)&lt;br /&gt;846.      Prodigy - The Fat Of The Land (1997)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;847.      Buena Vista Social Club - Buena Vista Social Club (1997)&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;848.      Nick Cave And The Bad Seeds - The Boatman’s Call (1997) &lt;/strong&gt;&lt;br /&gt;849.      The Divine Comedy - A Short Album About Love (1997)&lt;br /&gt;850.      Cornershop - When I Was Born For The 7th Time (1997)&lt;br /&gt;851.      Daft Punk - Homework (1997)&lt;br /&gt;852.      Robbie Williams - Life Thru A Lens (1997)&lt;br /&gt;853.      Mariah Carey - Butterfly (1997)&lt;br /&gt;&lt;strong&gt;854.      Bob Dylan - Time Out of Mind (1997) - Versão Americana &lt;/strong&gt;&lt;br /&gt;  Carlinhos Brown - Alfagamabetizado (1996) - Versão Brasileira&lt;br /&gt;855.      Size, Roni And Reprazent – New Forms (1997) - Versão Americana&lt;br /&gt;  Maria Bethânia - Âmbar (1996) - Versão Brasileira&lt;br /&gt;856.      Supergrass - In It For The Money (1997)&lt;br /&gt;857.      Elliott Smith - Either/Or (1997)&lt;br /&gt;858.      The Verve - Urban Hymns (1997)&lt;br /&gt;859.      Spiritualized - Ladies And Gentlemen, We Are Floating In Space (1997)&lt;br /&gt;860.      The Dandy Warhols - The Dandy Warhols Come Down (1997)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;861.      Bob Dylan - Live 1966 (1998)&lt;/span&gt;&lt;br /&gt;862.      Manu Chao - Clandestino (1998)&lt;br /&gt;863.      Billy Bragg And Wilco - Mermaid Avenue (1998)&lt;br /&gt;864.      Turbonegro – Apocalypse Dudes (1998) - Versão americana&lt;br /&gt;  Mísia - Garras dos Sentidos (1998) - Versão brasileira&lt;br /&gt;865.      Fatboy Slim - You’ve Come A Long Way, Baby (1998)&lt;br /&gt;866.      David Gray - White Ladder (1998)&lt;br /&gt;867.      Lucinda Williams - Car Wheels On A Gravel Road (1998)&lt;br /&gt;868.      Pulp - This Is Hardcore (1998)&lt;br /&gt;869.      Madonna - Ray Of Light (1998)&lt;br /&gt;870.      Lauryn Hill - The Miseducation Of Lauryn Hill (1998)&lt;br /&gt;871.      Hole - Celebrity Skin (1998)&lt;br /&gt;872.      Mercury Rev - Deserter’s Songs (1998)&lt;br /&gt;873.      System Of A Down - System Of A Down (1998)&lt;br /&gt;874.      Queens Of The Stone Age - Queens Of The Stone Age (1998)&lt;br /&gt;875.      Air - Moon Safari (1998)&lt;br /&gt;876.      Talvin Singh - OK (1998)&lt;br /&gt;877.      Korn - Follow The Leader (1998)&lt;br /&gt;878.      Khaled - Kenza (1998)&lt;br /&gt;879.      Kid Rock - Devil Without A Cause (1998)&lt;br /&gt;880.      Boards Of Canada - Music Has The Right To Children (1998)&lt;br /&gt;881.      Suba - São Paulo Confessions (1999)&lt;br /&gt;882.      XTC - Apple Venus Volume 1 (1999)&lt;br /&gt;883.      Skunk Anansie - Post Orgasmic Chill (1999)&lt;br /&gt;884.      Incubus - Make Yourself (1999)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;885.      The Magnetic Fields - 69 Love Songs (1999)&lt;/span&gt;&lt;br /&gt;886.      Travis - The Man Who (1999)&lt;br /&gt;887.      Slipknot - Slipknot (1999)&lt;br /&gt;888.      Beth Orton - Central Reservation (1999)&lt;br /&gt;889.      Nitin Sawhney - Beyond Skin (1999)&lt;br /&gt;890.      Death In Vegas - The Contino Sessions (1999)&lt;br /&gt;891.      Moby - Play (1999)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;892.      The Flaming Lips - The Soft Bulletin (1999)&lt;/span&gt;&lt;br /&gt;893.      Les Rythmes Digitales - Darkdancer (1999)&lt;br /&gt;894.      Le Tigre - Le Tigre (1999)&lt;br /&gt;895.      Eminem - The Slim Shady LP (1999)&lt;br /&gt;896.      Britney Spears - …Baby One More Time (1999)&lt;br /&gt;897.      Metallica - S&amp;amp;M (1999)&lt;br /&gt;898.      Bonnie “Prince” Billy - I See A Darkness (1999)&lt;br /&gt;899.      Shack - H.M.S. Fable (1999)&lt;br /&gt;900.      Basement Jaxx - Remedy (1999)&lt;br /&gt;901.      Red Hot Chili Peppers - Californication (1999)&lt;br /&gt;&lt;strong&gt;902.      Sigur Rós - Ágætis Byrjun (1999)&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;p&gt;Anos 2000:&lt;/p&gt;&lt;p&gt;903.      Doves - Lost Souls (2000)&lt;br /&gt;&lt;/p&gt;&lt;strong&gt;904.      Air - The Virgin Suicides (2000) &lt;/strong&gt;&lt;br /&gt;905.      Ryan Adams - Heartbreaker (2000)&lt;br /&gt;906.      Bebel Gilberto - Tanto Tempo (2000)&lt;br /&gt;907.      M.J. Cole - Sincere (2000)&lt;br /&gt;908.      Emmylou Harris - Red Dirt Girl (2000)&lt;br /&gt;909.      Limp Bizkit - Chocolate Starfish &amp;amp; The Hot Dog Flavored Water (2000)&lt;br /&gt;&lt;strong&gt;910.      Radiohead - Kid A (2000) &lt;/strong&gt;&lt;br /&gt;911.      U2 - All That You Can’t Leave Behind (2000)&lt;br /&gt;912.      Linkin’ Park - Hybrid Theory (2000)&lt;br /&gt;&lt;strong&gt;913.      Elliott Smith - Figure 8 (2000) &lt;/strong&gt;&lt;br /&gt;914.      Badly Drawn Boy - The Hour Of Bewilderbeast (2000)&lt;br /&gt;915.      P.J. Harvey - Stories From The City, Stories From The Sea (2000)&lt;br /&gt;916.      Erykah Badu - Mama’s Gun (2000)&lt;br /&gt;917.      Coldplay - Parachutes (2000)&lt;br /&gt;918.      Common - Like Water For Chocolate (2000)&lt;br /&gt;919.      Mike Ladd - Welcome To The Afterfuture (2000)&lt;br /&gt;920.      Red Snapper - Our Aim Is To Satisfy (2000)&lt;br /&gt;921.      Eminem - The Marshall Mathers LP (2000)&lt;br /&gt;922.      Goldfrapp - Felt Mountain (2000)&lt;br /&gt;923.      Giant Sand - Chore Of Enchantment (2000)&lt;br /&gt;924.      Lambchop - Nixon (2000)&lt;br /&gt;925.      Ute Lemper - Punishing Kiss (2000)&lt;br /&gt;926.      Madonna - Music (2000)&lt;br /&gt;927.      The Avalanches - Since I Left You (2000)&lt;br /&gt;928.      Outkast - Stankonia (2000)&lt;br /&gt;&lt;strong&gt;929.      Radiohead - Amnesiac (2001) &lt;/strong&gt;&lt;br /&gt;930.      Silver Jews - Bright Flight (2001)&lt;br /&gt;&lt;strong&gt;931.      Björk - Vespertine (2001) &lt;/strong&gt;&lt;br /&gt;932.      Gorillaz - Gorillaz (2001)&lt;br /&gt;933.      Ryan Adams - Gold (2001)&lt;br /&gt;934.      Destiny’s Child - Survivor (2001)&lt;br /&gt;935.      The Strokes - Is This It (2001)&lt;br /&gt;936.      Gillian Welch - Time (The Revelator) (2001)&lt;br /&gt;937.      Gotan Project - La Revancha Del Tango (2001)&lt;br /&gt;938.      The White Stripes - White Blood Cells (2001)&lt;br /&gt;939.      The Beta Band - Hot Shots II (2001)&lt;br /&gt;940.      Jay-Z - The Blueprint (2001)&lt;br /&gt;941.      Röyksopp - Melody A.M. (2001)&lt;br /&gt;942.      Drive-By Truckers - Southern Rock Opera (2001)&lt;br /&gt;943.      Super Furry Animals - Rings Around The World (2001)&lt;br /&gt;944.      Jurassic 5 - Power In Numbers (2001)&lt;br /&gt;945.      Wilco - Yankee Hotel Foxtrot (2002)&lt;br /&gt;946.      Ms. Dynamite - A Little Deeper (2002)&lt;br /&gt;947.      The Bees - Sunshine Hit Me (2002)&lt;br /&gt;948.      Norah Jones - Come Away With Me (2002)&lt;br /&gt;949.      Coldplay - A Rush Of Blood To The Head (2002)&lt;br /&gt;950.      The Coral - The Coral (2002)&lt;br /&gt;951.      Johnny Cash - American IV: The Man Comes Around (2002)&lt;br /&gt;952.      The Flaming Lips - Yoshimi Battles The Pink Robots (2002)&lt;br /&gt;953.      Doves - The Last Broadcast (2002)&lt;br /&gt;954.      Missy Elliott - Under Construction (2002)&lt;br /&gt;955.      Bruce Springsteen - The Rising (2002)&lt;br /&gt;956.      Beck - Sea Change (2002)&lt;br /&gt;957.      The Roots - Phrenology (2002)&lt;br /&gt;958.      Justin Timberlake - Justified (2002)&lt;br /&gt;959.      Yeah Yeah Yeahs - Fever To Tell (2003)&lt;br /&gt;&lt;strong&gt;960.      Radiohead - Hail To The Thief (2003) &lt;/strong&gt;&lt;br /&gt;961.      The White Stripes - Elephant (2003)&lt;br /&gt;962.      Dizzee Rascal - Boy In Da Corner (2003)&lt;br /&gt;963.      Outkast - Speakerboxx / The Love Below (2003)&lt;br /&gt;964.      Kings Of Leon - Youth And Young Manhood (2003)&lt;br /&gt;965.      The Mars Volta - De-loused In The Comatorium (2003)&lt;br /&gt;966.      Lightning Bolt - Wonderful Rainbow (2003)&lt;br /&gt;967.      Rufus Wainright - Want One (2003)&lt;br /&gt;968.      Scissor Sisters - Scissor Sisters (2004)&lt;br /&gt;969.      Morrissey - You Are The Quarry (2004)&lt;br /&gt;&lt;strong&gt;970.      Björk - Medúlla (2004) &lt;/strong&gt;&lt;br /&gt;971.      Mylo - Destroy Rock &amp;amp; Roll (2004)&lt;br /&gt;&lt;strong&gt;972.      Brian Wilson - Smile (2004) &lt;/strong&gt;&lt;br /&gt;973.      The Icarus Line - Penance Soirée (2004)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;974.      Arcade Fire - Funeral (2004)&lt;/span&gt;&lt;br /&gt;975.      Devendra Banhart - Rejoicing In The Hands (2004)&lt;br /&gt;&lt;strong&gt;976.      Nick Cave And The Bad Seeds - Abattoir Blues/The Lyre Of Orpheus (2004) &lt;/strong&gt;&lt;br /&gt;977.      Franz Ferdinand - Franz Ferdinand (2004)&lt;br /&gt;978.      Kanye West - The College Dropout (2004)&lt;br /&gt;979.      Cee-Lo Green - Cee-Lo Green…Is The Soul Machine (2004)&lt;br /&gt;980.      TV On The Radio - Desperate Youths, Blood Thirsty Babes (2004)&lt;br /&gt;981.      Liars - They Were Wrong, So We Drowned (2004)&lt;br /&gt;982.      The Streets - A Grand Don’t Come For Free (2004)&lt;br /&gt;983.      Rufus Wainwright - Want Two (2004)&lt;br /&gt;984.      The Zutons - Who Killed…The Zutons? (2004)&lt;br /&gt;985.      The Killers - Hot Fuss (2004)&lt;br /&gt;986.      Ozomatli - Street Signs (2004)&lt;br /&gt;987.      Green Day - American Idiot (2004)&lt;br /&gt;988.      Common - Be (2005)&lt;br /&gt;989.      Richard Hawley - Coles Corner (2005)&lt;br /&gt;990.      Antony &amp;amp; The Johnsons - I Am A Bird Now (2005)&lt;br /&gt;991.      M.I.A. - Arular (2005)&lt;br /&gt;992.      Sufjan Stevens - Illnoise (2005)&lt;br /&gt;993.      Lupe Fiasco - Food &amp;amp; Liquor (2006)&lt;br /&gt;994.      Ghostface Killah - Fishscale (2006)&lt;br /&gt;995.      Christina Aguilera - Back To Basics (2006)&lt;br /&gt;996.      Ali Farka Touré - Savane (2006)&lt;br /&gt;997.      Muse - Black Holes &amp;amp; Revelations (2006)&lt;br /&gt;998.      Arctic Monkeys - Whatever People Say I Am, That’s What I’m Not (2006)&lt;br /&gt;&lt;strong&gt;999.      Joanna Newsom - Ys (2006) &lt;/strong&gt;&lt;br /&gt;1000.      Arcade Fire - Neon Bible (2007)&lt;br /&gt;1001.      The Good, The Bad &amp;amp; The Queen - The Good, The Bad &amp;amp; The Queen (2007)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-2521203833461265304?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/2521203833461265304/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=2521203833461265304' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2521203833461265304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2521203833461265304'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/02/anos-1950-cd-lp-1.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-4882341875160635277</id><published>2009-01-23T10:26:00.000-08:00</published><updated>2009-08-05T18:16:00.356-07:00</updated><title type='text'></title><content type='html'>COMEDY&lt;br /&gt;&lt;br /&gt;Lucky Jim by Kingsley Amis&lt;br /&gt;Money by Martin Amis&lt;br /&gt;The Information by Martin Amis&lt;br /&gt;The Bottle Factory Outing by Beryl Bainbridge&lt;br /&gt;According to Queeney by Beryl Bainbridge&lt;br /&gt;Flaubert's Parrot by Julian Barnes&lt;br /&gt;A History of the World in 10 1/2 Chapters by Julian Barnes&lt;br /&gt;Augustus Carp, Esq. by Himself: Being the Autobiography of a Really Good Man by Henry Howarth Bashford&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Molloy by Samuel Beckett&lt;/span&gt;&lt;br /&gt;Zuleika Dobson by Max Beerbohm&lt;br /&gt;&lt;em&gt;The Adventures of Augie March by Saul Bellow&lt;/em&gt;&lt;br /&gt;The Uncommon Reader by Alan Bennett&lt;br /&gt;Queen Lucia by EF Benson&lt;br /&gt;The Ascent of Rum Doodle by WE Bowman&lt;br /&gt;A Good Man in Africa by William Boyd&lt;br /&gt;The History Man by Malcolm Bradbury&lt;br /&gt;No Bed for Bacon by Caryl Brahms and SJ Simon&lt;br /&gt;Illywhacker by Peter Carey&lt;br /&gt;A Season in Sinji by JL Carr&lt;br /&gt;The Harpole Report by JL Carr&lt;br /&gt;The Hearing Trumpet by Leonora Carrington&lt;br /&gt;Mister Johnson by Joyce Cary&lt;br /&gt;The Horse's Mouth by Joyce Cary&lt;br /&gt;Don Quixote by Miguel de Cervantes&lt;br /&gt;The Case of the Gilded Fly by Edmund Crispin&lt;br /&gt;Just William by Richmal Crompton&lt;br /&gt;The Provincial Lady by EM Delafield&lt;br /&gt;Slouching Towards Kalamazoo by Peter De Vries&lt;br /&gt;The Pickwick Papers by Charles Dickens&lt;br /&gt;Martin Chuzzlewit by Charles Dickens&lt;br /&gt;Jacques the Fatalist and his Master by Denis Diderot&lt;br /&gt;A Fairy Tale of New York by JP Donleavy&lt;br /&gt;The Commitments by Roddy Doyle&lt;br /&gt;Ennui by Maria Edgeworth&lt;br /&gt;Cheese by Willem Elsschot&lt;br /&gt;Bridget Jones's Diary by Helen Fielding&lt;br /&gt;Joseph Andrews by Henry Fielding&lt;br /&gt;Tom Jones by Henry Fielding&lt;br /&gt;Caprice by Ronald Firbank&lt;br /&gt;Bouvard et Pécuchet by Gustave Flaubert&lt;br /&gt;Towards the End of the Morning by Michael Frayn&lt;br /&gt;The Polygots by William Gerhardie&lt;br /&gt;Cold Comfort Farm by Stella Gibbons&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dead Souls by Nikolai Gogol&lt;/span&gt;&lt;br /&gt;Oblomov by Ivan Goncharov&lt;br /&gt;The Wind in the Willows by Kenneth Grahame&lt;br /&gt;Brewster's Millions by Richard Greaves (George Barr McCutcheon)&lt;br /&gt;Squire Haggard's Journal by Michael Green&lt;br /&gt;&lt;strong&gt;Our Man in Havana by Graham Greene&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Travels with My Aunt by Graham Greene&lt;/em&gt;&lt;br /&gt;Diary of a Nobody by George Grossmith&lt;br /&gt;The Little World of Don Camillo by Giovanni Guareschi&lt;br /&gt;The Curious Incident of the Dog in the Night-time by Mark Haddon&lt;br /&gt;&lt;strong&gt;Catch-22 by Joseph Heller&lt;/strong&gt;&lt;br /&gt;Mr Blandings Builds His Dream House by Eric Hodgkins&lt;br /&gt;&lt;strong&gt;High Fidelity by Nick Hornby&lt;/strong&gt;&lt;br /&gt;I Served the King of England by Bohumil Hrabal&lt;br /&gt;The Lecturer's Tale by James Hynes&lt;br /&gt;Mr Norris Changes Trains by Christopher Isherwood&lt;br /&gt;The Mighty Walzer Howard by Jacobson&lt;br /&gt;Pictures from an Institution by Randall Jarrell&lt;br /&gt;Three Men in a Boat by Jerome K Jerome&lt;br /&gt;&lt;em&gt;Finnegans Wake by James Joyce&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;The Castle by Franz Kafka&lt;/strong&gt;&lt;br /&gt;Lake Wobegon Days by Garrison Keillor&lt;br /&gt;Death and the Penguin by Andrey Kurkov&lt;br /&gt;The Debt to Pleasure by John Lanchester&lt;br /&gt;L'Histoire de Gil Blas de Santillane (Gil Blas) Alain-René Lesage&lt;br /&gt;Changing Places by David Lodge&lt;br /&gt;Nice Work by David Lodge&lt;br /&gt;The Towers of Trebizond by Rose Macaulay&lt;br /&gt;England, Their England by AG Macdonell&lt;br /&gt;Whisky Galore by Compton Mackenzie&lt;br /&gt;Memoirs of a Gnostic Dwarf by David Madsen&lt;br /&gt;Cakes and Ale - Or, the Skeleton in the Cupboard by W Somerset Maugham&lt;br /&gt;Tales of the City by Armistead Maupin&lt;br /&gt;Bright Lights, Big City by Jay McInerney&lt;br /&gt;Puckoon by Spike Milligan&lt;br /&gt;The Restraint of Beasts by Magnus Mills&lt;br /&gt;Charade by John Mortimer&lt;br /&gt;Titmuss Regained by John Mortimer&lt;br /&gt;Under the Net by Iris Murdoch&lt;br /&gt;&lt;em&gt;Pnin by Vladimir Nabokov&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Pale Fire by Vladimir Nabokov&lt;/em&gt;&lt;br /&gt;Fireflies by Shiva Naipaul&lt;br /&gt;The Sacred Book of the Werewolf by Victor Pelevin&lt;br /&gt;La Disparition by Georges Perec&lt;br /&gt;Les Revenentes by Georges Perec&lt;br /&gt;La Vie Mode d'Emploi by Georges Perec&lt;br /&gt;My Search for Warren Harding by Robert Plunkett&lt;br /&gt;A Dance to the Music of Time by Anthony Powell&lt;br /&gt;A Time to be Born by Dawn Powell&lt;br /&gt;Excellent Women by Barbara Pym&lt;br /&gt;Less Than Angels by Barbara Pym&lt;br /&gt;Zazie in the Metro by Raymond Queneau&lt;br /&gt;Solomon Gursky Was Here by Mordecai Richler&lt;br /&gt;Alms for Oblivion by Simon Raven&lt;br /&gt;&lt;em&gt;Portnoy's Complaint by Philip Roth&lt;/em&gt;&lt;br /&gt;The Westminster Alice by Saki&lt;br /&gt;The Unbearable Bassington by Saki&lt;br /&gt;Hurrah for St Trinian's by Ronald Searle&lt;br /&gt;Great Apes by Will Self&lt;br /&gt;Porterhouse Blue by Tom Sharpe&lt;br /&gt;Blott on the Landscape by Tom Sharpe&lt;br /&gt;Office Politics by Wilfrid Sheed&lt;br /&gt;Belles Lettres Papers: A Novel by Charles Simmons&lt;br /&gt;Moo by Jane Smiley&lt;br /&gt;Topper Takes a Trip by Thorne Smith&lt;br /&gt;The Adventures of Ferdinand Count Fathom by Tobias Smollett&lt;br /&gt;The Adventures of Roderick Random by Tobias Smollett&lt;br /&gt;The Adventures of Peregrine Pickle by Tobias Smollett&lt;br /&gt;The Expedition of Humphry Clinker by Tobias Smollett&lt;br /&gt;&lt;strong&gt;The Prime of Miss Jean Brodie by Muriel Spark&lt;/strong&gt;&lt;br /&gt;The Girls of Slender Means by Muriel Spark&lt;br /&gt;The Driver's Seat by Muriel Spark&lt;br /&gt;Loitering with Intent by Muriel Spark&lt;br /&gt;A Far Cry from Kensington by Muriel Spark&lt;br /&gt;&lt;em&gt;The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne&lt;/em&gt;&lt;br /&gt;White Man Falling by Mike Stocks&lt;br /&gt;Handley Cross by RS Surtees&lt;br /&gt;A Tale of a Tub by Jonathan Swift&lt;br /&gt;Penrod by Booth Tarkington&lt;br /&gt;&lt;strong&gt;The Luck of Barry Lyndon by William Makepeace Thackeray&lt;/strong&gt;&lt;br /&gt;Before Lunch by Angela Thirkell&lt;br /&gt;Tropic of Ruislip by Leslie Thomas&lt;br /&gt;A Confederacy of Dunces by John Kennedy Toole&lt;br /&gt;Barchester Towers by Anthony Trollope&lt;br /&gt;Venus on the Half-Shell by Kilgore Trout&lt;br /&gt;The Mysterious Stranger by Mark Twain&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Witches of Eastwick by John Updike&lt;/span&gt;&lt;br /&gt;Breakfast of Champions by Kurt Vonnegut&lt;br /&gt;Infinite Jest by David Foster Wallace&lt;br /&gt;Decline and Fall by Evelyn Waugh&lt;br /&gt;Vile Bodies by Evelyn Waugh&lt;br /&gt;Black Mischief by Evelyn Waugh&lt;br /&gt;Scoop by Evelyn Waugh&lt;br /&gt;&lt;em&gt;The Loved One by Evelyn Waugh&lt;/em&gt;&lt;br /&gt;&lt;em&gt;A Handful of Dust by Evelyn Waugh &lt;/em&gt;&lt;br /&gt;The Life and Loves of a She-Devil by Fay Weldon&lt;br /&gt;Tono Bungay by HG Wells&lt;br /&gt;Molesworth by Geoffrey Willans and Ronald Searle&lt;br /&gt;The Wimbledon Poisoner by Nigel Williams&lt;br /&gt;Anglo-Saxon Attitudes by Angus Wilson&lt;br /&gt;Something Fresh by PG Wodehouse&lt;br /&gt;Piccadilly Jim by PG Wodehouse&lt;br /&gt;Thank You Jeeves by PG Wodehouse&lt;br /&gt;Heavy Weather by PG Wodehouse&lt;br /&gt;The Code of the Woosters by PG Wodehouse&lt;br /&gt;Joy in the Morning by PG Wodehouse&lt;br /&gt;&lt;br /&gt;FAMILY AND SELF&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Face of Another by Kobo Abe&lt;/em&gt;&lt;br /&gt;Little Women by Louisa May Alcott&lt;br /&gt;Behind the Scenes at the Museum by Kate Atkinson&lt;br /&gt;Cat's Eye by Margaret Atwood&lt;br /&gt;Epileptic by David B&lt;br /&gt;Room Temperature by Nicholson Baker&lt;br /&gt;Eugenie Grandet by Honore de Balzac&lt;br /&gt;Le Pere Goriot by Honore de Balzac&lt;br /&gt;The Crow Road by Iain Banks&lt;br /&gt;The L Shaped Room by Lynne Reid Banks&lt;br /&gt;Fun Home by Alison Bechdel&lt;br /&gt;Malone Dies by Samuel Beckett&lt;br /&gt;A Legacy by Sybille Bedford&lt;br /&gt;&lt;em&gt;&lt;span style="font-weight: bold;"&gt;Herzog by Saul Bellow&lt;/span&gt;&lt;br /&gt;Humboldt's Gift by Saul Bellow&lt;/em&gt;&lt;br /&gt;The Old Wives' Tale by Arnold Bennett&lt;br /&gt;G by John Berger&lt;br /&gt;Extinction by Thomas Bernhard&lt;br /&gt;Two Serious Ladies by Jane Bowles&lt;br /&gt;Any Human Heart by William Boyd&lt;br /&gt;The Death of Virgil by Hermann Broch&lt;br /&gt;Evelina by Fanny Burney&lt;br /&gt;The Way of All Flesh by Samuel Butler&lt;br /&gt;The Sound of my Voice by Ron Butlin&lt;br /&gt;&lt;strong&gt;The Outsider by Albert Camus&lt;/strong&gt;&lt;br /&gt;Wise Children by Angela Carter&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Professor's House by Willa Cather&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Wapshot Chronicle by John Cheever&lt;/span&gt;&lt;br /&gt;The Awakening by Kate Chopin&lt;br /&gt;Les Enfants Terrible by Jean Cocteau&lt;br /&gt;The Vagabond by Sidonie-Gabrielle Colette&lt;br /&gt;Manservant and Maidservant by Ivy Compton-Burnett&lt;br /&gt;Being Dead by Jim Crace&lt;br /&gt;Quarantine by Jim Crace&lt;br /&gt;The Mandarins by Simone de Beauvoir&lt;br /&gt;Roxana by Daniel Defoe&lt;br /&gt;&lt;strong&gt;Great Expectations by Charles Dickens&lt;/strong&gt;&lt;br /&gt;The Brothers Karamazov by Fyodor Dostoevsky&lt;br /&gt;My New York Diary by Julie Doucet&lt;br /&gt;The Millstone by Margaret Drabble&lt;br /&gt;My Family and Other Animals by Gerald Durrell&lt;br /&gt;Silence by Shusaku Endo&lt;br /&gt;The Gathering by Anne Enright&lt;br /&gt;Middlesex by Jeffrey Eugenides&lt;br /&gt;&lt;strong&gt;As I Lay Dying by William Faulkner&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Sound and the Fury by William Faulkner&lt;/em&gt;&lt;br /&gt;The Sportswriter by Richard Ford&lt;br /&gt;Howards End by EM Forster&lt;br /&gt;Spies by Michael Frayn&lt;br /&gt;Hideous Kinky by Esther Freud&lt;br /&gt;The Man of Property by John Galsworthy&lt;br /&gt;Mary Barton by Elizabeth Gaskell&lt;br /&gt;The Immoralist by Andre Gide&lt;br /&gt;The Vatican Cellars by Andre Gide&lt;br /&gt;The Vicar of Wakefield by Oliver Goldsmith&lt;br /&gt;&lt;em&gt;The Power and the Glory by Graham Greene&lt;/em&gt;&lt;br /&gt;Hunger by Knut Hamsun&lt;br /&gt;The Shrimp and the Anemone by LP Hartley&lt;br /&gt;&lt;em&gt;The Old Man and the Sea by Ernest Hemingway&lt;/em&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Steppenwolf by Herman Hesse&lt;/span&gt;&lt;br /&gt;Narziss and Goldmund by Hermann Hesse&lt;br /&gt;The Three Paradoxes by Paul Hornschemeier&lt;br /&gt;Tom Brown's Schooldays by Thomas Hughes&lt;br /&gt;A Prayer for Owen Meany by John Irving&lt;br /&gt;&lt;em&gt;The Ambassadors by Henry James&lt;br /&gt;Washington Square by Henry James&lt;/em&gt;&lt;br /&gt;The Tortoise and the Hare by Elizabeth Jenkins&lt;br /&gt;The Unfortunates by BS Johnson&lt;br /&gt;&lt;strong&gt;A Portrait of the Artist as a Young Man by James Joyce&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ulysses by James Joyce&lt;/em&gt;&lt;br /&gt;Good Behaviour by Molly Keane&lt;br /&gt;Memet my Hawk by Yasar Kemal&lt;br /&gt;&lt;strong&gt;One Flew Over the Cuckoo's Nest by Ken Kesey&lt;/strong&gt;&lt;br /&gt;The Buddha of Suburbia by Hanif Kureishi&lt;br /&gt;Sons and Lovers by DH Lawrence&lt;br /&gt;Cider with Rosie by Laurie Lee&lt;br /&gt;Invitation to the Waltz by Rosamond Lehmann&lt;br /&gt;The Golden Notebook by Doris Lessing&lt;br /&gt;How Green was My Valley by Richard Llewellyn&lt;br /&gt;Martin Eden by Jack London&lt;br /&gt;&lt;em&gt;Under the Volcano by Malcolm Lowry&lt;/em&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Member of the Wedding by Carson McCullers&lt;/span&gt;&lt;br /&gt;Palace Walk by Naguib Mahfouz&lt;br /&gt;&lt;em&gt;The Assistant by Bernard Malamud&lt;/em&gt;&lt;br /&gt;Buddenbrooks by Thomas Mann&lt;br /&gt;The Chateau by William Maxwell&lt;br /&gt;The Rector's Daughter by FM Mayor&lt;br /&gt;The Ordeal of Richard Feverek by George Meredith&lt;br /&gt;Family Matters by Rohinton Mistry&lt;br /&gt;Sour Sweet by Timothy Mo&lt;br /&gt;The Lonely Passion of Judith Hearne by Brian Moore&lt;br /&gt;The Bluest Eye by Toni Morrison&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Song of Solomon by Toni Morrison&lt;/span&gt;&lt;br /&gt;Who Do You Think You Are? by Alice Munro&lt;br /&gt;The Black Prince by Iris Murdoch&lt;br /&gt;The Man Without Qualities by Robert Musil&lt;br /&gt;A House for Mr Biswas by VS Naipaul&lt;br /&gt;&lt;span style="font-style: italic;"&gt;At-Swim-Two-Birds by Flann O'Brien&lt;/span&gt;&lt;br /&gt;Teach Us to Outgrow Our Madness by Kezaburo Oe&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Moviegoer by Walker Percy&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;The Bell Jar by Sylvia Plath&lt;/strong&gt;&lt;br /&gt;My Name Is Asher Lev by Chaim Potok&lt;br /&gt;The Good Companions by JB Priestley&lt;br /&gt;The Shipping News by E Annie Proulx&lt;br /&gt;&lt;strong&gt;Remembrance of Things Past by Marcel Proust&lt;/strong&gt;&lt;br /&gt;A Married Man by Piers Paul Read&lt;br /&gt;Pointed Roofs by Dorothy Richardson&lt;br /&gt;The Fortunes of Richard Mahoney by Henry Handel Richardson&lt;br /&gt;Call it Sleep by Henry Roth&lt;br /&gt;Julie, ou la Nouvelle Heloise by Jean-Jacques Rousseau&lt;br /&gt;The God of Small Things by Arundhati Roy&lt;br /&gt;&lt;strong&gt;The Catcher in the Rye by JD Salinger&lt;/strong&gt;&lt;br /&gt;Alberta and Jacob by Cora Sandel&lt;br /&gt;A Suitable Boy by Vikram Seth&lt;br /&gt;Unless by Carol Shields&lt;br /&gt;We Need to Talk About Kevin by Lionel Shriver&lt;br /&gt;The Three Sisters by May Sinclair&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Family Moskat or The Manor or The Estate by Isaac Bashevis Singer&lt;/span&gt;&lt;br /&gt;A Thousand Acres by Jane Smiley&lt;br /&gt;On Beauty by Zadie Smith&lt;br /&gt;The Man Who Loved Children by Christina Stead&lt;br /&gt;East of Eden by John Steinbeck&lt;br /&gt;Ballet Shoes by Noel Streatfield&lt;br /&gt;Confessions of Zeno by Italo Svevo&lt;br /&gt;&lt;em&gt;The Magnificent Ambersons by Booth Tarkington&lt;/em&gt;&lt;br /&gt;Angel by Elizabeth Taylor&lt;br /&gt;Lark Rise to Candleford by Flora Thompson&lt;br /&gt;The Blackwater Lightship by Colm Toibin&lt;br /&gt;The Secret Diary of Adrian Mole, Aged 13 3/4 by Sue Townsend&lt;br /&gt;Death in Summer by William Trevor&lt;br /&gt;Fathers and Sons by Ivan Turgenev&lt;br /&gt;Peace in War by Miguel de Unamuno&lt;br /&gt;&lt;em&gt;The Rabbit Omnibus by John Updike&lt;/em&gt;&lt;br /&gt;The Color Purple by Alice Walker&lt;br /&gt;Jimmy Corrigan, The Smarest Kid on Earth by Chris Ware&lt;br /&gt;Morvern Callar by Alan Warner&lt;br /&gt;The History of Mr Polly by HG Wells&lt;br /&gt;The Fountain Overflows by Rebecca West&lt;br /&gt;Frost in May by Antonia White&lt;br /&gt;The Tree of Man by Patrick White&lt;br /&gt;&lt;strong&gt;The Picture of Dorian Gray by Oscar Wilde&lt;/strong&gt;&lt;br /&gt;Oranges Are Not the Only Fruit by Jeanette Winterson&lt;br /&gt;I'll Go to Bed at Noon by Gerard Woodward&lt;br /&gt;To the Lighthouse by Virginia Woolf&lt;br /&gt;Mrs Dalloway by Virginia Woolf&lt;br /&gt;Swiss Family Robinson by Johann David Wyss&lt;br /&gt;&lt;br /&gt;LOVE&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Le Grand Meaulnes by Henri Alain-Fournier&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Dom Casmurro Joaquim by Maria Machado de Assis&lt;/strong&gt;&lt;br /&gt;Northanger Abbey by Jane Austen&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Sense and Sensibility by Jane Austen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Pride and Prejudice by Jane Austen&lt;/span&gt;&lt;br /&gt;Mansfield Park by Jane Austen&lt;br /&gt;Emma by Jane Austen&lt;br /&gt;Persuasion by Jane Austen&lt;br /&gt;Giovanni's Room by James Baldwin&lt;br /&gt;Nightwood by Djuna Barnes&lt;br /&gt;The Garden of the Finzi-Cortinis by Giorgio Bassani&lt;br /&gt;Love for Lydia by HE Bates&lt;br /&gt;More Die of Heartbreak by Saul Bellow&lt;br /&gt;Lorna Doone by RD Blackmore&lt;br /&gt;The Death of the Heart by Elizabeth Bowen&lt;br /&gt;The Heat of the Day by Elizabeth Bowen&lt;br /&gt;Jane Eyre by Charlotte Bronte&lt;br /&gt;Vilette by Charlotte Bronte&lt;br /&gt;&lt;strong&gt;Wuthering Heights by Emily Bronte&lt;/strong&gt;&lt;br /&gt;Look At Me by Anita Brookner&lt;br /&gt;Rubyfruit Jungle by Rita Mae Brown&lt;br /&gt;Possession by AS Byatt&lt;br /&gt;Breakfast at Tiffany's by Truman Capote&lt;br /&gt;Oscar and Lucinda by Peter Carey&lt;br /&gt;A Month in the Country by JL Carr&lt;br /&gt;&lt;span style="font-style: italic;"&gt;My Antonia by Willa Cather&lt;/span&gt;&lt;br /&gt;A Lost Lady by Willa Cather&lt;br /&gt;Claudine a l'ecole by Sidonie-Gabrielle Colette&lt;br /&gt;Cheri by Sidonie-Gabrielle Collette&lt;br /&gt;Victory: An Island Tale by Joseph Conrad&lt;br /&gt;The Princess of Cleves by Madame de Lafayette&lt;br /&gt;The Parasites by Daphne du Maurier&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Rebecca by Daphne du Maurier&lt;/span&gt;&lt;br /&gt;The Lover by Marguerite Duras&lt;br /&gt;Adam Bede by George Eliot&lt;br /&gt;Daniel Deronda by George Eliot&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Mill on the Floss by George Eliot&lt;/span&gt;&lt;br /&gt;The Virgin Suicides by Jeffrey Eugenides&lt;br /&gt;&lt;strong&gt;The Great Gatsby by F Scott Fitzgerald&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Tender is the Night by F Scott Fitzgerald&lt;/em&gt;&lt;br /&gt;The Blue Flower by Penelope Fitzgerald&lt;br /&gt;&lt;em&gt;Madame Bovary by Gustave Flaubert&lt;/em&gt;&lt;br /&gt;The Good Soldier by Ford Madox Ford&lt;br /&gt;A Room with a View by EM Forster&lt;br /&gt;&lt;strong&gt;The French Lieutenant's Woman by John Fowles&lt;/strong&gt;&lt;br /&gt;The Snow Goose by Paul Gallico&lt;br /&gt;Ruth by Elizabeth Gaskell&lt;br /&gt;Strait is the Gate by Andre Gide&lt;br /&gt;Sunset Song by Lewis Grassic Gibbon&lt;br /&gt;&lt;strong&gt;The Sorrows of Young Werther by Johann Wolfgang Goethe&lt;/strong&gt;&lt;br /&gt;Living by Henry Green&lt;br /&gt;&lt;em&gt;The End of the Affair by Graham Greene&lt;/em&gt;&lt;br /&gt;The Well of Loneliness by Radclyffe Hall&lt;br /&gt;Far From the Madding Crowd by Thomas Hardy&lt;br /&gt;Jude the Obscure by Thomas Hardy&lt;br /&gt;Tess of the D'Urbervilles by Thomas Hardy&lt;br /&gt;The Woodlanders by Thomas Hardy&lt;br /&gt;&lt;em&gt;The Go-Between by LP Hartley&lt;br /&gt;The Scarlet Letter by Nathaniel Hawthorne&lt;/em&gt;&lt;br /&gt;The Transit of Venus by Shirley Hazzard&lt;br /&gt;&lt;strong&gt;A Farewell to Arms by Ernest Hemingway&lt;/strong&gt;&lt;br /&gt;The Infamous Army by Georgette Heyer&lt;br /&gt;Regency Buck by Georgette Heyer&lt;br /&gt;The Swimming-Pool Library by Alan Hollinghurst&lt;br /&gt;Green Mansions: A Romance of the Tropical Forest by WH Hudson&lt;br /&gt;Their Eyes Were Watching God by Zora Neale Hurston&lt;br /&gt;Crome Yellow by Aldous Huxley&lt;br /&gt;&lt;em&gt;The Remains of the Day by Kazuo Ishiguro&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Portrait of a Lady by Henry James&lt;br /&gt;The Wings of the Dove by Henry James&lt;/em&gt;&lt;br /&gt;The Piano Teacher by Elfriede Jelinek&lt;br /&gt;Beauty and Saddness by Yasunari Kawabata&lt;br /&gt;The Far Pavillions by Mary Margaret Kaye&lt;br /&gt;Zorba the Greek by Nikos Kazantzakis&lt;br /&gt;Moon over Africa by Pamela Kent&lt;br /&gt;The Book of Laughter and Forgetting by Milan Kundera&lt;br /&gt;&lt;em style="font-weight: bold;"&gt;The Unbearable Lightness of Being by Milan Kundera&lt;/em&gt;&lt;br /&gt;Les Liaisons Dangereuses by Pierre-Ambroise-Francois Choderlos de Laclos&lt;br /&gt;Lady Chatterley's Lover by DH Lawrence&lt;br /&gt;The Rainbow by DH Lawrence&lt;br /&gt;&lt;em&gt;Women in Love by DH Lawrence&lt;/em&gt;&lt;br /&gt;The Echoing Grove by Rosamond Lehmann&lt;br /&gt;The Weather in the Streets by Rosamond Lehmann&lt;br /&gt;Gentlemen Prefer Blondes by Anita Loos&lt;br /&gt;Zami by Audre Lorde&lt;br /&gt;Foreign Affairs by Alison Lurie&lt;br /&gt;Samarkand by Amin Maalouf&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Death in Venice by Thomas Mann&lt;/span&gt;&lt;br /&gt;The Silent Duchess by Dacia Maraini&lt;br /&gt;A Heart So White by Javier Marias&lt;br /&gt;&lt;strong&gt;Love in the Time of Cholera by Gabriel Garcia Marquez&lt;/strong&gt;&lt;br /&gt;Of Human Bondage by Somerset Maugham&lt;br /&gt;So Long, See you Tomorrow by William Maxwell&lt;br /&gt;&lt;em&gt;The Heart is a Lonely Hunter by Carson McCullers&lt;/em&gt;&lt;br /&gt;Atonement by Ian McEwan&lt;br /&gt;The Child in Time by Ian McEwan&lt;br /&gt;The Egoist by George Meredith&lt;br /&gt;Tropic of Cancer by Henry Miller&lt;br /&gt;Patience and Sarah by Isabel Miller&lt;br /&gt;Gone With the Wind by Margaret Mitchell&lt;br /&gt;The Pursuit of Love by Nancy Mitford&lt;br /&gt;Love in a Cold Climate by Nancy Mitford&lt;br /&gt;Arturo's Island by Elsa Morante&lt;br /&gt;&lt;strong&gt;Norwegian Wood by Haruki Murakami&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Lolita, or the Confessions of a White Widowed Male by Vladimir Nabokov&lt;/strong&gt;&lt;br /&gt;The Painter of Signs by RK Narayan&lt;br /&gt;Delta of Venus by Anais Nin&lt;br /&gt;All Souls Day by Cees Nooteboom&lt;br /&gt;The English Patient by Michael Ondaatje&lt;br /&gt;Doctor Zhivago by Boris Pasternak&lt;br /&gt;Manon Lescaut by Abbe Prevost&lt;br /&gt;Wide Sargasso Sea by Jean Rhys&lt;br /&gt;Maurice Guest by Henry Handel Richardson&lt;br /&gt;Pamela by Samuel Richardson&lt;br /&gt;Clarissa by Samuel Richardson&lt;br /&gt;Gilead by Marilynne Robinson&lt;br /&gt;Bonjour Tristesse by Francoise Sagan&lt;br /&gt;Ali and Nino by Kurban Said&lt;br /&gt;Light Years by James Salter&lt;br /&gt;A Sport and a Passtime by James Salter&lt;br /&gt;The Reader by Benhardq Schlink&lt;br /&gt;The Reluctant Orphan by Aara Seale&lt;br /&gt;Love Story by Eric Segal&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Enemies, a Love Story by Isaac Bashevis Singer&lt;/span&gt;&lt;br /&gt;At Grand Central Station I Sat Down and Wept by Elizabeth Smart&lt;br /&gt;I Capture the Castle by Dodie Smith&lt;br /&gt;The Map of Love by Ahdaf Soueif&lt;br /&gt;Valley of the Dolls by Jacqueline Susann&lt;br /&gt;Waterland by Graham Swift&lt;br /&gt;Diary of a Mad Old Man by Junichiro Tanizaki&lt;br /&gt;Anna Karenina by Leo Tolstoy&lt;br /&gt;Music and Silence by Rose Tremain&lt;br /&gt;First Love by Ivan Turgenev&lt;br /&gt;Breathing Lessons by Anne Tyler&lt;br /&gt;The Accidental Tourist by Anne Tyler&lt;br /&gt;The Night Watch by Sarah Waters&lt;br /&gt;The Graduate by Charles Webb&lt;br /&gt;&lt;em&gt;The Age of Innocence by Edith Wharton&lt;/em&gt;&lt;br /&gt;The Passion by Jeanette Winterson&lt;br /&gt;East Lynne by Ellen Wood&lt;br /&gt;&lt;strong&gt;Revolutionary Road by Richard Yates&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;STATE OF THE NATION&lt;br /&gt;&lt;br /&gt;Things Fall Apart by Chinua Achebe&lt;br /&gt;Anthills of the Savannah by Chinua Achebe&lt;br /&gt;London Fields by Martin Amis&lt;br /&gt;Untouchable by Mulk Raj Anand&lt;br /&gt;Go Tell it on the Mountain by James Baldwin&lt;br /&gt;La Comedie Humaine by Honore de Balzac&lt;br /&gt;They Were Counted by Miklos Banffy&lt;br /&gt;A Kind of Loving by Stan Barstow&lt;br /&gt;Uncle Tom's Cabin by Harriet Beecher Stowe&lt;br /&gt;Oroonoko, or The Royal Slave by Aphra Behn&lt;br /&gt;Clayhanger by Arnold Bennett&lt;br /&gt;The Last September by Elizabeth Bowen&lt;br /&gt;Room at the Top by John Braine&lt;br /&gt;A Dry White Season by Andre Brink&lt;br /&gt;Shirley by Charlotte Bronte&lt;br /&gt;&lt;em&gt;Earthly Powers by Anthony Burgess&lt;/em&gt;&lt;br /&gt;The Virgin in the Garden by AS Byatt&lt;br /&gt;Tobacco Road by Erskine Caldwell&lt;br /&gt;The Plague by Albert Camus&lt;br /&gt;The Kingdom of this World by Alejo Carpentier&lt;br /&gt;What a Carve Up! by Jonathan Coe&lt;br /&gt;&lt;em&gt;Disgrace by JM Coetzee&lt;/em&gt;&lt;br /&gt;Waiting for the Barbarians by JM Coeztee&lt;br /&gt;Microserfs by Douglas Coupland&lt;br /&gt;Moll Flanders by Daniel Defoe&lt;br /&gt;&lt;em&gt;Underworld by Don DeLillo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;White Noise by Don DeLillo&lt;/strong&gt;&lt;br /&gt;A Tale of Two Cities by Charles Dickens&lt;br /&gt;Bleak House by Charles Dickens&lt;br /&gt;Dombey and Son by Charles Dickens&lt;br /&gt;Hard Times by Charles Dickens&lt;br /&gt;Little Dorritt by Charles Dickens&lt;br /&gt;Oliver Twist by Charles Dickens&lt;br /&gt;Play It As It Lays by Joan Didion&lt;br /&gt;Sybil or The Two Nations by Benjamin Disraeli&lt;br /&gt;Berlin Alexanderplatz by Alfred Döblin&lt;br /&gt;&lt;em&gt;The Book of Daniel by EL Doctorow&lt;/em&gt;&lt;br /&gt;Notes from the Underground by Fyodor Dostoevsky&lt;br /&gt;The Idiot by Fyodor Dostoevsky&lt;br /&gt;&lt;em&gt;USA by John Dos Passos&lt;/em&gt;&lt;br /&gt;Sister Carrie by Theodor Dreiser&lt;br /&gt;Castle Rackrent by Maria Edgeworth&lt;br /&gt;Middlemarch by George Eliot&lt;br /&gt;Silas Marner by George Eliot&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Invisible Man by Ralph Ellison&lt;/span&gt;&lt;br /&gt;Sentimental Education by Gustave Flaubert&lt;br /&gt;Effi Briest by Theodore Fontane&lt;br /&gt;Independence Day by Richard Ford&lt;br /&gt;&lt;strong&gt;A Passage to India by EM Forster&lt;/strong&gt;&lt;br /&gt;The Corrections by Jonathan Franzen&lt;br /&gt;The Recognitions by William Gaddis&lt;br /&gt;Cranford by Elizabeth Gaskell&lt;br /&gt;North and South by Elizabeth Gaskell&lt;br /&gt;The Counterfeiters by Andre Gide&lt;br /&gt;The Odd Women by George Gissing&lt;br /&gt;New Grub Street by George Gissing&lt;br /&gt;July's People by Nadine Gordimer&lt;br /&gt;Mother by Maxim Gorky&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Lanark by Alastair Gray&lt;/span&gt;&lt;br /&gt;Love on the Dole by Walter Greenwood&lt;br /&gt;The Mayor of Casterbridge by Thomas Hardy&lt;br /&gt;A Kestrel for a Knave by Barry Hines&lt;br /&gt;The Line of Beauty by Alan Hollinghurst&lt;br /&gt;South Riding by Winifred Holtby&lt;br /&gt;Les Miserables by Victor Hugo&lt;br /&gt;Goodbye to Berlin by Christopher Isherwood&lt;br /&gt;Chronicle in Stone by Ismael Kadare&lt;br /&gt;How Late it Was, How Late by James Kelman&lt;br /&gt;The Leopard by Giuseppi di Lampedusa&lt;br /&gt;A Girl in Winter by Philip Larkin&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Passing by Nella Larsen&lt;/span&gt;&lt;br /&gt;The Grass is Singing by Doris Lessing&lt;br /&gt;Babbitt by Sinclair Lewis&lt;br /&gt;Elmer Gantry by Sinclair Lewis&lt;br /&gt;Main Street by Sinclair Lewis&lt;br /&gt;Absolute Beginners by Colin MacInnes&lt;br /&gt;The Group by Mary McCarthy&lt;br /&gt;Amongst Women by John McGahern&lt;br /&gt;The Posthumous Memoirs of Bras Cubas by Joaquim Maria Machado de Assis&lt;br /&gt;Of Love &amp;amp; Hunger by Julian Maclaren-Ross&lt;br /&gt;Remembering Babylon by David Malouf&lt;br /&gt;The Magic Mountain by Thomas Mann&lt;br /&gt;The Betrothed by Alessandro Manzoni&lt;br /&gt;Bel-Ami by Guy de Maupassant&lt;br /&gt;A Fine Balance by Rohinton Mistry&lt;br /&gt;The Time of Indifference by Alberto Moravia&lt;br /&gt;A Bend in the River by VS Naipaul&lt;br /&gt;McTeague by Frank Norris&lt;br /&gt;Personality by Andrew O'Hagan&lt;br /&gt;Animal Farm by George Orwell&lt;br /&gt;The Ragazzi Pier by Paolo Pasolini&lt;br /&gt;Cry, the Beloved Country by Alan Paton&lt;br /&gt;The Moon and the Bonfire by Cesare Pavese&lt;br /&gt;GB84 by David Peace&lt;br /&gt;Headlong Hall by Thomas Love Peacock&lt;br /&gt;Afternoon Men by Anthony Powell&lt;br /&gt;&lt;em&gt;Vineland by Thomas Pynchon&lt;/em&gt;&lt;br /&gt;The Radetzky March by Joseph Roth&lt;br /&gt;&lt;em&gt;American Pastoral by Philip Roth&lt;/em&gt;&lt;br /&gt;&lt;em style="font-weight: bold;"&gt;The Human Stain by Philip Roth&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Midnight's Children by Salman Rushdie&lt;/strong&gt;&lt;br /&gt;Shame by Salman Rushdie&lt;br /&gt;To Each his Own by Leonardo Sciascia&lt;br /&gt;Staying On by Paul Scott&lt;br /&gt;Last Exit to Brooklyn by Hubert Selby Jr&lt;br /&gt;The Lonely Londoners by Samuel Selvon&lt;br /&gt;God's Bit of Wood by Ousmane Sembene&lt;br /&gt;The Case of Comrade Tulayev by Victor Serge&lt;br /&gt;Richshaw Boy by Lao She&lt;br /&gt;Saturday Night and Sunday Morning by Alan Sillitoe&lt;br /&gt;The Jungle by Upton Sinclair&lt;br /&gt;Novel on Yellow Paper by Stevie Smith&lt;br /&gt;White Teeth by Zadie Smith&lt;br /&gt;One Day in the Life of Ivan Denisovtich by Alexandr Solzhenitsyn&lt;br /&gt;The Grapes of Wrath by John Steinbeck&lt;br /&gt;The Red and the Black by Stendhal&lt;br /&gt;This Sporting Life by David Storey&lt;br /&gt;&lt;em&gt;The Red Room by August Stringberg&lt;/em&gt;&lt;br /&gt;The Home and the World by Rabindranath Tagore&lt;br /&gt;Vanity Fair by William Makepeace Thackeray&lt;br /&gt;The Ragged Trousered Philanthropists by Robert Tressell&lt;br /&gt;The Last Chronicle of Barset by Anthony Trollope&lt;br /&gt;The Way We Live Now by Anthony Trollope&lt;br /&gt;The Adventures of Tom Sawyer by Mark Twain&lt;br /&gt;&lt;em&gt;Couples by John Updike&lt;/em&gt;&lt;br /&gt;Z by Vassilis Vassilikos&lt;br /&gt;Billy Liar by Keith Waterhouse&lt;br /&gt;Trainspotting by Irvine Welsh&lt;br /&gt;&lt;strong&gt;The Day of the Locust by Nathanael West&lt;/strong&gt;&lt;br /&gt;The Return of the Soldier by Rebecca West&lt;br /&gt;&lt;em&gt;The House of Mirth by Edith Wharton&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Bonfire of the Vanities by Tom Wolfe&lt;/em&gt;&lt;br /&gt;Germinal by Emile Zola&lt;br /&gt;La Bete Humaine by Emile Zola&lt;br /&gt;&lt;br /&gt;WAR AND TRAVEL&lt;br /&gt;&lt;br /&gt;Silver Stallion by Junghyo Ahn&lt;br /&gt;Death of a Hero by Richard Aldington&lt;br /&gt;Master Georgie by Beryl Bainbridge&lt;br /&gt;Darkness Falls from the Air by Nigel Balchin&lt;br /&gt;&lt;strong&gt;Empire of the Sun by JG Ballard&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Regeneration by Pat Barker&lt;/em&gt;&lt;br /&gt;A Long Long Way by Sebastian Barry&lt;br /&gt;Fair Stood the Wind for France by HE Bates&lt;br /&gt;Carrie's War by Nina Bawden&lt;br /&gt;&lt;em&gt;The Savage Detectives by Roberto Bolano&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Sheltering Sky by Paul Bowles&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;An Ice-Cream War by William Boyd&lt;br /&gt;When the Wind Blows by Raymond Briggs&lt;br /&gt;&lt;em&gt;Invisible Cities by Italo Calvino&lt;/em&gt;&lt;br /&gt;Auto-da-Fe by Elias Canetti&lt;br /&gt;One of Ours by Willa Cather&lt;br /&gt;Journey to the End of the Night by Louis-Ferdinand Celine&lt;br /&gt;Monkey by Wu Ch'eng-en&lt;br /&gt;&lt;strong&gt;Heart of Darkness by Joseph Conrad&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lord Jim by Joseph Conrad&lt;br /&gt;Nostromo by Joseph Conrad&lt;/em&gt;&lt;br /&gt;Sharpe's Eagle by Bernard Cornwell&lt;br /&gt;The History of Pompey the Little by Francis Coventry&lt;br /&gt;&lt;strong&gt;The Red Badge of Courage by Stephen Crane&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Robinson Crusoe by Daniel Defoe&lt;/strong&gt;&lt;br /&gt;Bomber by Len Deighton&lt;br /&gt;&lt;em&gt;Deliverance by James Dickey&lt;/em&gt;&lt;br /&gt;Three Soldiers by John Dos Passos&lt;br /&gt;South Wind by Norman Douglas&lt;br /&gt;&lt;strong&gt;The Three Musketeers by Alexandre Dumas&lt;/strong&gt;&lt;br /&gt;Justine by Lawrence Durrell&lt;br /&gt;The Bamboo Bed by William Eastlake&lt;br /&gt;The Siege of Krishnapur by JG Farrell&lt;br /&gt;Birdsong by Sebastian Faulks&lt;br /&gt;Parade's End by Ford Madox Ford&lt;br /&gt;The African Queen by CS Forester&lt;br /&gt;The Ship by CS Forester&lt;br /&gt;Flashman by George MacDonald Fraser&lt;br /&gt;Cold Mountain by Charles Frazier&lt;br /&gt;The Beach by Alex Garland&lt;br /&gt;&lt;em&gt;To The Ends of the Earth trilogy by William Golding&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Asterix the Gaul by Rene Goscinny&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Tin Drum by Gunter Grass&lt;/em&gt;&lt;br /&gt;Count Belisarius by Robert Graves&lt;br /&gt;Life and Fate by Vassily Grossman&lt;br /&gt;De Niro's Game by Rawi Hage&lt;br /&gt;King Solomon's Mines by H Rider Haggard&lt;br /&gt;She: A History of Adventure by H Rider Haggard&lt;br /&gt;The Slaves of Solitude by Patrick Hamilton&lt;br /&gt;Covenant with Death by John Harris&lt;br /&gt;Enigma by Robert Harris&lt;br /&gt;The Good Soldier Svejk by Jaroslav Hasek&lt;br /&gt;&lt;em&gt;For Whom the Bell Tolls by Ernest Hemingway&lt;/em&gt;&lt;br /&gt;The Prisoner of Zenda by Anthony Hope&lt;br /&gt;The Kite Runner by Khaled Hosseini&lt;br /&gt;A High Wind in Jamaica by Richard Hughes&lt;br /&gt;Rasselas by Samuel Johnson&lt;br /&gt;&lt;em&gt;From Here to Eternity by James Jones&lt;/em&gt;&lt;br /&gt;Andersonville by MacKinlay Kantor&lt;br /&gt;Confederates by Thomas Keneally&lt;br /&gt;Schindler's Ark by Thomas Keneally&lt;br /&gt;Day by AL Kennedy&lt;br /&gt;On the Road by Jack Kerouac&lt;br /&gt;Darkness at Noon by Arthur Koestler&lt;br /&gt;&lt;em&gt;The Painted Bird by Jerzy Kosinski&lt;/em&gt;&lt;br /&gt;If Not Now, When? by Primo Levi&lt;br /&gt;The Call of the Wild by Jack London&lt;br /&gt;The Guns of Navarone by Alistair MacLean&lt;br /&gt;&lt;strong&gt;All the Pretty Horses by Cormac McCarthy&lt;/strong&gt;&lt;br /&gt;&lt;em style="font-weight: bold;"&gt;Blood Meridian by Cormac McCarthy&lt;/em&gt;&lt;br /&gt;The Mark of Zorro by Johnston McCulley&lt;br /&gt;&lt;em&gt;Lonesome Dove by Larry McMurty&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Naked and the Dead by Norman Mailer&lt;/em&gt;&lt;br /&gt;La Condition Humaine by Andre Malraux&lt;br /&gt;Fortunes of War by Olivia Manning&lt;br /&gt;&lt;strong&gt;One Hundred Years of Solitude by Gabriel Garcia Marquez&lt;/strong&gt;&lt;br /&gt;The Children of the New Forest by Frederick Marryat&lt;br /&gt;&lt;em&gt;Moby-Dick or, The Whale by Herman Melville&lt;/em&gt;&lt;br /&gt;Tales of the South Pacific by James Michener&lt;br /&gt;The Cruel Sea by Nicholas Monsarrat&lt;br /&gt;History by Elsa Morante&lt;br /&gt;Suite Francaise by Irene Nemirovsky&lt;br /&gt;The Sorrow of War by Bao Ninh&lt;br /&gt;Master and Commander by Patrick O'Brian&lt;br /&gt;&lt;strong&gt;The Things They Carried by Tim O'Brien&lt;/strong&gt;&lt;br /&gt;The Scarlet Pimpernel by Baroness Emmuska Orczy&lt;br /&gt;Burmese Days by George Orwell&lt;br /&gt;Zen and the Art of Motorcycle Maintenance by Robert Pirsig&lt;br /&gt;The Valley of Bones by Anthony Powell&lt;br /&gt;The Soldier's Art by Anthony Powell&lt;br /&gt;The Military Philosophers by Anthony Powell&lt;br /&gt;&lt;em&gt;Gravity's Rainbow by Thomas Pynchon&lt;/em&gt;&lt;br /&gt;The Surprising Adventures of Baron Munchausen by Rudolp Erich Raspe&lt;br /&gt;All Quiet on the Western Front by Erich Maria Remarque&lt;br /&gt;The Crab with the Golden Claws by Georges Remi Herge&lt;br /&gt;Tintin in Tibet by Georges Remi Herge&lt;br /&gt;The Castafiore Emerald by Georges Remi Herge&lt;br /&gt;The Devil to Pay in the Backlands by Joao Guimaraes Rosa&lt;br /&gt;Sacaramouche by Rafael Sabatini&lt;br /&gt;Captain Blood by Rafael Sabatini&lt;br /&gt;Everything is Illuminated by Jonathon Safran Foer&lt;br /&gt;The Hunters by James Salter&lt;br /&gt;Ivanhoe by Sir Walter Scott&lt;br /&gt;The Rings of Saturn by WG Sebald&lt;br /&gt;Austerlitz by WG Sebald&lt;br /&gt;Black Beauty by Anna Sewell&lt;br /&gt;The Young Lions by Irwin Shaw&lt;br /&gt;A Town Like Alice by Nevil Shute&lt;br /&gt;Maus by Art Spiegelman&lt;br /&gt;The Charterhouse of Parma by Stendhal&lt;br /&gt;Cryptonomicon by Neil Stephenson&lt;br /&gt;A Sentimental Journey by Lawrence Sterne&lt;br /&gt;Kidnapped by Robert Louis Stevenson&lt;br /&gt;&lt;strong&gt;Treasure Island by Robert Louis Stevenson&lt;/strong&gt;&lt;br /&gt;A Flag for Sunrise by Robert Stone&lt;br /&gt;Sophie's Choice by William Styron&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Gulliver's Travels by Jonathan Swift&lt;/span&gt;&lt;br /&gt;The Adventures of Huckleberry Finn by Mark Twain&lt;br /&gt;&lt;strong&gt;Around the World in Eighty Days by Jules Verne&lt;/strong&gt;&lt;br /&gt;A Journey to the Centre of the Earth by Jules Verne&lt;br /&gt;Williwaw by Gore Vidal&lt;br /&gt;Candide by Voltaire&lt;br /&gt;&lt;strong&gt;Slaughter-House Five by Kurt Vonnegut&lt;/strong&gt;&lt;br /&gt;Put Out More Flags by Evelyn Waugh&lt;br /&gt;Men at Arms by Evelyn Waugh&lt;br /&gt;&lt;strong&gt;The Island of Dr Moreau by HG Wells&lt;/strong&gt;&lt;br /&gt;The Machine-Gunners by Robert Westall&lt;br /&gt;Voss by Patrick White&lt;br /&gt;The Virginian by Owen Wister&lt;br /&gt;The Caine Mutiny by Herman Wouk&lt;br /&gt;The Debacle by Emile Zola&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-4882341875160635277?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/4882341875160635277/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=4882341875160635277' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4882341875160635277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/4882341875160635277'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/comedy-lucky-jim-by-kingsley-amis-money.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-949664893508412563</id><published>2009-01-22T11:47:00.002-08:00</published><updated>2009-12-05T16:57:39.382-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://www.guardian.co.uk/books/series/1000novels"&gt;1000 Novels Everyone Should Read from The Guardian&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Let's see how I fare! As usual, BOLD titles indicate items I've read and ITALIC titles indicate items on my immediate reading list!&lt;br /&gt;&lt;br /&gt;It's split in categories so let's begin!&lt;br /&gt;&lt;br /&gt;SCIENCE FICTION &amp;amp; FANTASY&lt;br /&gt;&lt;br /&gt;Douglas Adams: The Hitchhiker’s Guide to the Galaxy (1979)&lt;br /&gt;Brian W Aldiss: Non-Stop (1958)&lt;br /&gt;Isaac Asimov: Foundation (1951)&lt;br /&gt;Margaret Atwood: The Handmaid’s Tale (1985)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Margaret Atwood: The Blind Assassin (2000)&lt;br /&gt;&lt;/span&gt;Paul Auster: In the Country of Last Things (1987)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;JG Ballard: The Drowned World (1962)&lt;br /&gt;JG Ballard: Crash (1973)&lt;br /&gt;JG Ballard: Millennium People (2003)&lt;/span&gt;&lt;br /&gt;Iain Banks: The Wasp Factory (1984)&lt;br /&gt;Iain M Banks: Consider Phlebas (1987)&lt;br /&gt;Clive Barker: Weaveworld (1987)&lt;br /&gt;Nicola Barker: Darkmans (2007)&lt;br /&gt;Stephen Baxter: The Time Ships (1995)&lt;br /&gt;Greg Bear: Darwin’s Radio (1999)&lt;br /&gt;William Beckford: Vathek (1786)&lt;br /&gt;Alfred Bester: The Stars My Destination (1956)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ray Bradbury: Fahrenheit 451 (1953)&lt;/span&gt;&lt;br /&gt;Poppy Z Brite: Lost Souls (1992)&lt;br /&gt;Charles Brockden Brown: Wieland (1798)&lt;br /&gt;Algis Budrys: Rogue Moon (1960)&lt;br /&gt;Mikhail Bulgakov: The Master and Margarita (1966)&lt;br /&gt;Edward Bulwer-Lytton: The Coming Race (1871)&lt;br /&gt;&lt;b&gt;Anthony Burgess: A Clockwork Orange (1960)&lt;/b&gt;&lt;br /&gt;Anthony Burgess: The End of the World News (1982)&lt;br /&gt;Edgar Rice Burroughs: A Princess of Mars (1912)&lt;br /&gt;&lt;b&gt;William Burroughs: Naked Lunch (1959)&lt;/b&gt;&lt;br /&gt;Octavia Butler: Kindred (1979)&lt;br /&gt;Samuel Butler: Erewhon (1872)&lt;br /&gt;Italo Calvino: The Baron in the Trees (1957)&lt;br /&gt;Ramsey Campbell: The Influence (1988)&lt;br /&gt;&lt;b&gt;Lewis Carroll: Alice’s Adventures in Wonderland (1865)&lt;br /&gt;Lewis Carroll: Through the Looking-Glass, and What Alice Found There (1871)&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Angela Carter: The Passion of New Eve (1977)&lt;/b&gt;&lt;br /&gt;Angela Carter: Nights at the Circus (1984)&lt;br /&gt;Michael Chabon: The Amazing Adventures of Kavalier and Clay (2000)&lt;br /&gt;Arthur C Clarke: Childhood’s End (1953)&lt;br /&gt;GK Chesterton: The Man Who Was Thursday (1908)&lt;br /&gt;Susanna Clarke: Jonathan Strange and Mr Norrell (2004)&lt;br /&gt;Michael G Coney: Hello Summer, Goodbye (1975)&lt;br /&gt;Douglas Coupland: Girlfriend in a Coma (1998)&lt;br /&gt;Mark Danielewski: House of Leaves (2000)&lt;br /&gt;Marie Darrieussecq: Pig Tales (1996)&lt;br /&gt;Samuel R Delaney: The Einstein Intersection (1967)&lt;br /&gt;&lt;b&gt;Philip K Dick: Do Androids Dream of Electric Sheep? (1968)&lt;br /&gt;Philip K Dick: The Man in the High Castle (1962)&lt;br /&gt;Thomas M Disch: Camp Concentration (1968)&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Umberto Eco: Foucault’s Pendulum (1988)&lt;/b&gt;&lt;br /&gt;Michel Faber: Under the Skin (2000)&lt;br /&gt;&lt;b&gt;John Fowles: The Magus (1966)&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Neil Gaiman: American Gods (2001)&lt;/b&gt;&lt;br /&gt;Alan Garner: Red Shift (1973)&lt;br /&gt;&lt;span&gt;William Gibson: Neuromancer (1984)&lt;/span&gt;&lt;br /&gt;Charlotte Perkins Gilman: Herland (1915)&lt;br /&gt;&lt;b&gt;William Golding: Lord of the Flies (1954)&lt;/b&gt;&lt;br /&gt;&lt;span&gt;Joe Haldeman: The Forever War (1974)&lt;/span&gt;&lt;br /&gt;M John Harrison: Light (2002)&lt;br /&gt;Nathaniel Hawthorne: The House of the Seven Gables (1851)&lt;br /&gt;Robert A Heinlein: Stranger in a Strange Land (1961)&lt;br /&gt;&lt;b&gt;Frank Herbert: Dune (1965)&lt;/b&gt;&lt;br /&gt;Hermann Hesse: The Glass Bead Game (1943)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Russell Hoban: Riddley Walker (1980)&lt;/span&gt;&lt;br /&gt;James Hogg: The Private Memoirs and Confessions of a Justified Sinner (1824)&lt;br /&gt;Michel Houellebecq: Atomised (1998)&lt;br /&gt;Aldous Huxley: Brave New World (1932)&lt;br /&gt;&lt;i&gt;Kazuo Ishiguro: The Unconsoled (1995)&lt;/i&gt;&lt;br /&gt;Shirley Jackson: The Haunting of Hill House (1959)&lt;br /&gt;&lt;b&gt;H&lt;/b&gt;&lt;b&gt;enry James: The Turn of the Screw (1898)&lt;/b&gt;&lt;br /&gt;PD James: The Children of Men (1992)&lt;br /&gt;Richard Jefferies: After London; Or, Wild England (1885)&lt;br /&gt;Gwyneth Jones: Bold as Love (2001)&lt;br /&gt;&lt;b&gt;Franz Kafka: The Trial (1925)&lt;/b&gt;&lt;br /&gt;Daniel Keyes: Flowers for Algernon (1966)&lt;br /&gt;&lt;b&gt;Stephen King: The Shining (1977)&lt;/b&gt;&lt;br /&gt;Marghanita Laski: The Victorian Chaise-longue (1953)&lt;br /&gt;Joseph Sheridan Le Fanu: Uncle Silas (1864)&lt;br /&gt;Ursula K Le Guin: The Left Hand of Darkness (1969)&lt;br /&gt;Ursula K Le Guin: The Earthsea series (1968-1990)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Stanislaw Lem: Solaris (1961)&lt;/span&gt;&lt;br /&gt;Doris Lessing: Memoirs of a Survivor (1974)&lt;br /&gt;&lt;b&gt;CS Lewis: The Chronicles of Narnia (1950-56)&lt;/b&gt;&lt;br /&gt;MG Lewis: The Monk (1796)&lt;br /&gt;David Lindsay: A Voyage to Arcturus (1920)&lt;br /&gt;Ken MacLeod: The Night Sessions (2008)&lt;br /&gt;Hilary Mantel: Beyond Black (2005)&lt;br /&gt;Michael Marshall Smith: Only Forward (1994)&lt;br /&gt;&lt;b&gt;Richard Matheson: I Am Legend (1954)&lt;/b&gt;&lt;br /&gt;Charles Maturin: Melmoth the Wanderer (1820)&lt;br /&gt;Patrick McCabe: The Butcher Boy (1992)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cormac McCarthy: The Road (2006)&lt;/span&gt;&lt;br /&gt;Jed Mercurio: Ascent (2007)&lt;br /&gt;China Miéville: The Scar (2002)&lt;br /&gt;Andrew Miller: Ingenious Pain (1997)&lt;br /&gt;Walter M Miller Jr: A Canticle for Leibowitz (1960)&lt;br /&gt;David Mitchell: Cloud Atlas (2004)&lt;br /&gt;Michael Moorcock: Mother London (1988)&lt;br /&gt;William Morris: News From Nowhere (1890)&lt;br /&gt;&lt;b&gt;Toni Morrison: Beloved (1987)&lt;br /&gt;Haruki Murakami: The Wind-up Bird Chronicle (1995)&lt;/b&gt;&lt;br /&gt;Vladimir Nabokov: Ada or Ardor (1969)&lt;br /&gt;Audrey Niffenegger: The Time Traveler’s Wife (2003)&lt;br /&gt;Larry Niven: Ringworld (1970)&lt;br /&gt;Jeff Noon: Vurt (1993)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Flann O’Brien: The Third Policeman (1967)&lt;/span&gt;&lt;br /&gt;Ben Okri: The Famished Road (1991)&lt;br /&gt;George Orwell: Nineteen Eighty-four (1949)&lt;br /&gt;Chuck Palahniuk: Fight Club (1996)&lt;br /&gt;Thomas Love Peacock: Nightmare Abbey (1818)&lt;br /&gt;Mervyn Peake: Titus Groan (1946)&lt;br /&gt;Frederik Pohl &amp;amp; CM Kornbluth: The Space Merchants (1953)&lt;br /&gt;John Cowper Powys: A Glastonbury Romance (1932)&lt;br /&gt;Terry Pratchett: The Discworld series (1983- )&lt;br /&gt;&lt;b&gt;Christopher Priest: The Prestige (1995)&lt;/b&gt;&lt;br /&gt;Philip Pullman: His Dark Materials (1995-2000)&lt;br /&gt;François Rabelais: Gargantua and Pantagruel (1532-34)&lt;br /&gt;Ann Radcliffe: The Mysteries of Udolpho (1794)&lt;br /&gt;Alastair Reynolds: Revelation Space (2000)&lt;br /&gt;Kim Stanley Robinson: The Years of Rice and Salt (2002)&lt;br /&gt;JK Rowling: Harry Potter and the Philosopher’s Stone (1997)&lt;br /&gt;&lt;b&gt;Salman Rushdie: The Satanic Verses (1988)&lt;/b&gt;&lt;br /&gt;&lt;i&gt;Joanna Russ: The Female Man (1975)&lt;/i&gt;&lt;br /&gt;Geoff Ryman: Air (2005)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Antoine de Sainte-Exupéry: The Little Prince (1943)&lt;/span&gt;&lt;br /&gt;&lt;b&gt;José Saramago: Blindness (1995)&lt;/b&gt;&lt;br /&gt;Will Self: How the Dead Live (2000)&lt;br /&gt;&lt;b&gt;Mary Shelley: Frankenstein (1818)&lt;/b&gt;&lt;br /&gt;Dan Simmons: Hyperion (1989)&lt;br /&gt;Olaf Stapledon: Star Maker (1937)&lt;br /&gt;Neal Stephenson: Snow Crash (1992)&lt;br /&gt;&lt;b&gt;Robert Louis Stevenson: The Strange Case of Doctor Jekyll and Mr Hyde (1886)&lt;br /&gt;Bram Stoker: Dracula (1897)&lt;/b&gt;&lt;br /&gt;Rupert Thomson: The Insult (1996)&lt;br /&gt;&lt;b&gt;JRR Tolkien: The Hobbit (1937)&lt;br /&gt;JRR Tolkien: The Lord of the Rings (1954-55)&lt;/b&gt;&lt;br /&gt;Mark Twain: A Connecticut Yankee at King Arthur’s Court (1889)&lt;br /&gt;Kurt Vonnegut: Sirens of Titan (1959)&lt;br /&gt;Horace Walpole: The Castle of Otranto (1764)&lt;br /&gt;Robert Walser: Institute Benjamenta (1909)&lt;br /&gt;Sylvia Townsend Warner: Lolly Willowes (1926)&lt;br /&gt;Sarah Waters: Affinity (1999)&lt;br /&gt;&lt;b&gt;HG Wells: The Time Machine (1895)&lt;/b&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;HG Wells: The War of the Worlds (1898)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;TH White: The Sword in the Stone (1938)&lt;/span&gt;&lt;br /&gt;Angus Wilson: The Old Men at the Zoo (1961)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Gene Wolfe: The Book of the New Sun (1980-83)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Virginia Woolf: Orlando (1928)&lt;/span&gt;&lt;br /&gt;John Wyndham: Day of the Triffids (1951)&lt;br /&gt;John Wyndham: The Midwich Cuckoos (1957)&lt;br /&gt;Yevgeny Zamyatin: We (1924)&lt;br /&gt;&lt;br /&gt;CRIME&lt;br /&gt;&lt;br /&gt;Nelson Algren, The Man with the Golden Arm (1949)&lt;br /&gt;Marcel Allain and Pierre Souvestre, Fantômas (1911)&lt;br /&gt;Eric Ambler, Epitaph for a Spy (1938)&lt;br /&gt;Eric Ambler, Journey into Fear (1940)&lt;br /&gt;Eric Ambler, The Mask of Dimitrios (1939)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Paul Auster, The New York Trilogy (1985-86)&lt;/span&gt;&lt;br /&gt;EC Bentley, Trent's Last Case (1913)&lt;br /&gt;Anthony Berkeley, The Poisoned Chocolates Case (1929)&lt;br /&gt;Nicholas Blake, The Beast Must Die (1938)&lt;br /&gt;Mary E Braddon, Lady Audley's Secret (1862)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;John Buchan: The Thirty-Nine Steps (1915)&lt;/span&gt;&lt;br /&gt;John Buchan, Greenmantle (1916)&lt;br /&gt;James Lee Burke, The Neon Rain (1987)&lt;br /&gt;James Lee Burke, The Tin Roof Blowdown (2007)&lt;br /&gt;WR Burnett, The Asphalt Jungle (1949)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;James M Cain, The Postman Always Rings Twice (1934)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;James M Cain, Double Indemnity (1943)&lt;/span&gt;&lt;br /&gt;Peter Carey: True History of the Kelly Gang (2000)&lt;br /&gt;John Dickson Carr, The Hollow Man (1935)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Raymond Chandler, The Big Sleep (1939)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Raymond Chandler, The Long Goodbye (1953)&lt;/span&gt;&lt;br /&gt;James Hadley Chase, No Orchids for Miss Blandish (1939)&lt;br /&gt;Erskine Childers, The Riddle of the Sands (1903)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Agathie Christie, And Then There Were None (1939)&lt;/span&gt;&lt;br /&gt;Agathie Christie, The Murder at the Vicarage (1930)&lt;br /&gt;Agathie Christie, The Murder of Roger Ackroyd (1926)&lt;br /&gt;Agathie Christie, The Mysterious Affair at Styles (1920)&lt;br /&gt;Agathie Christie, The Secret Adversary (1922)&lt;br /&gt;Wilkie Collins, The Woman in White (1860)&lt;br /&gt;Wilkie Collins, The Moonstone (1868)&lt;br /&gt;Richard Condon, The Manchurian Candidate (1959)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Joseph Conrad, The Secret Agent (1907)&lt;/span&gt;&lt;br /&gt;Joseph Conrad, Under Western Eyes (1911)&lt;br /&gt;Patricia Cornwell, Postmortem (1990)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Michael Crichton, The Andromeda Strain (1969)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Michael Crichton, Jurassic Park (1990)&lt;/span&gt;&lt;br /&gt;Amanda Cross, Poetic Justice (1970)&lt;br /&gt;Len Deighton, The Ipcress File (1962)&lt;br /&gt;Colin Dexter, Last Seen Wearing (1976)&lt;br /&gt;Colin Dexter, The Remorseful Day (1999)&lt;br /&gt;Michael Dibdin, A Rich Full Death (1986)&lt;br /&gt;Michael Dibdin, Dead Lagoon (1994)&lt;br /&gt;Michael Dibdin, Dirty Tricks (1991)&lt;br /&gt;Michael Dibdin, Ratking (1988)&lt;br /&gt;Fyodor Dostoevsky: Crime and Punishment (1866)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Arthur Conan Doyle, A Study in Scarlet (1887)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Arthur Conan Doyle, The Hound of the Baskervilles (1902)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Arthur Conan Doyle, The Sign of Four (1890)&lt;/span&gt;&lt;br /&gt;Theodore Dreiser, An American Tragedy (1925)&lt;br /&gt;Daphne du Maurier, My Cousin Rachel (1951)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Alexandre Dumas, The Count of Monte Cristo (1844-45)&lt;/span&gt;&lt;br /&gt;Friedrich Durrenmatt, The Pledge (1958)&lt;br /&gt;José Maria de Eça de Queiroz, The Crime of Father Amaro (1875)&lt;br /&gt;Umberto Eco, The Name of the Rose (1980)&lt;br /&gt;Bret Easton Ellis, American Psycho (1991)&lt;br /&gt;RJ Ellory, A Quiet Belief in Angels (2007)&lt;br /&gt;James Ellroy, LA Confidential (1990)&lt;br /&gt;James Ellroy, The Big Nowhere (1988)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;William Faulkner, Sanctuary (1931)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ian Fleming: Casino Royale (1953)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Ian Fleming, Goldfinger (1959)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Ian Fleming, You Only Live Twice (1964)&lt;/span&gt;&lt;br /&gt;Frederick Forsyth, The Day of the Jackal (1971)&lt;br /&gt;Graham Greene, Brighton Rock (1938)&lt;br /&gt;Graham Greene, A Gun For Sale (1936)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Graham Greene, The Ministry of Fear (1943)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Graham Greene, The Third Man (1950)&lt;/span&gt;&lt;br /&gt;John Grisham, A Time to Kill (1989)&lt;br /&gt;John Grisham, The King of Torts (2003)&lt;br /&gt;Patrick Hamilton, Hangover Square (1941)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dashiell Hammett, The Glass Key (1931)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dashiell Hammett, The Maltese Falcon (1930)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dashiell Hammett, The Thin Man (1934)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Dashiell Hammett, Red Harvest (1929)&lt;/span&gt;&lt;br /&gt;Robert Harris, Fatherland (1992)&lt;br /&gt;Thomas Harris, Black Sunday (1975)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Thomas Harris, Red Dragon (1981)&lt;/span&gt;&lt;br /&gt;Carl Hiaasen, Tourist Season (1986)&lt;br /&gt;George V Higgins, The Friends of Eddie Coyle (1972)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Patricia Highsmith, Strangers on a Train (1950)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Patricia Highsmith, The Talented Mr Ripley (1955)&lt;/span&gt;&lt;br /&gt;Reginald Hill, Bones and Silence (1990)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Chester Himes, A Rage in Harlem (1957)&lt;/span&gt;&lt;br /&gt;Peter Høeg, Miss Smilla's Feeling for Snow (1992)&lt;br /&gt;Geoffrey Household, Rogue Male (1939)&lt;br /&gt;Frances Iles, Malice Aforethought (1931)&lt;br /&gt;Arnaldur Indridason, Silence of the Grave (2001)&lt;br /&gt;Michael Innes, Death at the President's Lodging (1936)&lt;br /&gt;PD James, Cover Her Face (1962)&lt;br /&gt;PD James, A Taste for Death (1986)&lt;br /&gt;Harry Kemelman, Friday the Rabbi Slept Late (1964)&lt;br /&gt;Stephen King, Misery (1987)&lt;br /&gt;Stephen King, Dolores Claiborne (1992)&lt;br /&gt;Rudyard Kipling, Kim (1901)&lt;br /&gt;John le Carré, The Constant Gardener (2001)&lt;br /&gt;John le Carré, The Spy Who Came in From the Cold (1963)&lt;br /&gt;John le Carré, Tinker, Tailor, Soldier, Spy (1974)&lt;br /&gt;Harper Lee, To Kill A Mockingbird (1960)&lt;br /&gt;Elmore Leonard, 52 Pick-Up (1974)&lt;br /&gt;Elmore Leonard, Get Shorty (1990)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Jonathan Lethem, Motherless Brooklyn (1999)&lt;/span&gt;&lt;br /&gt;Robert Ludlum, The Bourne Identity (1980)&lt;br /&gt;Ed McBain, Cop Hater (1956)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cormac McCarthy, No Country for Old Men (2005)&lt;/span&gt;&lt;br /&gt;Ian McEwan, Enduring Love (1997)&lt;br /&gt;Henning Mankell, Sidetracked (1995)&lt;br /&gt;Walter Mosley, Devil in a Blue Dress (1990)&lt;br /&gt;E Phillips Oppenhein, The Great Impersonation (1920)&lt;br /&gt;E Phillips Oppenheim, The Strange Boarders of Palace Crescent (1934)&lt;br /&gt;Orhan Pamuk, My Name Is Red (1998)&lt;br /&gt;Sara Paretsky, Toxic Shock (1988)&lt;br /&gt;Sara Paretsky, Blacklist (2003)&lt;br /&gt;David Peace, Nineteen Seventy-Four (1999)&lt;br /&gt;David Peace, Nineteen Seventy Seven (2000)&lt;br /&gt;George Pelecanos, The Big Blowdown (1996)&lt;br /&gt;George Pelecanos, Hard Revolution (2004)&lt;br /&gt;Richard Price, Lush Life (2008)&lt;br /&gt;Mario Puzo, The Godfather (1969)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Thomas Pynchon, V (1963)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Thomas Pynchon: The Crying of Lot 49 (1966)&lt;/span&gt;&lt;br /&gt;Ian Rankin, Black &amp;amp; Blue (1997)&lt;br /&gt;Ian Rankin, The Hanging Garden (1998)&lt;br /&gt;Ian Rankin, Exit Music (2007)&lt;br /&gt;Ruth Rendell, Judgment in Stone (1977)&lt;br /&gt;Ruth Rendell, Live Flesh (1986)&lt;br /&gt;CJ Sansom, Dissolution (2003)&lt;br /&gt;Dorothy L Sayers, Whose Body? (1923)&lt;br /&gt;Dorothy L Sayers, Murder Must Advertise (1933)&lt;br /&gt;Georges Simenon, The Madman of Bergerac (1932)&lt;br /&gt;Georges Simenon, The Blue Room (1965)&lt;br /&gt;Maj Sjöwall and Per Wahlöö, The Laughing Policeman (1968)&lt;br /&gt;Martin Cruz Smith, Gorky Park (1981)&lt;br /&gt;John Steinbeck, Of Mice and Men (1937)&lt;br /&gt;Rex Stout, The League of Frightened Men (1935)&lt;br /&gt;Patrick Süskind: Perfume (1985)&lt;br /&gt;Donna Tartt, The Secret History (1992)&lt;br /&gt;Josephine Tey, The Daughter of Time (1951)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Jim Thompson, The Getaway (1959)&lt;/span&gt;&lt;br /&gt;Mark Twain, Pudd'nhead Wilson (1894)&lt;br /&gt;Barbara Vine, A Dark-Adapted Eye (1986)&lt;br /&gt;Barbara Vine, A Fatal Inversion (1987)&lt;br /&gt;Barbara Vine, King Solomon's Carpet (1991)&lt;br /&gt;Edgar Wallace, The Four Just Men (1905)&lt;br /&gt;Sarah Waters, Fingersmith (2002)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Richard Wright, Native Son (1940)&lt;/span&gt;&lt;br /&gt;Emile Zola, Therese Raquin (1867)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-949664893508412563?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/949664893508412563/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=949664893508412563' title='18 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/949664893508412563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/949664893508412563'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/1000-novels-everyone-should-read-from.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>18</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-1414755050939081370</id><published>2009-01-22T09:56:00.000-08:00</published><updated>2009-01-22T09:57:35.077-08:00</updated><title type='text'></title><content type='html'>I guess this proves I'm not a nazi sympathizer! Screw you Jeff, ignoramus.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;My Political Views&lt;/b&gt;&lt;br&gt;I am a left moderate social libertarian&lt;br&gt;Left: 3.91, Libertarian: 1.96&lt;br&gt;&lt;img src="http://www.gotoquiz.com/politics/grid/12x24.gif"&gt;&lt;br&gt;&lt;a href="http://www.gotoquiz.com/politics/political-spectrum-quiz.html"&gt;Political Spectrum Quiz&lt;/a&gt;&lt;br&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;My Foreign Policy Views&lt;/b&gt;&lt;br&gt;Score: -7.98&lt;br&gt;&lt;img src="http://www.gotoquiz.com/politics/grid/n10.gif"&gt;&lt;br&gt;&lt;a href="http://www.gotoquiz.com/politics/political-spectrum-quiz.html"&gt;Political Spectrum Quiz&lt;/a&gt;&lt;br&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;My Culture War Stance&lt;/b&gt;&lt;br&gt;Score: -7.25&lt;br&gt;&lt;img src="http://www.gotoquiz.com/politics/grid/c14.gif"&gt;&lt;br&gt;&lt;a href="http://www.gotoquiz.com/politics/political-spectrum-quiz.html"&gt;Political Spectrum Quiz&lt;/a&gt;&lt;br&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-1414755050939081370?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/1414755050939081370/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=1414755050939081370' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1414755050939081370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1414755050939081370'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/i-guess-this-proves-im-not-nazi.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-5394381220517044146</id><published>2009-01-13T17:32:00.000-08:00</published><updated>2009-01-13T17:35:54.585-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://classicfilmshow.com/the-ultimate-film-archive/"&gt;The Ultimate Film Archive&lt;/a&gt; is a hand-picked chronology of films from each decade (starting with the 1940s), all of which I highly recommend you seeking out. Not an exhaustive list but it’s a start as further films are added.&lt;br /&gt;&lt;br /&gt;1940s&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940 The Grapes Of Wrath (USA, John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940 Fantasia (USA, Walt Disney Productions)&lt;/span&gt;&lt;br /&gt;1940 The Great Dictator (USA, Charlie Chaplin)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940 Rebecca (USA, Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;1940 The Fighting 69th (USA, William Keighley)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940 His Girl Friday (USA, Howard Hawks)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1940 The Philadelphia Story (USA, George Cukor)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940 Pinocchio (USA, Hamilton Luske, Ben Sharpsteen)&lt;/span&gt;&lt;br /&gt;1940 The Mortal Storm (USA, Frank Borzage)&lt;br /&gt;1940 The Bank Dick (USA, Edward F. Cline)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940 Foreign Correspondent (USA, Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;1940 The Great McGinty (USA, Preston Sturges)&lt;br /&gt;1940 The Sea Hawk (USA, Michael Curtiz)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1940 The Shop Around the Corner (USA, Ernst Lubitsch) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1941 Citizen Kane (USA, Orson Welles)&lt;/span&gt;&lt;br /&gt;1941 Sullivan’s Travels (USA, Preston Sturges)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1941 The Maltese Falcon (USA, John Huston)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1941 The Lady Eve (USA, Preston Sturges)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1941 Dumbo (USA, Ben Sharpsteen)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1941 High Sierra (USA, Raoul Walsh)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1941 How Green Was My Valley (USA, John Ford)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1941 The Little Foxes (USA, William Wyler)&lt;/span&gt;&lt;br /&gt;1941 Sergeant York (USA, William Wyler)&lt;br /&gt;1941 Meet John Doe (USA, Frank Capra)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1942 The Magnificent Ambersons (USA, Orson Welles)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1942 Went The Day Well? (USA, Alberto Cavalcanti)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1942 The Palm Beach Story (USA, Preston Sturges)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1942 To Be Or Not To Be (USA, Ernst Lubitsch)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1942 Casablanca (USA, Michael Curtiz)&lt;/span&gt;&lt;br /&gt;1942 Now, Voyager (USA, Irving Rapper)&lt;br /&gt;1942 Mrs. Miniver (USA, William Wyler)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1942 Bambi&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1942 Cat People (USA, Jacques Tourneur)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1943 The Life And Death Of Colonel Blimp (USA, Michael Powell, Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;1943 I Walked With A Zombie (USA, Jacques Tourneur)&lt;br /&gt;1943 The Ox-Bow Incident (USA, William A. Wellman)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1943 Shadow Of A Doubt (USA, Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1943 Heaven Can Wait (USA, Ernst Lubitsch) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;1944 Meet Me In St. Louis (USA, Vincent Minnelli)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1944 Laura (USA, Otto Preminger)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1944 Double Indemnity (USA, Billy Wilder)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1944 To Have And Have Not (USA, Howard Hawks)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1944 Gaslight (USA, George Cukor)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945 Les Enfants Du Paradise (USA, Marcel Carné)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945 Brief Encounter (USA, David Lean)&lt;/span&gt;&lt;br /&gt;1945 Roma Città Apreta (Rome, Open City) (USA, Roberto Rossellini)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945 I Know Where I’m Going (USA, Michael Powell, Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;1945 Les Dames Du Bois De Boulogne (USA, Robert Bresson)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945 Mildred Pierce (USA, Michael Curtiz)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945 Detour (USA, Edgar G. Ulmer)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945 Spellbound (USA, Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;1945 Anchors Aweigh (USA, George Sidney)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1945 The Lost Weekend (USA, Billy Wilder)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946 La Belle Et La Bête (USA, Jean Cocteau)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946 The Big Sleep (USA, Howard Hawks)&lt;/span&gt;&lt;br /&gt;1946 My Darling Clementine (USA, John Ford)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1946 The Best Years Of Our Lives (USA, William Wyler)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946 A Matter Of Life And Death (USA, Michael Powell, Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;1946 Leave Her To Heaven (USA, John M. Stahl)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946 Great Expectations (USA, David Lean)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1946 The Stranger (USA, Orson Welles)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946 The Killers (USA, Robert Siodmak)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946 It’s A Wonderful Life (USA, Frank Capra)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1946 Gilda (USA, Charles Vidor)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1946 Notorious (USA, Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1947 Black Narcissus (USA, Michael Powell, Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1947 Red River (USA, Howard Hawks)&lt;/span&gt;&lt;br /&gt;1947 Monsieur Verdoux (USA, Charles Chaplin)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1947 Out Of The Past (USA, Jacques Tourneur)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1947 Dark Passage (USA, Delmer Daves)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 Letter From An Unknown Woman (USA, Max Ophuls)&lt;/span&gt;&lt;br /&gt;1948 Fort Apache (USA, John Ford)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 The Red Shoes (USA, Michael Powell, Emeric Pressburger)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 The Bicycle Thief (Ladri Di Biciclette, Italy, Vittorio De Sica)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 Rope (USA, Alfred Hitchcock)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 The Lady From Shanghai (USA, Orson Welles)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 The Treasure Of The Sierra Madre (USA, John Huston)&lt;/span&gt;&lt;br /&gt;1948 Easter Parade (USA, Charles Walters)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 Key Largo (USA, John Huston)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1948 The Naked City (USA, Jules Dassin)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1949 White Heat (USA, Raoul Walsh)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1949 Gun Crazy (USA, Joseph H. Lewis)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1949 Kind Hearts And Coronets (USA, Robert Hamer)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1949 The Third Man (USA, Carol Reed)&lt;/span&gt;&lt;br /&gt;1949 Adam’s Rib (USA, George Cukor)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;1949 The Reckless Moment (USA, Max Ophüls)&lt;/span&gt;&lt;br /&gt;1949 On The Town (USA, Stanley Donen, Gene Kelly)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1949 Orphée (France, Jean Cocteau)&lt;/span&gt;&lt;br /&gt;1949 The Window (USA, Ted Tetzlaff)&lt;br /&gt;1949 The Stratton Story (USA, Sam Wood)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-5394381220517044146?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/5394381220517044146/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=5394381220517044146' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5394381220517044146'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5394381220517044146'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/ultimate-film-archive-is-hand-picked.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-2445229112116894236</id><published>2009-01-12T07:48:00.001-08:00</published><updated>2009-01-12T07:48:18.566-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://www.remixito.fr/actu/buzz/qui-veut-gagner-des-millions/which-of-these-is-not-a-member-of-w-robot.html"&gt;&lt;img src="http://media1.remixito.fr/images/actu/buzz/qui-veut-gagner-des-millions/which-of-these-is-not-a-member-of-w-robot.jpg" alt="Which-of-these-is-not-a-member-of-w-robot" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-2445229112116894236?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/2445229112116894236/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=2445229112116894236' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2445229112116894236'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2445229112116894236'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/which-of-these-is-not-member-of-w-robot.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-2359736828083011938</id><published>2009-01-05T03:14:00.000-08:00</published><updated>2009-01-10T20:24:47.385-08:00</updated><title type='text'></title><content type='html'>99 Novels: The Best in English Since 1939:&lt;br /&gt;A Personal Choice by Anthony Burgess&lt;br /&gt;&lt;br /&gt;1939&lt;br /&gt;&lt;br /&gt;Party Going, Henry Green&lt;br /&gt;After Many a Summer, Aldous Huxley&lt;br /&gt;Finnegans Wake, James Joyce &lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;br /&gt;At Swim-Two-Birds, Flann O'Brien&lt;br /&gt;&lt;br /&gt;1940&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Power and the Glory, Graham Greene &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;For Whom the Bell Tolls, Ernest Hemingway &lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;br /&gt;Strangers and Brothers (to 1970), C. P. Snow&lt;br /&gt;&lt;br /&gt;1941&lt;br /&gt;&lt;br /&gt;The Aerodrome, Rex Warner&lt;br /&gt;&lt;br /&gt;&lt;div&gt;1944&lt;br /&gt;&lt;br /&gt;The Horse's Mouth, Joyce Cary &lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;br /&gt;&lt;b&gt;The Razor's Edge, Somerset Maugham C+&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1945&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Brideshead Revisited, Evelyn Waugh LO+&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1946&lt;br /&gt;&lt;br /&gt;Titus Groan, Mervyn Peake&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1947&lt;br /&gt;&lt;br /&gt;The Victim, Saul Bellow&lt;br /&gt;&lt;i&gt;Under the Volcano, Malcolm Lowry &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO++&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1948&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Heart of the Matter, Graham Greene B+&lt;br /&gt;&lt;/b&gt;Ape and Essence, Aldous Huxley&lt;br /&gt;The Naked and the Dead, Norman Mailer &lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;br /&gt;No Highway, Nevil Shute&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1949&lt;br /&gt;&lt;br /&gt;The Heat of the Day, Elizabeth Bowen&lt;br /&gt;Nineteen Eighty-Four, George Orwell &lt;span style="font-weight: bold;"&gt;LO-&lt;/span&gt;&lt;br /&gt;The Body, William Sansom&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1950&lt;br /&gt;&lt;br /&gt;Scenes from Provincial Life, William Cooper&lt;br /&gt;The Disenchanted, Budd Schulberg&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1951&lt;br /&gt;&lt;br /&gt;A Dance to the Music of Time (to 1975), Anthony Powell&lt;br /&gt;&lt;b&gt;The Catcher in the Rye, J. D. Salinger A-&lt;br /&gt;&lt;/b&gt;The Chronicle of Ancient Sunlight (to 1969), Henry Williamson&lt;br /&gt;The Caine Mutiny, Herman Wouk&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1952&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Invisible Man, Ralph Ellison &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;The Old Man and the Sea, Ernest Hemingway &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO++&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;The Groves of Academe, Mary McCarthy&lt;br /&gt;&lt;i&gt;Wise Blood, Flannery O'Connor &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;Sword of Honour (to 1961), Evelyn Waugh&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1953&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Long Goodbye, Raymond Chandler A&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1954&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Lucky Jim, Kingsley Amis &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1957&lt;br /&gt;&lt;br /&gt;Room at the Top, John Braine&lt;br /&gt;The Alexandria Quartet (to 1960), Lawrence Durrell&lt;br /&gt;The London Novels (to 1960), Colin MacInnes&lt;br /&gt;&lt;i&gt;The Assistant, Bernard Malamud &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1958&lt;br /&gt;&lt;br /&gt;The Bell, Iris Murdoch&lt;br /&gt;Saturday Night and Sunday Morning, Alan Sillitoe&lt;br /&gt;The Once and Future King, T. H. White&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1959&lt;br /&gt;&lt;br /&gt;The Mansion, William Faulkner&lt;br /&gt;&lt;i&gt;Goldfinger, Ian Fleming &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1960&lt;br /&gt;&lt;br /&gt;Facial Justice, L. P. Hartley&lt;br /&gt;The Balkans Trilogy (to 1965), Olivia Manning&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1961&lt;br /&gt;&lt;br /&gt;The Mighty and Their Fall, Ivy Compton-Burnett&lt;br /&gt;&lt;b&gt;Catch-22, Joseph Heller B-&lt;br /&gt;&lt;/b&gt;The Fox in the Attic, Richard Hughes&lt;br /&gt;Riders in the Chariot, Patrick White&lt;br /&gt;The Old Men at the Zoo, Angus Wilson&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1962&lt;br /&gt;&lt;br /&gt;Another Country, James Baldwin&lt;br /&gt;An Error of Judgment, Pamela Hansford Johnson&lt;br /&gt;Island, Aldous Huxley &lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;br /&gt;The Golden Notebook, Doris Lessing&lt;br /&gt;&lt;i&gt;Pale Fire, Vladimir Nabokov &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO++&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1963&lt;br /&gt;&lt;br /&gt;The Girls of Slender Means, Muriel Spark&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1964&lt;br /&gt;&lt;br /&gt;The Spire, William Golding &lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;br /&gt;Heartland, Wilson Harris&lt;br /&gt;&lt;i&gt;A Single Man, Christopher Isherwood &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;i&gt;The Defence, Vladimir Nabokov &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;Late Call, Angus Wilson&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1965&lt;br /&gt;&lt;br /&gt;The Lockwood Concern, John O'Hara&lt;br /&gt;The Mandelbaum Gate, Muriel Spark&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1966&lt;br /&gt;&lt;br /&gt;A Man of the People, Chinua Achebe&lt;br /&gt;The Anti-Death League, Kingsley Amis&lt;br /&gt;Giles Goat-Boy, John Barth&lt;br /&gt;The Late Bourgeois World, Nadine Gordimer&lt;br /&gt;The Last Gentleman, Walker Percy&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1967&lt;br /&gt;&lt;br /&gt;The Vendor of Sweets, R. K. Narayan&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1968&lt;br /&gt;&lt;br /&gt;The Image Men, J. B. Priestley&lt;br /&gt;Cocksure, Mordecai Richler&lt;br /&gt;&lt;i&gt;Pavane, Keith Roberts&lt;/i&gt;&lt;span style="font-weight: bold;"&gt; LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1969&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The French Lieutenant's Woman, John Fowles B+&lt;br /&gt;&lt;/b&gt;&lt;i&gt;Portnoy's Complaint, Philip Roth &lt;/i&gt;LO+&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1970&lt;br /&gt;&lt;br /&gt;Bomber, Len Deighton&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1973&lt;br /&gt;&lt;br /&gt;Sweet Dreams, Michael Frayn&lt;br /&gt;&lt;i&gt;Gravity's Rainbow, Thomas Pynchon &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO++&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1975&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Humboldt's Gift, Saul Bellow &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;The History Man, Malcolm Bradbury&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1976&lt;br /&gt;&lt;br /&gt;The Doctor's Wife, Brian Moore&lt;br /&gt;Falstaff, Robert Nye&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1977&lt;br /&gt;&lt;br /&gt;How to Save Your Own Life, Erica Jong&lt;br /&gt;Farewell Companions, James Plunkett&lt;br /&gt;Staying On, Paul Scott&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1978&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Coup, John Updike&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1979&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Unlimited Dream Company, J. G. Ballard A-&lt;br /&gt;&lt;/b&gt;&lt;i&gt;Dubin's Lives, Bernard Malamud &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;A Bend in the River, V. S. Naipaul&lt;br /&gt;Sophie's Choice, William Stryon &lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1980&lt;br /&gt;&lt;br /&gt;Life in the West, Brian Aldiss&lt;br /&gt;Riddley Walker, Russell Hoban&lt;br /&gt;&lt;i&gt;How Far Can You Go?, David Lodge &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;A Confederacy of Dunces, John Kennedy Toole &lt;span style="font-weight: bold;"&gt;LO-&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1981&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Lanark, Alasdair Gray &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO++&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;Darconville's Cat, Alexander Theroux&lt;br /&gt;&lt;i&gt;The Mosquito Coast, Paul Theroux &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;i&gt;Creation, Gore Vidal &lt;/i&gt;&lt;span style="font-weight: bold;"&gt;LO+&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1982&lt;br /&gt;&lt;br /&gt;The Rebel Angels, Robertson Davies&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1983&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;Ancient Evenings, Norman Mailer&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-2359736828083011938?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/2359736828083011938/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=2359736828083011938' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2359736828083011938'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/2359736828083011938'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/99-novels-best-in-english-since-1939.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-7337556386864593843</id><published>2009-01-05T03:08:00.000-08:00</published><updated>2009-01-10T20:29:38.668-08:00</updated><title type='text'></title><content type='html'>Yowzer... now the All-TIME list of novels of the 20th century!&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Adventures of Augie March (1953) by Saul Bellow LO+&lt;br /&gt;&lt;/i&gt;All The King's Men (1946) by Robert Penn Warren LO+&lt;br /&gt;&lt;i&gt;American Pastoral (1997) by Philip Roth LO+&lt;br /&gt;&lt;/i&gt;An American Tragedy (1925) by Theodore Dreiser LO+&lt;br /&gt;Animal Farm (1946) by George Orwell LO-&lt;br /&gt;Appointment in Samarra (1934) by John O'Hara LD&lt;br /&gt;Are You There God? It's Me, Margaret (1970) by Judy Blume LD&lt;br /&gt;&lt;i&gt;The Assistant (1957) by Bernard Malamud LO+&lt;br /&gt;&lt;/i&gt;At Swim-Two-Birds (1938) by Flann O'Brien LD&lt;br /&gt;Atonement (2002) by Ian McEwan LO-&lt;br /&gt;&lt;b&gt;Beloved (1987) by Toni Morrison C&lt;br /&gt;&lt;/b&gt;The Berlin Stories (1946) by Christopher Isherwood LD&lt;br /&gt;&lt;b&gt;The Big Sleep (1939) by Raymond Chandler A-&lt;br /&gt;&lt;/b&gt;&lt;b&gt;The Blind Assassin (2000) by Margaret Atwood LF-&lt;br /&gt;&lt;/b&gt;&lt;i&gt;Blood Meridian (1985) by Cormac McCarthy LO++&lt;br /&gt;&lt;/i&gt;&lt;b&gt;Brideshead Revisited (1945) by Evelyn Waugh LF+&lt;br /&gt;&lt;/b&gt;The Bridge of San Luis Rey (1927) by Thornton Wilder LD&lt;br /&gt;Call It Sleep (1934) by Henry Roth&lt;br /&gt;&lt;b&gt;Catch-22 (1961) by Joseph Heller B-&lt;br /&gt;&lt;/b&gt;&lt;b&gt;The Catcher in the Rye (1951) by J. D. Salinger A-&lt;br /&gt;&lt;/b&gt;&lt;b&gt;A Clockwork Orange (1962) by Anthony Burgess A-&lt;br /&gt;&lt;/b&gt;The Confessions of Nat Turner (1967) by William Styron&lt;br /&gt;The Corrections (2001) by Jonathan Franzen LO-&lt;br /&gt;&lt;b&gt;The Crying of Lot 49 (1966) by Thomas Pynchon A-&lt;br /&gt;&lt;/b&gt;A Dance to the Music of Time (1951-1975) by Anthony Powell&lt;br /&gt;&lt;i&gt;The Day of the Locust (1939) by Nathanael West LO+&lt;br /&gt;&lt;/i&gt;Death Comes for the Archbishop (1927) by Willa Cather&lt;br /&gt;A Death in the Family (1956) by James Agee&lt;br /&gt;The Death of the Heart (1939) by Elizabeth Bowen&lt;br /&gt;Deliverance (1970) by James Dickey LO+&lt;br /&gt;Dog Soldiers (1974) by Robert Stone&lt;br /&gt;Falconer (1977) by John Cheever LO+&lt;br /&gt;&lt;b&gt;The French Lieutenant's Woman (1969) by John Fowles B+&lt;br /&gt;&lt;/b&gt;The Golden Notebook (1962) by Doris Lessing LO+&lt;br /&gt;Go Tell it on the Mountain (1953) by James Baldwin&lt;br /&gt;Gone With the Wind (1936) by Margaret Mitchell LO-&lt;br /&gt;The Grapes of Wrath (1939) by John Steinbeck LO-&lt;br /&gt;&lt;i&gt;Gravity's Rainbow (1973) by Thomas Pynchon LO++&lt;br /&gt;&lt;/i&gt;&lt;b&gt;The Great Gatsby (1925) by F. Scott Fitzgerald B&lt;br /&gt;&lt;/b&gt;&lt;i&gt;A Handful of Dust (1934) by Evelyn Waugh LO+&lt;br /&gt;&lt;/i&gt;&lt;i&gt;The Heart is a Lonely Hunter (1940) by Carson McCullers LO+&lt;br /&gt;&lt;/i&gt;&lt;b&gt;The Heart of the Matter (1948) by Graham Greene B+&lt;br /&gt;&lt;/b&gt;&lt;i&gt;Herzog (1964) by Saul Bellow LO+&lt;br /&gt;&lt;/i&gt;Housekeeping (1980) by Marilynne Robinson&lt;br /&gt;A House for Mr. Biswas (2001) by V. S. Naipaul&lt;br /&gt;&lt;i&gt;I, Claudius (1934) by Robert Graves LO+&lt;br /&gt;&lt;/i&gt;Infinite Jest (1996) by David Foster Wallace&lt;br /&gt;Invisible Man (1952) by Ralph Ellison LO+&lt;br /&gt;&lt;i&gt;Light in August (1932) by William Faulkner LO+&lt;br /&gt;&lt;/i&gt;&lt;b&gt;The Lion, the Witch and the Wardrobe (1950) by C. S. Lewis B+&lt;br /&gt;Lolita (1955) by Vladimir Nabokov A+&lt;br /&gt;&lt;/b&gt;&lt;b&gt;Lord of the Flies (1954) by William Golding LF+&lt;br /&gt;The Lord of the Rings (1954-1955) by J. R. R. Tolkien B-&lt;br /&gt;&lt;/b&gt;Loving (1945) by Henry Green&lt;br /&gt;&lt;i&gt;Lucky Jim (1954) by Kingsley Amis LO+&lt;br /&gt;&lt;/i&gt;The Man Who Loved Children (1940) by Christina Stead&lt;br /&gt;&lt;b&gt;Midnight's Children (1981) by Salman Rushdie C-&lt;br /&gt;&lt;/b&gt;Money (1984) by Martin Amis&lt;br /&gt;The Moviegoer (1961) by Walker Percy&lt;br /&gt;Mrs. Dalloway (1925) by Virginia Woolf LO+&lt;br /&gt;&lt;b&gt;Naked Lunch (1959) by William Burroughs LO+&lt;br /&gt;&lt;/b&gt;Native Son (1940) by Richard Wright&lt;br /&gt;&lt;b&gt;Neuromancer (1984) by William Gibson LF-&lt;br /&gt;&lt;/b&gt;&lt;i&gt;Never Let Me Go (2005) by Kazuo Ishiguro LO+&lt;br /&gt;&lt;/i&gt;1984 (1949) by George Orwell LO-&lt;br /&gt;On the Road (1957) by Jack Kerouac LO-&lt;br /&gt;&lt;b&gt;One Flew Over the Cuckoo's Nest (1962) by Ken Kesey B-&lt;br /&gt;&lt;/b&gt;&lt;i&gt;The Painted Bird (1967) by Jerzy Kosinski LO+&lt;br /&gt;&lt;/i&gt;&lt;i&gt;Pale Fire (1962) by Vladimir Nabokov LO++&lt;br /&gt;&lt;/i&gt;&lt;b&gt;A Passage to India (1924) by E. M. Forster LF+&lt;br /&gt;&lt;/b&gt;Play It As It Lays (1970) by Joan Didion&lt;br /&gt;&lt;i&gt;Portnoy's Complaint (1969) by Philip Roth LO+&lt;br /&gt;&lt;/i&gt;Possession: A Romance (1990) by A. S. Byatt&lt;br /&gt;&lt;i&gt;The Power and the Glory (1940) by Graham Greene LO+&lt;br /&gt;&lt;/i&gt;&lt;i&gt;The Prime of Miss Jean Brodie (1961) by Muriel Spark LF+&lt;br /&gt;&lt;/i&gt;&lt;i&gt;Rabbit, Run (1960) by John Updike LO+&lt;br /&gt;&lt;/i&gt;Ragtime (1975) by E.L. Doctorow LO+&lt;br /&gt;The Recognitions (1955) by William Gaddis&lt;br /&gt;&lt;i&gt;Red Harvest (1929) by Dashiell Hammett LO+&lt;br /&gt;&lt;/i&gt;&lt;b&gt;Revolutionary Road (1961) by Richard Yates B+&lt;br /&gt;&lt;/b&gt;&lt;i&gt;The Sheltering Sky (1949) by Paul Bowles LO+&lt;br /&gt;&lt;/i&gt;&lt;b&gt;Slaughterhouse-Five (1969) by Kurt Vonnegut B-&lt;br /&gt;&lt;/b&gt;Snow Crash (1992) by Neal Stephenson LO-&lt;br /&gt;The Sot-Weed Factor (1960) by John Barth&lt;br /&gt;&lt;i&gt;The Sound and the Fury (1929) by William Faulkner LO+&lt;br /&gt;&lt;/i&gt;The Sportswriter (1986) by Richard Ford&lt;br /&gt;The Spy Who Came in From the Cold (1963) by John le Carré LO+&lt;br /&gt;The Sun Also Rises (1926) by Ernest Hemingway LO+&lt;br /&gt;Their Eyes Were Watching God (1937) by Zora Neale Hurston&lt;br /&gt;Things Fall Apart (1959) by Chinua Achebe LO-&lt;br /&gt;To Kill a Mockingbird (1960) by Harper Lee LO+&lt;br /&gt;To the Lighthouse (1927) by Virginia Woolf LO-&lt;br /&gt;&lt;b&gt;Tropic of Cancer (1934) by Henry Miller LF-&lt;br /&gt;&lt;/b&gt;&lt;b&gt;Ubik (1969) by Philip K. Dick A+&lt;br /&gt;&lt;/b&gt;Under the Net (1954) by Iris Murdoch&lt;br /&gt;&lt;i&gt;Under the Volcano (1947) by Malcolm Lowry LO++&lt;br /&gt;&lt;/i&gt;&lt;b&gt;Watchmen (serial, 1986-87) by Alan Moore and Dave Gibbons A-&lt;br /&gt;&lt;/b&gt;&lt;b&gt;White Noise (1985) by Don DeLillo A-&lt;br /&gt;&lt;/b&gt;White Teeth (2000) by Zadie Smith&lt;br /&gt;Wide Sargasso Sea (1966) by Jean Rhys LO+&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-7337556386864593843?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/7337556386864593843/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=7337556386864593843' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/7337556386864593843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/7337556386864593843'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/yowzer.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-5566691200432092108</id><published>2009-01-05T02:45:00.001-08:00</published><updated>2009-01-10T20:34:54.215-08:00</updated><title type='text'></title><content type='html'>In 2000, a board of authors and literary critics created a list for Random House of the 100 best English-language novels of the 20th Century. This is that list. I've bolded the works that I've read.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1. (1922) Ulysses James Joyce LO++&lt;br /&gt;2. (1925) The Great Gatsby F. Scott Fitzgerald B&lt;br /&gt;3. (1916) A Portrait of the Artist as a Young Man James Joyce LO+&lt;br /&gt;&lt;/span&gt;4. (1955) Lolita Vladimir Nabokov A+&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;5. (1932) Brave New World Aldous Huxley LO+&lt;br /&gt;6. (1929) The Sound and the Fury William Faulkner LO++&lt;br /&gt;7. (1961) Catch-22 Joseph Heller B&lt;br /&gt;&lt;/span&gt;8. (1940) Darkness at Noon Arthur Koestler&lt;br /&gt;9. (1913) Sons and Lovers D. H. Lawrence LO+&lt;br /&gt;10. (1939) The Grapes of Wrath John Steinbeck LO-&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;11. (1947) Under the Volcano Malcolm Lowry LO++&lt;br /&gt;&lt;/span&gt;12. (1903) The Way of All Flesh Samuel Butler&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;13. (1949) Nineteen Eighty-Four George Orwell LO-&lt;/span&gt;&lt;br /&gt;14. (1934) I, Claudius Robert Graves LO+&lt;br /&gt;15. (1927) To the Lighthouse Virginia Woolf LO-&lt;br /&gt;16. (1925) An American Tragedy Theodore Dreiser LO+&lt;br /&gt;&lt;b&gt;17. (1940) The Heart Is a Lonely Hunter Carson McCullers LO+&lt;br /&gt;18. (1969) Slaughterhouse-Five Kurt Vonnegut B-&lt;br /&gt;19. (1952) Invisible Man Ralph Ellison LO+&lt;br /&gt;&lt;/b&gt;20. (1940) Native Son Richard Wright&lt;br /&gt;21. (1959) Henderson the Rain King Saul Bellow LO+&lt;br /&gt;22. (1934) Appointment in Samarra John O'Hara&lt;br /&gt;23. (1938) U.S.A. (trilogy) John Dos Passos LO++&lt;br /&gt;24. (1919) Winesburg, Ohio Sherwood Anderson&lt;br /&gt;&lt;b&gt;25. (1924) A Passage to India E. M. Forster LF+&lt;br /&gt;26. (1902) The Wings of the Dove Henry James LF+&lt;br /&gt;&lt;/b&gt;27. (1903) The Ambassadors Henry James LO+&lt;br /&gt;28. (1934) Tender Is the Night F. Scott Fitzgerald LO+&lt;br /&gt;29. (1935) Studs Lonigan (trilogy) James T. Farrell&lt;br /&gt;30. (1915) The Good Soldier Ford Madox Ford&lt;br /&gt;31. (1945) Animal Farm George Orwell LO-&lt;br /&gt;32. (1904) The Golden Bowl Henry James LO+&lt;br /&gt;33. (1900) Sister Carrie Theodore Dreiser&lt;br /&gt;34. (1934) A Handful of Dust Evelyn Waugh&lt;br /&gt;35. (1930) As I Lay Dying William Faulkner LO+&lt;br /&gt;36. (1946) All the King's Men Robert Penn Warren LO+&lt;br /&gt;37. (1927) The Bridge of San Luis Rey Thornton Wilder&lt;br /&gt;38. (1910) Howards End E. M. Forster LO+&lt;br /&gt;39. (1953) Go Tell It on the Mountain James Baldwin&lt;br /&gt;&lt;b&gt;40. (1948) The Heart of the Matter Graham Greene B+&lt;br /&gt;41. (1954) Lord of the Flies William Golding LO+&lt;br /&gt;42. (1970) Deliverance James Dickey LO+&lt;br /&gt;&lt;/b&gt;43. (1951-1975) A Dance to the Music of Time (series) Anthony Powell&lt;br /&gt;44. (1928) Point Counter Point Aldous Huxley&lt;br /&gt;&lt;b&gt;45. (1926) The Sun Also Rises Ernest Hemingway LO+&lt;br /&gt;46. (1907) The Secret Agent Joseph Conrad LO+&lt;br /&gt;&lt;/b&gt;47. (1904) Nostromo Joseph Conrad LO+&lt;br /&gt;48. (1915) The Rainbow D. H. Lawrence LO+&lt;br /&gt;&lt;b&gt;49. (1920) Women in Love D. H. Lawrence LF+&lt;br /&gt;50. (1934) Tropic of Cancer Henry Miller LF-&lt;br /&gt;&lt;/b&gt;51. (1948) The Naked and the Dead Norman Mailer LO+&lt;br /&gt;&lt;b&gt;52. (1969) Portnoy's Complaint Philip Roth LO+&lt;br /&gt;53. (1962) Pale Fire Vladimir Nabokov LF++&lt;br /&gt;&lt;/b&gt;54. (1932) Light in August William Faulkner LO+&lt;br /&gt;55. (1957) On the Road Jack Kerouac LO-&lt;br /&gt;56. (1930) The Maltese Falcon Dashiell Hammett B+&lt;br /&gt;57. (1924-1928) Parade's End Ford Madox Ford&lt;br /&gt;&lt;b&gt;58. (1920) The Age of Innocence Edith Wharton LF+&lt;br /&gt;&lt;/b&gt;59. (1911) Zuleika Dobson Max Beerbohm&lt;br /&gt;60. (1961) The Moviegoer Walker Percy&lt;br /&gt;61. (1927) Death Comes for the Archbishop Willa Cather&lt;br /&gt;&lt;b&gt;62. (1951) From Here to Eternity James Jones LO+&lt;br /&gt;&lt;/b&gt;63. (1957) The Wapshot Chronicle John Cheever LO+&lt;br /&gt;&lt;b&gt;64. (1951) The Catcher in the Rye J. D. Salinger A-&lt;br /&gt;65. (1962) A Clockwork Orange Anthony Burgess A-&lt;br /&gt;&lt;/b&gt;66. (1915) Of Human Bondage W. Somerset Maugham LO+&lt;br /&gt;&lt;b&gt;67. (1902) Heart of Darkness Joseph Conrad LF++&lt;br /&gt;&lt;/b&gt;68. (1920) Main Street Sinclair Lewis&lt;br /&gt;&lt;b&gt;69. (1905) The House of Mirth Edith Wharton LO+&lt;br /&gt;&lt;/b&gt;70. (1957-1960) The Alexandria Quartet Lawrence Durrell&lt;br /&gt;71. (1929) A High Wind in Jamaica Richard Hughes&lt;br /&gt;72. (1961) A House for Mr Biswas V. S. Naipaul&lt;br /&gt;&lt;b&gt;73. (1939) The Day of the Locust Nathanael West LO+&lt;br /&gt;74. (1929) A Farewell to Arms Ernest Hemingway B+&lt;br /&gt;&lt;/b&gt;75. (1938) Scoop Evelyn Waugh&lt;br /&gt;&lt;b&gt;76. (1962) The Prime of Miss Jean Brodie Muriel Spark LF+&lt;br /&gt;&lt;/b&gt;77. (1939) Finnegans Wake James Joyce LO+&lt;br /&gt;78. (1901) Kim Rudyard Kipling LO+&lt;br /&gt;79. (1908) A Room with a View E. M. Forster LO+&lt;br /&gt;&lt;b&gt;80. (1945) Brideshead Revisited Evelyn Waugh LO+&lt;br /&gt;&lt;/b&gt;81. (1953) The Adventures of Augie March Saul Bellow LO+&lt;br /&gt;82. (1971) Angle of Repose Wallace Stegner&lt;br /&gt;83. (1979) A Bend in the River V. S. Naipaul&lt;br /&gt;84. (1938) The Death of the Heart Elizabeth Bowen&lt;br /&gt;85. (1900) Lord Jim Joseph Conrad LO+&lt;br /&gt;&lt;b&gt;86. (1975) Ragtime E. L. Doctorow LO+&lt;br /&gt;&lt;/b&gt;87. (1908) The Old Wives' Tale Arnold Bennett&lt;br /&gt;88. (1903) The Call of the Wild Jack London LO+&lt;br /&gt;89. (1945) Loving Henry Green&lt;br /&gt;&lt;b&gt;90. (1980) Midnight's Children Salman Rushdie C-&lt;br /&gt;&lt;/b&gt;91. (1932) Tobacco Road Erskine Caldwell&lt;br /&gt;92. (1983) Ironweed William Kennedy&lt;br /&gt;&lt;b&gt;93. (1965) The Magus John Fowles A+&lt;br /&gt;&lt;/b&gt;94. (1966) Wide Sargasso Sea Jean Rhys LO+&lt;br /&gt;95. (1954) Under the Net Iris Murdoch&lt;br /&gt;96. (1979) Sophie's Choice William Styron LO+&lt;br /&gt;97. (1949) The Sheltering Sky Paul Bowles LO+&lt;br /&gt;&lt;b&gt;98. (1934) The Postman Always Rings Twice James M. Cain LO+&lt;br /&gt;&lt;/b&gt;99. (1955) The Ginger Man J. P. Donleavy&lt;br /&gt;100. (1918) The Magnificent Ambersons Booth Tarkington LO+&lt;br /&gt;&lt;br /&gt;Notes&lt;br /&gt;Lolita -- Does this make me close to Nabokov? No, I guess I have to deploy my wounds to do that.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Now for the Reader's list!&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;ATLAS SHRUGGED by Ayn Rand LO-&lt;br /&gt;THE FOUNTAINHEAD by Ayn Rand LO-&lt;br /&gt;BATTLEFIELD EARTH by L. Ron Hubbard LO--&lt;br /&gt;&lt;b&gt;THE LORD OF THE RINGS by J.R.R. Tolkien B&lt;br /&gt;&lt;/b&gt;TO KILL A MOCKINGBIRD by Harper Lee LO+&lt;br /&gt;&lt;b&gt;1984 by George Orwell LO-&lt;br /&gt;&lt;/b&gt;ANTHEM by Ayn Rand LD&lt;br /&gt;WE THE LIVING by Ayn Rand&lt;br /&gt;MISSION EARTH by L. Ron Hubbard LO--&lt;br /&gt;FEAR by L. Ron Hubbard LO--&lt;br /&gt;&lt;b&gt;ULYSSES by James Joyce LO++&lt;br /&gt;CATCH-22 by Joseph Heller B-&lt;br /&gt;THE GREAT GATSBY by F. Scott Fitzgerald B&lt;br /&gt;DUNE by Frank Herbert B-&lt;br /&gt;&lt;/b&gt;THE MOON IS A HARSH MISTRESS by Robert Heinlein LO-&lt;br /&gt;STRANGER IN A STRANGE LAND by Robert Heinlein LO-&lt;br /&gt;A TOWN LIKE ALICE by Nevil Shute&lt;br /&gt;&lt;b&gt;BRAVE NEW WORLD by Aldous Huxley LO+&lt;br /&gt;THE CATCHER IN THE RYE by J.D. Salinger A&lt;br /&gt;&lt;/b&gt;ANIMAL FARM by George Orwell LO-&lt;br /&gt;&lt;b&gt;GRAVITY'S RAINBOW by Thomas Pynchon LO++&lt;br /&gt;&lt;/b&gt;THE GRAPES OF WRATH by John Steinbeck LO-&lt;br /&gt;&lt;b&gt;SLAUGHTERHOUSE FIVE by Kurt Vonnegut C+&lt;br /&gt;&lt;/b&gt;GONE WITH THE WIND by Margaret Mitchell&lt;br /&gt;&lt;b&gt;LORD OF THE FLIES by William Golding&lt;br /&gt;&lt;/b&gt;SHANE by Jack Schaefer&lt;br /&gt;TRUSTEE FROM THE TOOLROOM by Nevil Shute&lt;br /&gt;A PRAYER FOR OWEN MEANY by John Irving&lt;br /&gt;THE STAND by Stephen King&lt;br /&gt;&lt;b&gt;THE FRENCH LIEUTENANT'S WOMAN by John Fowles&lt;br /&gt;&lt;/b&gt;&lt;b&gt;BELOVED by Toni Morrison&lt;br /&gt;&lt;/b&gt;THE WORM OUROBOROS by E.R. Eddison&lt;br /&gt;THE SOUND AND THE FURY by William Faulkner&lt;br /&gt;&lt;b&gt;LOLITA by Vladimir Nabokov&lt;br /&gt;&lt;/b&gt;MOONHEART by Charles de Lint&lt;br /&gt;ABSALOM, ABSALOM! by William Faulkner&lt;br /&gt;OF HUMAN BONDAGE by W. Somerset Maugham&lt;br /&gt;WISE BLOOD by Flannery O'Connor&lt;br /&gt;&lt;b&gt;UNDER THE VOLCANO by Malcolm Lowry&lt;br /&gt;&lt;/b&gt;FIFTH BUSINESS by Robertson Davies&lt;br /&gt;SOMEPLACE TO BE FLYING by Charles de Lint&lt;br /&gt;ON THE ROAD by Jack Kerouac&lt;br /&gt;&lt;b&gt;HEART OF DARKNESS by Joseph Conrad&lt;br /&gt;&lt;/b&gt;YARROW by Charles de Lint&lt;br /&gt;AT THE MOUNTAINS OF MADNESS by H.P. Lovecraft&lt;br /&gt;ONE LONELY NIGHT by Mickey Spillane&lt;br /&gt;MEMORY AND DREAM by Charles de Lint&lt;br /&gt;TO THE LIGHTHOUSE by Virginia Woolf&lt;br /&gt;THE MOVIEGOER by Walker Percy&lt;br /&gt;TRADER by Charles de Lint&lt;br /&gt;&lt;b&gt;THE HITCHHIKER'S GUIDE TO THE GALAXY by Douglas Adams&lt;br /&gt;THE HEART IS A LONELY HUNTER by Carson McCullers&lt;br /&gt;&lt;/b&gt;THE HANDMAID'S TALE by Margaret Atwood&lt;br /&gt;&lt;b&gt;BLOOD MERIDIAN by Cormac McCarthy&lt;br /&gt;A CLOCKWORK ORANGE by Anthony Burgess&lt;br /&gt;&lt;/b&gt;ON THE BEACH by Nevil Shute&lt;br /&gt;&lt;b&gt;A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce&lt;br /&gt;&lt;/b&gt;GREENMANTLE by Charles de Lint&lt;br /&gt;ENDER'S GAME by Orson Scott Card&lt;br /&gt;THE LITTLE COUNTRY by Charles de Lint&lt;br /&gt;THE RECOGNITIONS by William Gaddis&lt;br /&gt;STARSHIP TROOPERS by Robert Heinlein&lt;br /&gt;&lt;b&gt;THE SUN ALSO RISES by Ernest Hemingway&lt;br /&gt;&lt;/b&gt;THE WORLD ACCORDING TO GARP by John Irving&lt;br /&gt;SOMETHING WICKED THIS WAY COMES by Ray Bradbury&lt;br /&gt;THE HAUNTING OF HILL HOUSE by Shirley Jackson&lt;br /&gt;AS I LAY DYING by William Faulkner&lt;br /&gt;&lt;b&gt;TROPIC OF CANCER by Henry Miller&lt;br /&gt;INVISIBLE MAN by Ralph Ellison&lt;br /&gt;&lt;/b&gt;THE WOOD WIFE by Terri Windling&lt;br /&gt;&lt;b&gt;THE MAGUS by John Fowles&lt;br /&gt;&lt;/b&gt;THE DOOR INTO SUMMER by Robert Heinlein&lt;br /&gt;ZEN AND THE ART OF MOTORCYCLE MAINTENANCE by Robert Pirsig&lt;br /&gt;I, CLAUDIUS by Robert Graves&lt;br /&gt;&lt;b&gt;THE CALL OF THE WILD by Jack London&lt;br /&gt;&lt;/b&gt;AT SWIM-TWO-BIRDS by Flann O'Brien&lt;br /&gt;&lt;b&gt;FARENHEIT 451 by Ray Bradbury&lt;br /&gt;&lt;/b&gt;ARROWSMITH by Sinclair Lewis&lt;br /&gt;WATERSHIP DOWN by Richard Adams&lt;br /&gt;&lt;b&gt;NAKED LUNCH by William S. Burroughs&lt;br /&gt;&lt;/b&gt;&lt;b&gt;THE HUNT FOR RED OCTOBER by Tom Clancy&lt;br /&gt;&lt;/b&gt;GUILTY PLEASURES by Laurell K. Hamilton&lt;br /&gt;THE PUPPET MASTERS by Robert Heinlein&lt;br /&gt;&lt;b&gt;IT by Stephen King&lt;br /&gt;V. by Thomas Pynchon&lt;br /&gt;&lt;/b&gt;DOUBLE STAR by Robert Heinlein&lt;br /&gt;CITIZEN OF THE GALAXY by Robert Heinlein&lt;br /&gt;&lt;b&gt;BRIDESHEAD REVISITED by Evelyn Waugh&lt;br /&gt;&lt;/b&gt;LIGHT IN AUGUST by William Faulkner&lt;br /&gt;&lt;b&gt;ONE FLEW OVER THE CUCKOO'S NEST by Ken Kesey&lt;br /&gt;&lt;/b&gt;&lt;b&gt;A FAREWELL TO ARMS by Ernest Hemingway&lt;br /&gt;&lt;/b&gt;THE SHELTERING SKY by Paul Bowles&lt;br /&gt;SOMETIMES A GREAT NOTION by Ken Kesey&lt;br /&gt;MY ANTONIA by Willa Cather&lt;br /&gt;MULENGRO by Charles de Lint&lt;br /&gt;&lt;b&gt;SUTTREE by Cormac McCarthy&lt;br /&gt;&lt;/b&gt;MYTHAGO WOOD by Robert Holdstock&lt;br /&gt;ILLUSIONS by Richard Bach&lt;br /&gt;THE CUNNING MAN by Robertson Davies&lt;br /&gt;&lt;b&gt;THE SATANIC VERSES by Salman Rushdie&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-5566691200432092108?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/5566691200432092108/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=5566691200432092108' title='216 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5566691200432092108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5566691200432092108'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2009/01/in-2000-board-of-authors-and-literary.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>216</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-3613813434675627002</id><published>2008-12-29T16:55:00.000-08:00</published><updated>2008-12-31T22:22:23.674-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold;"&gt;My favorite films of 2008 - in preferential order&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;No Country For Old Men (Joel Coen, 2007)&lt;br /&gt;Paranoid Park (Gus Van Sant, 2007)&lt;br /&gt;There Will Be Blood (Paul Thomas Anderson, 2007)&lt;br /&gt;Le scaphandre et le papillon (Julian Schnabel, 2007)&lt;br /&gt;Man on Wire (James Marsh, 2008)&lt;br /&gt;Auf der anderen Seite / The Edge of Heaven (That Guy, 2008)&lt;br /&gt;The Wrestler (Darren Aronofsky, 2008)&lt;br /&gt;In Bruges (Martin McDonagh, 2008)&lt;br /&gt;Margot at the Wedding (Noah Baumbach, 2007)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Honorable mentions&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; - no order&lt;/span&gt;&lt;br /&gt;Wendy and Lucy (Kelly Reichardt, 2008)&lt;br /&gt;Happy-Go-Lucky (Mike Leigh, 2008)&lt;br /&gt;Encounters at the End of the World (Werner Herzog, 2008)&lt;br /&gt;L'heure d'été / Summer Hours (Olivier Assayas, 2008)&lt;br /&gt;Before the Devil Knows You're Dead (Sidney Lumet, 2007)&lt;br /&gt;Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008)&lt;br /&gt;3:10 to Yuma (James Mangold, 2007)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Discoveries&lt;/span&gt;&lt;br /&gt;The Offence (Sidney Lumet, 1972)&lt;br /&gt;Tanin no kao / The Face of Another (Hiroshi Teshigahara, 1966)&lt;br /&gt;Vanishing Point (Richard Serafian, 1971)&lt;br /&gt;Kind Hearts and Coronets (The Ealing Dude, 1957)&lt;br /&gt;Madame de... (Max Ophuls, 1953)&lt;br /&gt;Fanny and Alexander (Ingmar Bergman, 1982)&lt;br /&gt;Nashville (Robert Altman, 1975)&lt;br /&gt;Miller's Crossing (Joel Coen, 1990)&lt;br /&gt;Vampyr (Carl Theodor Dreyer, 1932)&lt;br /&gt;Imitation of Life (Douglas Sirk, 1959)&lt;br /&gt;The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)&lt;br /&gt;The House of Mirth (Terence Davies, 2000)&lt;br /&gt;Johnny Guitar (Nicholas Ray, 1954)&lt;br /&gt;Eraserhead (David Lynch, 1977)&lt;br /&gt;The Thin Blue Line (Errol Morris, 1988)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-3613813434675627002?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/3613813434675627002/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=3613813434675627002' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/3613813434675627002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/3613813434675627002'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2008/12/my-favorite-films-of-2008-in.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-1777573920572019432</id><published>2008-12-23T04:17:00.000-08:00</published><updated>2008-12-29T17:00:08.735-08:00</updated><title type='text'></title><content type='html'>&lt;p&gt;Inspired by the posts by FF, Chistie and Cyberdecker, here's my list for 2008!&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;Books read in 2008&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;After Dark, Haruki Murakami&lt;br /&gt;All The Pretty Horses, Cormac McCarthy&lt;br /&gt;Catching the Big Fish, David Lynch&lt;br /&gt;Concrete Island, JG Ballard *&lt;br /&gt;David Lynch, Michel Chion&lt;br /&gt;Divine Invasions: A Life of Philip K Dick, Lawrence Sutin&lt;br /&gt;Exit Ghost, Philip Roth&lt;br /&gt;Fragile Things, Neil Gaiman&lt;br /&gt;Going Sane, Adam Phillips&lt;br /&gt;High-Rise, JG Ballard *&lt;br /&gt;In the Blink of an Eye, Walter Murch&lt;br /&gt;Interviews with Serge Grunberg, David Cronenberg&lt;br /&gt;Lost Paradise, Cees Nooteboom&lt;br /&gt;Miracles of Life, JG Ballard&lt;br /&gt;No Country for Old Men, Cormac McCarthy&lt;br /&gt;On Wings of Song, Thomas M. Disch&lt;br /&gt;One Flew Over the Cuckoo’s Nest, Ken Kesey&lt;br /&gt;Revolutionary Road, Richard Yates&lt;br /&gt;Straw Dogs, John Gray&lt;br /&gt;The 13 Clocks, James Thurber&lt;br /&gt;The Collected Stories of Richard Yates, Richard Yates&lt;br /&gt;The Heart of the Matter, Graham Greene&lt;br /&gt;The Man Who Fell to Earth, Walter Tevis&lt;br /&gt;The Stories of John Cheever, John Cheever&lt;br /&gt;The Three Stigmata of Palmer Eldritch, Philip K Dick&lt;br /&gt;The Varieties of Scientific Experience, Carl Sagan&lt;br /&gt;White Noise, Don DeLillo&lt;br /&gt;Youth Without Youth, Mircea Eliade&lt;br /&gt;Zeroville, Steve Erickson&lt;br /&gt;&lt;/p&gt;&lt;p&gt;29 books. My goal for 2009? 30 books.&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;The best&lt;/span&gt;&lt;br /&gt;The Three Stigmata of Palmer Eldritch&lt;br /&gt;Zeroville&lt;br /&gt;No Country for Old Men&lt;br /&gt;White Noise&lt;br /&gt;All The Pretty Horses&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;The worst&lt;/span&gt;&lt;br /&gt;Youth Without Youth, Mircea Eliade&lt;br /&gt;One Flew Over the Cuckoo’s Nest, Ken Kesey&lt;br /&gt;Fragile Things, Neil Gaiman&lt;br /&gt;On Wings of Song, Thomas M. Disch&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold;"&gt;The re-read&lt;/span&gt;&lt;br /&gt;High-Rise, JG Ballardytos&lt;br /&gt;Concrete Island, JG Ballardytos&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-1777573920572019432?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/1777573920572019432/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=1777573920572019432' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1777573920572019432'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/1777573920572019432'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2008/12/inspired-by-posts-by-ff-chistie-and.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-6323176200514217134</id><published>2008-12-02T07:14:00.000-08:00</published><updated>2008-12-02T07:24:21.975-08:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://scrapetv.com/News/News%20Pages/Entertainment/Images/christian-bale-sweaty.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 160px; height: 200px;" src="http://scrapetv.com/News/News%20Pages/Entertainment/Images/christian-bale-sweaty.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Batman duels box set!&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Batman = Christian Bale.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;Batman x Wolverine: The Prestige&lt;/li&gt;&lt;li&gt;Batman x Gladiator: 3:10 to Yuma&lt;/li&gt;&lt;li&gt;Batman x Bardolatry: A Midsummer Night's Dream&lt;/li&gt;&lt;li&gt;Batman x Hookers: American Psycho&lt;/li&gt;&lt;li&gt;Batman x Baby's On Fire: Velvet Goldmine&lt;/li&gt;&lt;li&gt;Batman x Mace Windu: Shaft&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 160px; height: 200px;" src="http://artaban7.files.wordpress.com/2008/07/adam_west.jpg" border="0" alt="" /&gt;&lt;/li&gt;&lt;li&gt;Batman x Qui-Gon Jinn: Batman Begins&lt;/li&gt;&lt;li&gt;Batman x Obi-Wan Kenobi: Velvet Goldmine&lt;/li&gt;&lt;li&gt;Batman x Wicker Man: Captain Corelli's Mandolin&lt;/li&gt;&lt;li&gt;Batman x Pocahontas: Pocahontas&lt;/li&gt;&lt;li&gt;Batman x Fucking Bruges (Colin Farrell choramingas): The New World&lt;/li&gt;&lt;li&gt;Batman x Gabriel Byrne: Little Women&lt;/li&gt;&lt;li&gt;Batman x Cadillac of the Skies: Empire of the Sun&lt;/li&gt;&lt;li&gt;Batman x Cowboy Gay: The Dark Knight&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-6323176200514217134?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/6323176200514217134/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=6323176200514217134' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6323176200514217134'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6323176200514217134'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2008/12/batman-duels-box-set-batman-christian.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-6764268287850196851</id><published>2008-11-13T08:03:00.001-08:00</published><updated>2008-11-13T08:03:47.872-08:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://static.lulu.com/items/volume_64/4890000/4890493/1/preview/zoom_4890493.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 365px; height: 475px;" src="http://static.lulu.com/items/volume_64/4890000/4890493/1/preview/zoom_4890493.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p&gt;Also coming soon:&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-6764268287850196851?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/6764268287850196851/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=6764268287850196851' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6764268287850196851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6764268287850196851'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2008/11/also-coming-soon.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-6429204601619919860</id><published>2008-11-13T07:45:00.000-08:00</published><updated>2008-11-13T07:49:29.702-08:00</updated><title type='text'></title><content type='html'>&lt;p&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://static.lulu.com/items/volume_62/1055000/1055109/1/preview/zoom_1055109.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 315px; height: 475px;" src="http://static.lulu.com/items/volume_62/1055000/1055109/1/preview/zoom_1055109.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The Apparatus of Death&lt;/p&gt;&lt;p&gt;by James Grebmops&lt;/p&gt;&lt;p&gt;&lt;strong&gt;About the title:&lt;/strong&gt; It is 1934. Nazism is on the rise. In London, mysterious deaths have been occurring. A journalist keen on mysteries decides to unfold the secret: it all goes back to a sinister party at Lord Wendover's mansion in 1914. What started out as a mere game takes on dire consequences as a machine turns out to be able to predict death. What happened that night in 1914? Is the machine really capable of predicting death? Why would the Nazis want to put their hands on it? Who will be the next one to die? Is Detective Greaves to be trusted? Where are the other party guests? Are they in the conspiracy too?&lt;/p&gt;&lt;p&gt;Publication: &lt;a href="http://www.lulu.com/content/1055109"&gt;ON SALE NOW&lt;/a&gt; (NOT SOLD OUT YET)&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-6429204601619919860?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/6429204601619919860/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=6429204601619919860' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6429204601619919860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/6429204601619919860'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2008/11/apparatus-of-death-by-james-grebmops.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-8719772967345095487</id><published>2008-11-13T07:34:00.000-08:00</published><updated>2008-11-13T07:43:41.450-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight:bold;"&gt;Coming soon by James Grebmops&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.power-tech-associates.com/dummycovers/banner.php?title=INSTANT+BOOKS!&amp;amp;maintitle=YOUR+BOOK&amp;amp;maintitle1=OF+NOVELS&amp;amp;descri=A+guide+to+making+amateur+novels+with+advice+on+pages%2C+paginagem%2C+words%2C+fonts&amp;amp;bubble=FREE+NOVEL+Creator+From+James+Grebmops&amp;amp;book=DUMMIES&amp;amp;tag=2006&amp;amp;Submit=GENERATE"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 319px; height: 400px;" src="http://www.power-tech-associates.com/dummycovers/banner.php?title=INSTANT+BOOKS!&amp;amp;maintitle=YOUR+BOOK&amp;amp;maintitle1=OF+NOVELS&amp;amp;descri=A+guide+to+making+amateur+novels+with+advice+on+pages%2C+paginagem%2C+words%2C+fonts&amp;amp;bubble=FREE+NOVEL+Creator+From+James+Grebmops&amp;amp;book=DUMMIES&amp;amp;tag=2006&amp;amp;Submit=GENERATE" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Your Book of Novels&lt;br /&gt;by James Grebmops&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;About this title:&lt;/span&gt; A guide to making amateur novels with advice on pages, &lt;span style="font-style:italic;"&gt;paginagem&lt;/span&gt;, words, fonts, and publishing on Lulu.com. Release: March 2009&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-8719772967345095487?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/8719772967345095487/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=8719772967345095487' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/8719772967345095487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/8719772967345095487'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2008/11/coming-soon-by-james-grebmops-your-book.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-340552350961155196</id><published>2008-11-11T16:20:00.000-08:00</published><updated>2008-11-11T16:22:39.044-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight:bold;"&gt;Dead fishes and fresh fruit: J.D. Salinger's "A Perfect Day for Bananafish"&lt;/span&gt;&lt;br /&gt;by James Grebmops&lt;br /&gt;&lt;br /&gt;J.D. Salinger's famous short story, "A Perfect Day for Bananafish" has been one of his most celebrated, and is largely responsible, along with _Catcher in the Rye_, for the author's reputation. Despite the fact that bananafish is a part of American culture, and many believe it actually exists, it is a creation of the main character in the story, Seymour Glass, about the last day of his life, during his honeymoon on Florida with his wife Muriel. &lt;br /&gt;&lt;br /&gt;An area of contention in literary studies is the question of bananafish, a fictional species of fish discussed in the short story. Many, including noted literary critic Andrea Treadle, have seen in bananafish a symbol for Seymour's latent sexuality and possibly pedophilia. (21) However, recent Marxist criticism, championed mainly by Bishop (1995) have surfaced on which it is a symbol for the emptiness of bourgeois middle-class American society of the 1940s. (89) I will discuss in this essay how Bishop's theory supercedes Treadle's argumentation by interpreting the short story.&lt;br /&gt;&lt;br /&gt;Treadle's claim for latent sexuality and pedophilia on Seymour's part is due to the fact that Seymour, while on the beach, plays with a young girl, Sybil, and makes up the story about bananafish as part of a game they were playing. Sybil, as far as the reader can tell, nurtures a sort of childhood crush on Seymour, one that he is possibly very aware of, as he plays along with Sybil's expectations and even jealousy, as he teases her about a  possible rival: "Sharon Lipschutz knows where she lives and she's only three and a half." (Salinger 12)&lt;br /&gt;&lt;br /&gt;Before, Seymour has been discussed about by his wife Muriel and her mother as a man who is possibly losing his mind, and everyone is worried about him. He stays for a long time on the beach with his bathrobe on but does not try to get in the water before Sybil comes to get him. While they play on the water, Seymour makes up the story about bananafish to amuse the little girl:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Well, they swim into a hole where there's a lot of          bananas. They're very ordinary- looking fish when they swim in. But once they get in, they behave like pigs. Why,  I've known some bananafish to swim into a banana hole and eat as many as seventy- eight bananas." ... "Naturally, after that they're so fat they can't get out of the  hole again. Can't fit through the door." (Salinger 15)&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;The solution, according to Seymour, is only death, as the bananafish get "banana fever" (15). Treadle has noted the sexual undertones of this scene, with a delicate confusion between childhood innocence by Sybil being misunderstood in Seymour's case as sexual attraction. He is constantly grabbing her ankles at one point even kisses her feet. And, according to treadle, a banana is also a phallic symbol, one that relates to Seymour's sexuality. (Treadle 23) His wife's discussion of him as if he were a sick man indicates that his sexual life is not very active or healthy. (ibid)&lt;br /&gt;&lt;br /&gt;Bishop, however, has a more cogent interpretation of the role of bananafish. After playing with Sybil, Seymour goes back to the hotel, gets to his room, gets a gun and finally kills himself on the spot. For Bishop, the bananafish do not relate with sexuality at all (90) but with the mores of the middle-class bourgeoisie he belongs. He sees Seymour himself as a kind of bananafish, a made-up, fake and imaginary creature, that has no purpose in life but to eat compusively bananas, on indulge in a repeated action without consideration. For Bishop, this is the modus operandi of his class regarding capitalism.&lt;br /&gt;&lt;br /&gt;This relates even more powerfully with the descriptions of Muriel's clothing and some of her vocabulary, constantly worried about consumerism: "She moved the button on her Saks blouse." (Salinger 3) And with Seymour's last action before his suicide, in which he confronts a woman that stereotypically embodies the class to which Seymour belongs and does not fit, as she stares at his feet. (Bishop 90) The episode with Sybil may be somewhat suggestive of a sexual encounter, but its tone is much too playful and naïve to be regarded as such. It seems Seymour is only relating to the purity of a child's mind, one that is still unspoiled by class moralities and hypocrisies. Seymour, finding himself unable to escape or relate to his new life, figuratively gets "banana fever" and has to die.&lt;br /&gt;&lt;br /&gt;Works cited&lt;br /&gt;Bishop, M. Thokatrops Castle: A Study of Literary Genres. New York: Vintage, 1994.&lt;br /&gt;Salinger, J.D. Nine Stories. New York: Little, Brown and Company, 1991.&lt;br /&gt;Treadle, Andrea. Towards a Classicpunk Manifesto. London: Castle Press, 2001.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-340552350961155196?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/340552350961155196/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=340552350961155196' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/340552350961155196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/340552350961155196'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2008/11/dead-fishes-and-fresh-fruit-j.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-5349792045894821471</id><published>2006-12-13T19:58:00.000-08:00</published><updated>2006-12-14T08:52:40.726-08:00</updated><title type='text'></title><content type='html'>A poem for my new fans.&lt;br /&gt;&lt;br /&gt;It's called &lt;span style="font-weight: bold;"&gt;The Ramen of the Ancient Mariner&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;It is an ancient mariner, and &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;he stoppeth one of three.&lt;/span&gt;&lt;br /&gt;He asketh, "Spare me some the time of&lt;br /&gt;day, me brother?" The wedding-guest,&lt;br /&gt;moogingly lifted his mortified pride&lt;br /&gt;and struck the ancient mariner with&lt;br /&gt;a blow in the&lt;br /&gt;groins.&lt;br /&gt;&lt;br /&gt;Grabbing his &lt;span style="font-weight: bold;"&gt;groobie&lt;/span&gt;, the mariner&lt;br /&gt;sayeth: "Wedding-guest out of&lt;br /&gt;Pythagoras' circular academe&lt;br /&gt;of hell, listen to my tale. Piles&lt;br /&gt;of blood floweth when I found&lt;br /&gt;the flaggingly upper crust of&lt;br /&gt;death in the sea."&lt;br /&gt;&lt;br /&gt;"It began with the bird of seasickness&lt;br /&gt;bringing bouts of persuasion and&lt;br /&gt;scurvy to our swashbuckley buck of&lt;br /&gt;swishing swashing cotton swabs&lt;br /&gt;of adventure. 'Tis but an albatross,"&lt;br /&gt;I said, but I wanted dead fishes.&lt;br /&gt;&lt;br /&gt;"He looks good enough to eat,"&lt;br /&gt;nervously whispered the jogging&lt;br /&gt;manatee's eyes. With a hand to my&lt;br /&gt;gun, I unloaded fear desperation&lt;br /&gt;love obsession pride in one burst&lt;br /&gt;of BLAM.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;I shot the albatross.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The manatee's poor judgment&lt;br /&gt;led me to rebusquely consider&lt;br /&gt;and scrutinize the cabinman's&lt;br /&gt;infected furuncle. Dripping pus&lt;br /&gt;in piles of sulphorous tears:&lt;br /&gt;for albatross meat is worse&lt;br /&gt;than chili breezes.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-5349792045894821471?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/5349792045894821471/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=5349792045894821471' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5349792045894821471'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/5349792045894821471'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/12/poem-for-my-new-fans.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115879976271703759</id><published>2006-09-20T17:48:00.000-07:00</published><updated>2006-12-11T17:39:30.615-08:00</updated><title type='text'></title><content type='html'>Someone set us up the bomb.&lt;br /&gt;&lt;br /&gt;Inspired by Bernardo's cut-up technique of citations from songs and literature based on the headline poem, I decided to do mine with quotes from historical figures.&lt;br /&gt;&lt;br /&gt;FISHBONES&lt;br /&gt;"Quis custodiet ipsos custodes?" - Juvenal&lt;br /&gt;&lt;br /&gt;The arsenal of righteouness&lt;br /&gt;begin with sewing machines&lt;br /&gt;and makes an independent country.&lt;br /&gt;&lt;br /&gt;It is subject to advance&lt;br /&gt;planning; it is an&lt;br /&gt;instrument of peace.&lt;br /&gt;&lt;br /&gt;Beyond - there is a&lt;br /&gt;different country.&lt;br /&gt;&lt;br /&gt;FLUIDS!&lt;br /&gt;I am become death,&lt;br /&gt;the destroyer of worlds.&lt;br /&gt;&lt;br /&gt;Now I am only bone&lt;br /&gt;I waited for peace&lt;br /&gt;And here is my peace.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115879976271703759?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115879976271703759/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115879976271703759' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115879976271703759'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115879976271703759'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/09/someone-set-us-up-bomb.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115741336416417532</id><published>2006-09-04T16:37:00.000-07:00</published><updated>2006-12-11T17:39:27.506-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold;"&gt;War was beginning .&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;New poem, everyone. This will soon become a song in our next album, Arsenal XII (actually TEN). It's called "&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;The Dead Fish"&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;Wandering lonely as a cloud&lt;br /&gt;I came up to this empty beach.&lt;br /&gt;Hear the befuddling fuddle of&lt;br /&gt;the sea. On the sand, there&lt;br /&gt;lied the dead, dead, dead fish.&lt;br /&gt;&lt;br /&gt;Fish, fish, fishy fishy fish.&lt;br /&gt;Why do you ignore me?&lt;br /&gt;Is it because of the stupefying stench&lt;br /&gt;If this varnished morning, for&lt;br /&gt;dead fish is worse than chili breezes.&lt;br /&gt;&lt;a href="http://www.oswego.edu/%7Eouellett/dead%20fish%20L.N.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 200px;" src="http://www.oswego.edu/%7Eouellett/dead%20fish%20L.N.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I took the rotting fish, and&lt;br /&gt;decomposing bits fell to the side.&lt;br /&gt;Was not the fish only a vessel&lt;br /&gt;The vessel of life?&lt;br /&gt;Now its foobly stare lies dead&lt;br /&gt;like a blemished &lt;span style="font-weight: bold;"&gt;tartutik&lt;/span&gt;&lt;br /&gt;It followed me wherever I did go.&lt;br /&gt;&lt;br /&gt;Gloobily scales that once&lt;br /&gt;swam the vast and deepest depths of&lt;br /&gt;the deep sea now rotted in my hand.&lt;br /&gt;It spoke, go, now.&lt;br /&gt;For now I understood what&lt;br /&gt;the message this bottle carried.&lt;br /&gt;No matter.&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115741336416417532?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115741336416417532/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115741336416417532' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115741336416417532'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115741336416417532'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/09/war-was-beginning.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115725812740904456</id><published>2006-09-02T21:32:00.001-07:00</published><updated>2006-12-11T17:39:25.551-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold;"&gt;What you say &lt;/span&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;??&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;I have a new poem, this is called "&lt;span style="font-weight: bold;"&gt;The Lake Island of THRaKaTTaK&lt;/span&gt;"&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;See, see the gruesome sky &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Marvel at its big grey-greyish depths.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Tell me, John do you &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Wonder why the monkee ignores you?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Why its foobly stare   &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;makes you feel peckish. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;I can tell you, it is   &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Worried by your greblolzor facial growth &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;That looks like &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;A monkey brain.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;What's more, it knows&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Your apperception potting shed&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Smells of lumpy orb.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Everything under the big gruesome sky&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Asks why, why do you even bother?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;You only charm chili breezes.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115725812740904456?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115725812740904456/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115725812740904456' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115725812740904456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115725812740904456'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/09/what-you-say-i-have-new-poem-this-is_02.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115725425595454651</id><published>2006-09-02T20:25:00.000-07:00</published><updated>2006-12-11T17:39:23.585-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold;"&gt;It's you &lt;span style="font-style: italic;"&gt;!!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;I wrote this poem tonight, just for you. It's called "&lt;span style="font-weight: bold;"&gt;Whenever I go out at 3 AM to buy bread&lt;/span&gt;"&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;riverrun the quest of peasant&lt;br /&gt;hovering over the grover unger-goer&lt;br /&gt;mopper mop, sharks have no lungs&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/7801/50/1600/seal.gif"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 206px; height: 206px;" src="http://photos1.blogger.com/blogger/7801/50/320/seal.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;(or do they? I'm not a marine biologist)&lt;br /&gt;&lt;br /&gt;until I saw something horrible&lt;br /&gt;it spoke to me: GERONTOPHILIA.&lt;br /&gt;as the roadkill scrummied&lt;br /&gt;on the asphalt, the dead badger&lt;br /&gt;flew out of the hunchback's crotch.&lt;br /&gt;&lt;br /&gt;"there is no right or wrong&lt;br /&gt;all I have is my sense of&lt;br /&gt;castle of illusionment."&lt;br /&gt;&lt;br /&gt;i'm in a monkee spacey moogie&lt;br /&gt;travelling a hundred miles a&lt;br /&gt;minute&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115725425595454651?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115725425595454651/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115725425595454651' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115725425595454651'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115725425595454651'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/09/its-you-i-wrote-this-poem-tonight-just.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115655398951861672</id><published>2006-08-25T17:46:00.000-07:00</published><updated>2006-12-11T17:38:27.412-08:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; font-style: italic;"&gt;For great justice !!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.criticdoctor.com/interviews/1images/ebert3.JPG"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 106px; height: 162px;" src="http://www.criticdoctor.com/interviews/1images/ebert3.JPG" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Types of critic&lt;/span&gt;&lt;br /&gt;In the virtual world we often come across all sorts of figures: walking encyclopedias, biographers, headline-men, amateur filmmakers, filmmakers with a diploma from UFF, among others.&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Star Critic&lt;/span&gt;: the star critic has his own website, watches movies in previews, gets money from ads and hosts his own TV show. His comments are usually obvious observations, summaries, and useless lists. Reflects popular taste.&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Amateur Star Critic&lt;/span&gt;: often with a UFF  diploma, has his own website and/or blog and several short movies in his resumé. Thinks he's pretty smart because his monograph on &lt;span style="font-style: italic;"&gt;Star Wars&lt;/span&gt; or &lt;span style="font-style: italic;"&gt;Star Trek&lt;/span&gt; got an A, but spends most of his time rehashing other people's reviews. A repressed fascist, hates to discuss and abuses his power. Example: Lao Joe is Moo&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Headline-Men:&lt;/span&gt; Ubiquitous in forums and mailing lists, he's always posting the latest news - from Jennifer Lopez' new hairdo to befuddling comments by George Lucas. Lacking personality and half a brain, likes to hang around star critics (either amateur or professional) and often answers with monossilabic comments. Can't spell to save his life.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Biographer:&lt;/span&gt; the biographer is an amateur star-critic that takes his "job" WAY too seriously. Spends years building up his "arsenal", collecting materials from &lt;span style="font-style: italic;"&gt;Star Wars&lt;/span&gt; novelizations to Darth Vader mugs (and ultra-rare "lobby cards"!). In his spare time, writes "screenplays" and fantasizes about sending them to Steven Spielberg or George Lucas. Often praises Hitchcock and Welles in his reviews, but would take &lt;span style="font-style: italic;"&gt;Jurassic Park&lt;/span&gt; over them any day.&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;The friendly:&lt;/span&gt; like Headline-Man, likes to hang around star critics, but does not have enough energy to find interesting news. Therefore, only provides monossilabic commentary.&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Braindead/junkie&lt;/span&gt;: watches all the right movies, but when he gets down to it, he's only able to come up with stuff like: &lt;span style="font-style: italic;"&gt;"Movie X r0x. Mega powerups! Waka jawaka! Thokatrops!"&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;The cynical: &lt;/span&gt;Thinks he's way smarter than all the other critics put together, and spends most of his time making fun of them. His reviews are chock full of obscure jokes that only 2.4 people out of a hundred are able to understand. Whenever he's not criticizing movies he has seen, he's criticizing those he hasn't.&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115655398951861672?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115655398951861672/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115655398951861672' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115655398951861672'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115655398951861672'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/08/for-great-justice-types-of-critic-in.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115635349816617200</id><published>2006-08-23T10:12:00.001-07:00</published><updated>2006-08-25T23:36:06.120-07:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://newsimg.bbc.co.uk/media/images/41867000/jpg/_41867840_dylan_ap203b.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 200px;" src="http://newsimg.bbc.co.uk/media/images/41867000/jpg/_41867840_dylan_ap203b.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Take off every 'zig' !!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Veteran singer Bob Dylan has called the quality of modern music recordings "atrocious" and "worth nothing"&lt;/span&gt;&lt;b style="font-style: italic;"&gt;. &lt;/b&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;In an interview with Rolling Stone magazine, the 65-year-old said: "There's no definition of nothing, no nothing, just like... static". &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;He also failed to denounce illegal music downloads, saying: "Well, why not? It ain't worth nothing anyway." &lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;"You listen to these modern records, they're atrocious, they have sound all over them," he said.&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt; "I don't know anybody who's made a record that sounds decent in the past 20 years, really. (&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-style: italic;"&gt;From &lt;/span&gt;&lt;a style="font-style: italic;" href="http://news.bbc.co.uk/2/hi/entertainment/5277574.stm"&gt;BBC News)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;As a musician/composer myself, I have the right to feel offended by Mr. Dylan's words. But I am sure he did not mean me or my band, because we are not that famous yet, so I can forgive him. After all, I agree with him to a certain point. Cheers&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115635349816617200?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115635349816617200/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115635349816617200' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115635349816617200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115635349816617200'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/08/take-off-every-zig-veteran-singer-bob_23.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115634453587459254</id><published>2006-08-23T07:45:00.000-07:00</published><updated>2006-12-25T09:21:14.327-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://maclaine.1138.googlepages.com/bear.jpg/bear-large.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 200px;" src="http://maclaine.1138.googlepages.com/bear.jpg/bear-large.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;We get signal.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;These are my favorite movies:&lt;br /&gt;* &lt;span style="font-weight: bold;"&gt;Charley Varrick&lt;/span&gt;: thieves rob a bank and the mob goes after them.&lt;br /&gt;* &lt;span style="font-weight: bold;"&gt;Willy Wonka&lt;/span&gt;: five kids go after the golden ticket which will allow visit to chocolate factory.&lt;br /&gt;* &lt;span style="font-weight: bold;"&gt;Rosemary's Baby&lt;/span&gt;: Beelzebub's son is generated.&lt;br /&gt;* &lt;span style="font-weight: bold;"&gt;Perfume of Woman&lt;/span&gt;: the tango and the Ferrari say more than the history.&lt;br /&gt;* &lt;span style="font-weight: bold;"&gt;The Fortress&lt;/span&gt;: Australian of horror in which nine kids and a teacher are kidnapped, probably based on Kafka's The Castle.&lt;br /&gt;* &lt;span style="font-weight: bold;"&gt;The Illuminated&lt;/span&gt;: the isolation in the Hotel Overlook would leave Jack crazy, after all, no TV and no beer...&lt;br /&gt;* &lt;span style="font-weight: bold;"&gt;The Boys From Brazil&lt;/span&gt;: Cloning and nazism. Suspense of first line about ideas of a nazist medic to revive Hitler.&lt;br /&gt;&lt;br /&gt;None of these movies, however, contain any bears, or farmers, or even Jennifer Lopez. This has worried me for quite sometime, because it is well-known that a sucessful movie must contain at least one of the above elements. I guess it's not really a problem, since my new favorite movie is &lt;span style="font-weight: bold;"&gt;A Place to Rebegin&lt;/span&gt;, a movie that has a) A BEAR, b) TWO (possibly homosexual) FARMERS, and c) JENNIFER LOPEZ. Warrant quality.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115634453587459254?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115634453587459254/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115634453587459254' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115634453587459254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115634453587459254'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/08/we-get-signal.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33221209.post-115634304661796697</id><published>2006-08-23T07:12:00.000-07:00</published><updated>2006-08-23T07:49:12.186-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight:bold;"&gt;How are you gentlemen !!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/7801/50/1600/Picture%202.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/7801/50/200/Picture%202.png" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;Greetings, everyone. Welcome to this blog. Here are a couple of links of resources for researching, writing, and teaching:&lt;br /&gt;&lt;br /&gt;* &lt;a href="http://andromeda.rutgers.edu/~jlynch/Writing/links.html"&gt;Resources for Writers and Writing Instructors&lt;/a&gt;&lt;br /&gt;* &lt;a href="http://andromeda.rutgers.edu/~jlynch/Writing/"&gt;Guide to Grammar and Style&lt;/a&gt;&lt;br /&gt;* &lt;a href="http://aldaily.com/"&gt;Arts &amp; Letters Daily&lt;/a&gt;&lt;br /&gt;* &lt;a href="http://www.somethingawful.com/"&gt;Resources: Academic Research&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And I could not forget the single most informative page on the whole web:&lt;br /&gt;* &lt;a href="http://uncyclopedia.org/wiki/Main_Page"&gt;Wikipedia&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33221209-115634304661796697?l=grebmops.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grebmops.blogspot.com/feeds/115634304661796697/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33221209&amp;postID=115634304661796697' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115634304661796697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33221209/posts/default/115634304661796697'/><link rel='alternate' type='text/html' href='http://grebmops.blogspot.com/2006/08/how-are-you-gentlemen-greetings.html' title=''/><author><name>Grebmops</name><uri>http://www.blogger.com/profile/03852010749335718552</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/-yRBDqvYDLoc/TwUWWoamO6I/AAAAAAAAEqw/h4Bc1wHUieo/s220/madmen_icon010511.jpg'/></author><thr:total>1</thr:total></entry></feed>
